Past Winners of Fish Writing Contests.
Many of the authors who have their story published in the Annual Fish Anthology, have subsequently had further publications and even gone on to be house-hold names. Fish Writers.
Here is a list of the overall winners. To find all of the authors published in Fish Anthologies, see Fish Books.
Read Extracts from Fish Anthologies
1996: The Stranger by Molly McCloskey (biography)
1997: Dog Days by Karl Iagnemma (biography)
1998: Scrap Magic by Richard O’Reilly
1999: From the Bering Strait by Gina Ochsner (read)
2000: Five O’Clock Shadow Kathryn Hughes 2001: Asylum 1928 by Maureen E. O’Neill (read)
2002: Franklin’s Grace by Catherine L. Dowd
2003: Feathers & Cigarettes by Andrew Lloyd-Jones (read)
2004: Spoonface by Freda Churches
2005: The Mountains of Mars by Marc Phillips (biography)
2006: Grandmother, Girl, Wolf by Katie Henderson
2007: A Paper Heart Is Beating, A Paper Boat Sets Sail by Kathleen Murray (read)
2008: Harlem River Blues by Julia Van Middlesworth
2009: Ten Pint Ted by Ian Wild (read)
2010: A Matter of Luck by Jane Camens
2011: The Space Between Louis and Me by Mary O’Donnell (read)
2012: Roommates by Linda Heurin
2013: The Nut Machine by Sally Franicevich
2014: Taylor Keith by David Butler
2015: The Pace of Change by Chris Weldon
2016: Frogs; The City by Aengus Murray
2017: Dead Souls by Sean Lusk
2018: Clippings by Helen Chambers
2019: Wakkanai Station by Richard Lambert
2020: 25:13 by Tracey Slaughter
2021: A Correspondence by Mark Martin
2022: The Days by Shannon Shavvas
2023: Vietnam by Letty Butler
2004: Countdown to Ecstasy by Adrian Wistreich
2005: Postcard From New York by Tom Murry
2005: Believe It by Brian Tiernan
2006: Out of Order by Clorinda Smith
2007: Skaters by Patricia Middleton
2008: Will we go on Ahead and Wait for You by Michael Logan
2009: In the Car by Bernadette M. Smyth
2010: Darling Mummy by Zoe Sinclair
2011: The Long Wet Grass by Seamus Scanlon (read)
2012: Serene Suburban Sunday by John Mulligan
2013: Jennifer’s Piano by Ken Elkes
2014: A Theory of Relativity by Sally Ashton
2015: Trashfish by Chloe Wilson
2016: The Young Brown Bear by Julie Netherton
2017: Lost by Lindsay Fisher
2018: The Chemistry of Living Things
2019: Teavarran by Louise Swingler
2020: Morning Routine by Kim Catanzarite
2021: Both On and Off by Jack Barker-Clark
2022: The Stone Cottage by Partridge Boswell
2023: First Steps in Probability by Susan Wigmore
2006: The Siren Lovers by Richard Rudd
2007: The Island Grows on Me by Tim Lenton
2008: The Stolen Sheela Ni Gig of Aghagower Speaks by Jean O’Brien
2009: The Locksmith by Annie Atkins
2010: Limbo by Catherine Phil MacCarthy
2011: string theory by Ken Taylor
2012: What Remains by Martin Childs
2013: Against Forgetting by Andy Kissane
2014: Pacific Rim by Chris Andrews
2015: Saint John’s Primary School Nativity. Nineteen Years On. by Tessa Maude
2016: Death of a Refugee by Ciaran O’Rourke
2017: Paris, 13 November 2015 by Róisín Kelly
2018: Vernacular Green by Janet Murray
2019: Not My Michael Furey by A M Cousins
2020: Father by Peggy McCarthy
2021: Letter to Dowsie, from Roethke in Ireland by Greg Rappleye
2022: The Life Galleries, Kelvingrove by Susan Shepherd
2023: The Scene Without by Winifred Hughes
2012: Music Today? by Stephen Policoff
2013: Luscus by Maureen Boyle
2014: In the Dark Garden by Kirstin Zhang
2015: Throat of Morning by Wendell Hawken
2016: The Way I Tell It by Angela Readman
2017: Pay Attention by Paul McGranaghan
2018: What Was Once A City by Marion Molteno
2019: Fejira // to cross by Bairbre Flood
2020: Buck Rabbit by Noelle McCarthy
2021: Blood and Roses by Mary E Black
2022: Thirteen Ways of Interrogating an Incident by Wally Suphap
2023: My Mother’s Daughter by Anneke Bender
Vivid, astute, gripping, evocative. These stories utterly transported me. – Sarah Hall (Short Story)
In the landscape of emotion and folly, Flash writers are a fearless lot – these stories prove it. – Michelle Elvy (Flash Fiction)
… combining the personal and particular with the universal, each touching in surprising ways … experiences that burn deep, that need to be told. – Sean Lusk (Memoir)
Strong poems. First place is a poem I wish I’d written! – Billy Collins (Poetry)
More… a showcase of disquiet, tension, subversion and surprise …
so many skilled pieces … gem-like, compressed and glinting, little worlds in entirety that refracted life and ideas … What a joy!
