ISBN: 978-0-9956200-4-9
SELECTED BY:
Emily Ruskovich ~ Short Story
Kathy Fish ~ Flash Fiction
Blake Morrison ~ Short Memoir
Billy Collins ~ Poetry
Read an excerpt from winning short story – A Correspondence by Mark Martin
Read winning flash story – Both On and Off by Jack Barker-Clark
Read an excerpt from winning memoir – Blood and Roses by Mary E Black
Read winning poem – Letter to Dowsie, from Roethke in Ireland by Greg Rappleye
by Clem Cairns
Well, another strange year goes by; one more like that and it won’t seem so strange anymore. Whatever hardships and grief the pandemic has visited upon us, it has also bestowed on some a certain amount of opportunity. Writers everywhere have used the time freed up by the lack of normal activity to write, and we are gratified that so many have sent their work to Fish.
Emily Ruskovich, Blake Morrison, Kathy Fish and Billy Collins judged the Short Story, Short Memoir, Flash Fiction and Poetry Prizes respectively. It is not an easy task, so my deep gratitude to them for their time, for their interest in supporting aspiring writers, and for their wisdom.
To the 40 writers and poets in the following pages – congratulations! The quality of the work in this Anthology is astonishing.
And to those many talented writers who almost made it in, I hope that your work will find the light of day in another publication or a future Fish one.
And to the readers of this Anthology, I hope you are transported by story, memoir and poem. That you might, in the words of Billy Collins,
……… water-ski
across the surface (of a poem)
waving at the author’s name on the shore
SHORT STORIES |
|
A Correspondence |
Mark Martin |
Methane |
Pavle Miha |
The Fisherman |
Chris Weldon |
Aleksandr |
Amanda Huggins |
The Etymology of a Sword Swallower |
K Lockwood Jefford |
How to Accept the Lunar Landing |
Nicole Olweean |
Duck Egg Blue |
Fiona Ennis |
OMG Winn Handler Moved Next Door! |
Lesley Bannatyne |
Connemara Salmon |
Kathy MacGloin |
Rick and Molly Drink |
Giles Newington |
FLASH FICTION |
|
Both On and Off |
Jack Barker-Clark |
Cataracts and Dogberries |
Shey Marque |
Ouija |
Alexandra Blogier |
Lion |
Kirsty Seymour-Ure |
Desert |
Roland Leach |
Top Ten Reasons Why Pied-Noirs are Good at Packing Suitcases |
Laurence Gea |
The Day Amy Kinona Became Invisible |
Sharma Taylor |
Skeleton in the Cupboard |
Katherine Powlett |
What My Parents Were Wearing When She Decided Not to Keep Me |
Shoshauna Shy |
Ursula Sits |
Karenlee Thompson |
SHORT MEMOIRS |
|
Blood and Roses |
Mary E Black |
Becoming |
Hannah Persaud |
Dreams of Foreign Cities |
Martha G Wiseman |
Schmaltz |
Francesca Humphreys |
Broken Lines |
Mary Brown |
Fissure |
Ellyn Gelman |
Before the Dark Hour of Reason |
Kevin Acott |
Borderline Insanity |
Anthony Dew |
Dancing with Parkinson’s |
Leslie Mapp |
I have my suspicions about that Dachshund |
Alice Jolly |
POETRY |
|
Letter to Dowsie, from Roethke in Ireland |
Greg Rappleye |
Chemo |
Matt Hohner |
Don’t rush to clean her room |
Pippa Gough |
The Rowan Berries of Winter |
Phillip Crymble |
Ode to Ignorance |
Michael Lavers |
Swift Departure |
Will Ingrams |
December Sunlight by Harry Nisbet, 1919, Oil on Canvas |
Alice Twemlow |
First Time |
Maureen Boyle |
Story of a Sister whose Brother lost his Hand to the Buzz Saw |
Victoria Walvis |
The Breakup
|
Partridge Boswell |
by Mark Martin
Morgan looked down as something slipped from the hardback in her hand, distracting her from Andrew. The bookshop where the two of them worked had closed for the day, and she was unpacking boxes of second-hand stock. A handsome young man, radiating impatience, Andrew held open the front door, a peach sunset framing his face.
‘Come on!’ he said. ‘There’s not much of summer left, let’s go have a drink on the green.’
The ranked spines on the bookshelves, Andrew himself — gorgeous in semi-profile, one foot out the door — and the mysterious boxes conspired to bring about in Morgan an unexpected sense of being intensely present. It was a realization, physical as much as intellectual, that she, approaching her last year of university, having chosen to remain in her college town over the holiday, was a young woman of potential in a world of possibilities. She was surrounded by mundane objects that, if caught at the right angle by a receptive intelligence, were full of charm. Outside, beyond the shop window, the setting sun was reinventing abstract impressionism. And in pleasant counterpoint to all this, here was a young man, smarter and better-looking than was reasonable to expect, practically begging her to join him for a drink.
‘There’s no time-and-a-half if you stay late,’ continued Andrew, frustration scoring his voice. ‘There’s more to life than you’ll find in books, you know.’
‘I’m going to work a bit longer,’ she said, abruptly making up her mind.
‘Suit yourself. Text me if you come to your senses.’
by Jack Barker-Clark
On the phone to your daughter all winter. On the power of attorney. On cloud cuckoo land. On the canal boat you once owned. On bravery. On ignominy. On trial. On fresh grapes. On the occasion of your birthday. On call if you need us. On amplification. On overreaction. On hold with the doctors. On display for one month only. On our best-case scenario. Onwards and upwards. On lovely shiny wet new grapes.
