ISBN: 978-0-9542586-7-2
Foreword by Carlo Gebler, The novel is a capacious suitcase and the writer is free to stuff in as much as the writer wants just as long as the zip can be fastened somehow at the end in order that the novel can then go out on its journey around the world. The novel is elastic and sturdy and can contain, within limits, a certain amount of unnecessary content or the odd unwarranted addition or even the occasional infelicitous phrase or passage. It is true, I know, that the modern taste is for novels that are sleek, efficient and stripped down, yet we still have a place in our hearts (or I do anyway) for Dickens with his endless circumlocutions or Carleton with his interminable passages of dialogue, and for all those other writers whose fiction is occasionally windy or discursive. The short story, on the other hand, is altogether a different beast; if the novel is a suitcase (and I am sorry to extend this metaphor but now I’ve started I might as well finish) then the short story is a small snug wallet (or purse, if you must) which can only hold a little loose change, a couple of cards, a few bank notes and a picture of a loved one or two; and that is it, it can hold nothing more. In the short story there is no room for unnecessary content or the odd unwarranted addition or the occasional infelicitous phrase or passage. In the short story, content, narrative development and the deployment of language must be perfect and if they aren’t readers are quick to lose first heart and then interest. That is why the short story is so very hard write and to get right. It can contain only what is necessary and absolutely nothing else and working out what is necessary and removing everything else can often take the writer a very long time. George Bernard Shaw (in the context of writing a letter, I know, but that doesn’t matter, his wise words apply just as much to short fiction) put his finger nicely on this problem when he wrote, ‘I’m sorry I have written you such a long letter but I didn’t have time to write you a short one.’ To get it right takes time and patience, and a determination to re-write and re-write until it is right must be the short fiction writer’s motto. The stories submitted to this year’s Fish Short Story Prize were universally strong and good and from these the judges have selected three winners, we believe, of exceptional virtue. To these writers I would say they must write more, the quality of the work demands this; however, I would add this encomium applies equally to everyone else who submitted work for consideration. The only way to become a better writer, or a better writer in this case of short fiction, is to do it some more, and after that to do it some more again. That’s the only system for writing better that there is. Carlo Gébler, Judge Fish Short Story Prize May 2008
Forward I | Carlo Gebler |
Forwar II | Vanessa Gebbie |
Foreword III | Micheal Thorsnes |
Acknowledgements | Clem Cairns |
Harlem River Blues | Julia Van Middlesworth |
We will go On Ahead and Wait for You | Michael Logan |
The Stolen Sheela Ni Gig of Aghagower Speaks | Jean O’Brien |
The Burnng | Clare Girvan |
Kilmainham Dawn | Michele McGrath |
The Ryan’s Daughter | Linda Evans |
Midnight Mark | Ray Sparvell |
In Between | Justine Mann |
Fall River, August 1892 | Sarah Hilary |
Schottische (to the tune of ‘A Trip to Sligo’) | John Bolland |
Woman Want | Bruce Sterling |
To Be An Angel | Douglas Bruton |
The Benefits of Arsenic | Niamh Russell |
The Silver Stopper | Sarah Line Letellier |
Old Town Mazatlan | Laurence O’Dwyer |
The Point of Impact | Gary Malone |
The Sandmen of Syracuse | Stuart Delves |
Tymes of Monsters | Lynda McDonald |
Blear | Alan Murphy |
Babies’ Breath | Kathy Coogan |
Train of Thought | Elizabeth Kuzara |
All Stations to Epping | Kelly O’Reilly |
The Basket | Nick Hodgkinson |
Who Picked Krivokapic’s Brain | Andrew Geddes |
In the Midst of Life . . . | Mary Anne Perkins |
Life and Letters | Paul Brownsey |
The Job of Sex | Sarah Dunakey |
My Name Is for My Friends | Keven Schnadig |
The Sons of Cain | Patrick Holland |
Milk Run | Bruce Stirling |
The Hen Party | Janis Freegard |
Deceased Effects | Sally Anne Adams |
Anything for You | Sophie Littlefield |
(The Theme from) Love Story | Kurt Ackermann |
Taking the King’s Shilling | Min Lee |
North Lake | Leland James |
Soon you Won’t See Me | Wes Lee |
The Busters | Fiona Ritchie Walker |
White Crayons | Gordon Hopkins |
The Eyam Stones | Sarah Hilary |
The True History of Bona Lombarda | Valerie Waterhouse |
The David, Our David | Susan Keith |