– Sarah Hall
… memoirs pinpointing precise
feelings of loss and longing and desire.
– Sean Lusk
What a pleasure to watch these poets’ minds at work, guiding us this way and that.
– Billy Collins
‘… delightful, lively send-up … A vivid imagination is at play here, and a fine frenzy is the result.’ – Billy Collins
‘… laying frames of scenic detail to compose a lyric collage … enticing … resonates compellingly. … explosive off-screen drama arises through subtly-selected detail. Sharp, clever, economical, tongue-in-cheek.’ – Tracey Slaughter
Brave stories of danger and heart and sincerity.
Some risk everything outright, some are desperately quiet, but their intensity lies in what is unsaid and off the page.
These are brilliant pieces from bright, new voices.
A thrill to read.
~ Emily Ruskovich
I could see great stretches of imagination. I saw experimentation. I saw novelty with voice and style. I saw sentences that embraced both meaning and music. ~ Colum McCann
MoreThese glorious pieces have spun across the globe – pit-stopping in Japan, the Aussie outback, Vancouver, Paris, Amsterdam and our own Hibernian shores – traversing times past, present and imagined future as deftly as they mine the secret tunnels of the human heart. Enjoy the cavalcade. – Mia Gallagher
MoreThe standard is high, in terms of the emotional impact these writers managed to wring from just a few pages. – Billy O’Callaghan
Loop-de-loopy, fizz, and dazzle … unique and compelling—compressed, expansive, and surprising. – Sherrie Flick
Every page oozes with a sense of place and time. – Marti Leimbach
Energetic, dense with detail … engages us in the act of seeing, reminds us that attention is itself a form of praise. – Ellen Bass
MoreDead Souls has the magic surplus of meaning that characterises fine examples of the form – Neel Mukherjee
I was looking for terrific writing of course – something Fish attracts in spades, and I was richly rewarded right across the spectrum – Vanessa Gebbie
Really excellent – skilfully woven – Chris Stewart
Remarkable – Jo Shapcott
The practitioners of the art of brevity and super-brevity whose work is in this book have mastered the skills and distilled and double-distilled their work like the finest whiskey.
More€12 (incl. p&p) Sunrise Sunset by Tina Pisco Read Irish Times review by Claire Looby Surreal, sad, zany, funny, Tina Pisco’s stories are drawn from gritty experience as much as the swirling clouds of the imagination. An astute, empathetic, sometimes savage observer, she brings her characters to life. They dance themselves onto the pages, […]
MoreHow do we transform personal experience of pain into literature? How do we create and then chisel away at those images of others, of loss, of suffering, of unspeakable helplessness so that they become works of art that aim for a shared humanity? The pieces selected here seem to prompt all these questions and the best of them offer some great answers.
– Carmen Bugan.
What a high standard all round – of craft, imagination and originality: and what a wide range of feeling and vision.
Ruth Padel
I was struck by how funny many of the stories are, several of them joyously so – they are madcap and eccentric and great fun. Others – despite restrained and elegant prose – managed to be devastating. All of them are the work of writers with talent.
Claire Kilroy
The writing comes first, the bottom line comes last. And sandwiched between is an eye for the innovative, the inventive and the extraordinary.
MoreA new collection from around the globe: innovative, exciting, invigorating work from the writers and poets who will be making waves for some time to come. David Mitchell, Michael Collins, David Shields and Billy Collins selected the stories, flash fiction, memoirs and poems in this anthology.
MoreReading the one page stories I was a little dazzled, and disappointed that I couldn’t give the prize to everybody. It’s such a tight format, every word must count, every punctuation mark. ‘The Long Wet Grass’ is a masterly bit of story telling … I still can’t get it out of my mind.
– Chris Stewart
The perfectly achieved story transcends the limitations of space with profundity and insight. What I look for in fiction, of whatever length, is authenticity and intensity of feeling. I demand to be moved, to be transported, to be introduced into other lives. The stories I have selected for this anthology have managed this. – Ronan Bennett, Short Story Judge.
