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Fish Anthology 2008 – Harlem River Blues

ISBN: 978-0-9542586-7-2

Foreword by Carlo Gebler, The novel is a capacious suitcase and the writer is free to stuff in as much as the writer wants just as long as the zip can be fastened somehow at the end in order that the novel can then go out on its journey around the world.  The novel is elastic and sturdy and can contain, within limits, a certain amount of unnecessary content or the odd unwarranted addition or even the occasional infelicitous phrase or passage.  It is true, I know, that the modern taste is for novels that are sleek, efficient and stripped down, yet we still have a place in our hearts (or I do anyway) for Dickens with his endless circumlocutions or Carleton with his interminable passages of dialogue, and for all those other writers whose fiction is occasionally windy or discursive. The short story, on the other hand, is altogether a different beast; if the novel is a suitcase (and I am sorry to extend this metaphor but now I’ve started I might as well finish) then the short story is a small snug wallet (or purse, if you must) which can only hold a little loose change, a couple of cards, a few bank notes and a picture of a loved one or two; and that is it, it can hold nothing more. In the short story there is no room for unnecessary content or the odd unwarranted addition or the occasional infelicitous phrase or passage.  In the short story, content, narrative development and the deployment of language must be perfect and if they aren’t readers are quick to lose first heart and then interest.  That is why the short story is so very hard write and to get right.  It can contain only what is necessary and absolutely nothing else and working out what is necessary and removing everything else can often take the writer a very long time. George Bernard Shaw (in the context of writing a letter, I know, but that doesn’t matter, his wise words apply just as much to short fiction) put his finger nicely on this problem when he wrote, ‘I’m sorry I have written you such a long letter but I didn’t have time to write you a short one.’  To get it right takes time and patience, and a determination to re-write and re-write until it is right must be the short fiction writer’s motto. The stories submitted to this year’s Fish Short Story Prize were universally strong and good and from these the judges have selected three winners, we believe, of exceptional virtue.  To these writers I would say they must write more, the quality of the work demands this; however, I would add this encomium applies equally to everyone else who submitted work for consideration.  The only way to become a better writer, or a better writer in this case of short fiction, is to do it some more, and after that to do it some more again.  That’s the only system for writing better that there is. Carlo Gébler, Judge Fish Short Story Prize May 2008

Contents

Forward I Carlo Gebler
Forwar II Vanessa Gebbie
Foreword III Micheal Thorsnes
Acknowledgements Clem Cairns
Harlem River Blues Julia Van Middlesworth
We will go On Ahead and Wait for You Michael Logan
The Stolen Sheela Ni Gig of Aghagower Speaks Jean O’Brien
The Burnng Clare Girvan
Kilmainham Dawn Michele McGrath
The Ryan’s Daughter Linda Evans
Midnight Mark Ray Sparvell
In Between Justine Mann
Fall River, August 1892 Sarah Hilary
Schottische (to the tune of ‘A Trip to Sligo’) John Bolland
Woman Want Bruce Sterling
To Be An Angel Douglas Bruton
The Benefits of Arsenic Niamh Russell
The Silver Stopper Sarah Line Letellier
Old Town Mazatlan Laurence O’Dwyer
The Point of Impact Gary Malone
The Sandmen of Syracuse Stuart Delves
Tymes of Monsters Lynda McDonald
Blear Alan Murphy
Babies’ Breath Kathy Coogan
Train of Thought Elizabeth Kuzara
All Stations to Epping Kelly O’Reilly
The Basket Nick Hodgkinson
Who Picked Krivokapic’s Brain Andrew Geddes
In the Midst of Life . . . Mary Anne Perkins
Life and Letters Paul Brownsey
The Job of Sex Sarah Dunakey
My Name Is for My Friends Keven Schnadig
The Sons of Cain Patrick Holland
Milk Run Bruce Stirling
The Hen Party Janis Freegard
Deceased Effects Sally Anne Adams
Anything for You Sophie Littlefield
(The Theme from) Love Story Kurt Ackermann
Taking the King’s Shilling Min Lee
North Lake Leland James
Soon you Won’t See Me Wes Lee
The Busters Fiona Ritchie Walker
White Crayons Gordon Hopkins
The Eyam Stones Sarah Hilary
The True History of Bona Lombarda Valerie Waterhouse
The David, Our David Susan Keith

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