MoreI sing those who are published here – they have done a very fine job. It is difficult to create from dust, which is what writers do. It is an honour to have read your work. – Colum McCann
MoreThe entries into this year’s Fish Short Story Prize were universally strong. From these the judges have selected winners, we believe, of exceptional virtue. – Carlo Gebler
MoreI was amazed and delighted at the range and quality of these stories. Every one of them was interesting, well-written, beautifully crafted and, as a short-story must, every one of them focused my attention on that very curtailed tableau which a short-story necessarily sets before us. – Michael Collins
MoreThese stories voice all that is vibrant about the form. – Gerard Donovan. Very short stories pack a poetic punch. Each of these holds its own surprise, or two. Dive into these seemingly small worlds. You’ll come up anew. – Angela Jane Fountas
MoreEach of the pieces here has been chosen for its excellence. They are a delightfully varied assortment. More than usual for an anthology, this is a compendium of all the different ways that fiction can succeed. I invite you to turn to ‘All the King’s Horses’. The past is here. Begin.
– Michel Faber
Literary anthologies, especially of new work, act as a kind of indicator to a society’s concerns. This Short Story collection, such a sharp and useful enterprise, goes beyond that. Its internationality demonstrates how our concerns are held in common across the globe. – Frank Delaney
MoreFrom the daily routine of a career in ‘Spoonface’, to the powerful, recurring image of a freezer in ‘Shadow Lives’. It was the remarkable focus on the ordinary that made these Fish short stories such a pleasure to read. – Hugo Hamilton
MoreIn a world where twenty screens of bullshit seem to be revolving without respite … there is nothing that can surpass the ‘explosion of art’ and its obstinate insistence on making sense of things. These dedicated scribes, as though some secret society, heroically, humbly, are espousing a noble cause.
– Pat McCabe
It’s supposed to be a short form, the good story, but it has about it a largeness I love. There is something to admire in all these tales, these strange, insistent invention. They take place in a rich and satisfying mixture of places, countries of the mind and heart. – Christopher Hope
MoreThere are fine stories in this new anthology, some small and intimate, some reaching out through the personal for a wider, more universal perspective, wishing to tell a story – grand, simple, complex or everyday, wishing to engage you the reader. – Kate O’Riodan
MoreI feel like issuing a health warning with this Fish Anthology these stories may seriously damage your outlook – Here the writers view the world in their unique way, and have the imagination, talent, and the courage to refine it into that most surprising of all art forms the short story. – Clem Cairns.
MoreEvery story in this book makes its own original way in the world. knowing which are the telling moments, and showing them to us. And as the narrator of the winning story casually remarks, ‘Sometimes its the small things that amaze me’ – Molly McCloskey
MoreThe stories here possess the difference, the quirkiness and the spark. They follow their own road and their own ideas their own way. It is a valuable quality which makes this collection a varied one. Read it, I hope you say to yourself like I did on many occasions, ‘That’s deadly. How did they think of that?’ – Eamonn Sweeney
MoreReally good short stories like these, don’t read like they were written. They read like they simply grew on the page. – Joseph O’Connor
MoreThe writers in this collection can write short stories . . . their quality is the only thing they have in common. – Roddy Doyle
MoreThis is the first volume of short stories from Ireland’s newest publishing house. We are proud that fish has enabled 15 budding new writers be published in this anthology, and I look forward to seeing many of them in print again.
More12 Miles Out was selected by David Mitchell as the winner of the Fish Unpublished Novel Award.
A love story, thriller and historical novel; funny and sad, uplifting and enlightening.
You only know who you can’t trust. You can’t trust the law, because there’s none in New Ireland. You can’t trust the Church, because they think they’re the law. And you can’t trust the State, because they think they’re the Church And most of all, you can’t trust your friends, because you can’t remember who they were anymore.
MoreA memoir of urban life, chronicled through its central character, Mackey. From momentary reflections to stories about his break with childhood and adolescence, the early introduction to the Big World, the discovery of romance and then love, the powerlessness of ordinary people, the weaknesses that end in disappointment and the strengths that help them seek redemption and belonging.
MoreIan Wild’s stories mix Monty Python with Hammer Horror, and the Beatles with Shakespeare, but his anarchic style and sense of humour remain very much his own in this collection of tall tales from another planet. Where else would you find vengeful organs, the inside story of Eleanor Rigby, mobile moustaches, and Vikings looting a Cork City branch of Abracababra?
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