On modern medicine. On the contrary. On the one hand not so bad. On the other hand terminal. On assisted living. On your head be it. On the bedside table, there, next to your reading glasses. On increasing medication. On a tour of hospitals, West Yorkshire, the surrounding Humber. On the formal bed, writing down what the doctor had said. On dyschronometriaand cerebellar lesions. On lovely shiny wet new grapes.
On the ward. On the pillows inmates rest on. On-demand westerns. On John Wayne. On horseback. On purpose. On the bathroom floor with the shower gel. On the bathroom floor with the shower gel following a stroke. On disturbing volcanic dreams now. On canal boats choked with weeds. On holiday in 1972. On ghost trains. On beach towels. On lovely shiny wet new grapes.
On average twenty beats per minute. On life support. On your own. On top of the breadbin. On all sides surrounded. On the way. On the beach with Eleanor. On the borderlands. On the grass slopes. On and on. On Wednesday the 20thMarch. On and on, and then suddenly off.
On behalf of those who knew him. On behalf of those who knew him best. On behalf of his grandson, unable to attend. On the TransPennine Express writing letters to his grandad who had died.
by Mary E Black
I was eleven years old when the Troubles started in 1969, a civil conflict fuelled by bad blood between two ethno-nationalist tribes. A book I will keep until the end of my days is ‘Lost Lives’ which tells the individual stories of the 3,637 who died over three decades. I know some of those names – Northern Ireland is a small place. Another 100,000 were wounded: shot, blasted by bombs, knee-capped in punishment shootings and beatings. As a doctor, from a family of doctors, I count the Troubles in blood. Yet, of the countless units of blood transfused during those years, we have kept no ledger.
I grew up in Lambeg, a staunchly Protestant village south of Belfast. My Catholic family comes from Antrim on my father’s side, with a three-generation excursion to Scotland; Cork on my mother’s side, with a family myth of no intermarriage with others for the last 400 years. Moving Hearts, an Irish Folk rock band from my youth, sang:
‘Once upon a time there was, Irish ways and Irish laws
Villages of Irish Blood, awaking to the morning, awaking to the morning.’
by Greg Rappleye
Driven mad by channel wrack and fresh sprats in bad oil,
sobbing on the oyster dock, at lowest tide I was
rowed to the mail boat by a barefoot Carmelite,
then lugged ashore at Cleggan and poured into the back
of a Singer sedan. I swore I’d suppress my “affect”
for a splash on our way to the bughouse,
and the good padre, having tippled with me
in those dicey island days, found nothing against the faith
in that. He meted out Kilbeggan’s every ten miles
or-so, toasting each chosen apostle, excluding the Iscariot,
but counting Matthias and Paul. As single-pot prodigal,
I’ve found an easier, softer way: drinking cold buttermilk,
noshing stewed apples and mealy fishcakes
with the daft nuns and my attending physician,
a kindly man who is the spitball image of Barry Fitzgerald.
Walrus-like, I’ve wallowed in the hydro baths
as in our famous days at Mercywood, and thanks
to my trans-Atlantic laurels, my benzo-calm
and affable demeanor, I’m driven to a public house
on seisiún nights aboard the moron-bus, and allowed
two stiff drinks and the recitation of a poem.
It’s grand to hush the fiddles and part a cloud of pipe smoke,
led through the tavern door by four orderlies in white,
as if I’m blind O’Carolan, stumbled home at last,
escorted by that squadroon of virtuous angels
by which minor deities are ushered into the world.
On the wall chart of temperaments, mine approaches a shaker
of dry martinis—sanguine with ice and three drops of melancholic.
Dowsie, when did you last climb a honeysuckle trellis?
When did you last scurry through an asylum greenhouse,
tripping over clay pots and hashing your knees?
I imagine you now as sea-lioness, sleek and black,
your most clever pup dropped carelessly,
left to gorge on red dulse in a midnight sea
and you, shrieking all those long tumultuous hours
atop a granite rock, eelgrass wilding beyond you in the surf.
Vivid, astute, gripping, evocative. These stories utterly transported me. – Sarah Hall (Short Story)
In the landscape of emotion and folly, Flash writers are a fearless lot – these stories prove it. – Michelle Elvy (Flash Fiction)
… combining the personal and particular with the universal, each touching in surprising ways … experiences that burn deep, that need to be told. – Sean Lusk (Memoir)
Strong poems. First place is a poem I wish I’d written! – Billy Collins (Poetry)
More… a showcase of disquiet, tension, subversion and surprise …
so many skilled pieces … gem-like, compressed and glinting, little worlds in entirety that refracted life and ideas … What a joy!
– Sarah Hall
… memoirs pinpointing precise
feelings of loss and longing and desire.
– Sean Lusk
What a pleasure to watch these poets’ minds at work, guiding us this way and that.
– Billy Collins
‘… delightful, lively send-up … A vivid imagination is at play here, and a fine frenzy is the result.’ – Billy Collins
‘… laying frames of scenic detail to compose a lyric collage … enticing … resonates compellingly. … explosive off-screen drama arises through subtly-selected detail. Sharp, clever, economical, tongue-in-cheek.’ – Tracey Slaughter
Brave stories of danger and heart and sincerity.
Some risk everything outright, some are desperately quiet, but their intensity lies in what is unsaid and off the page.
These are brilliant pieces from bright, new voices.
A thrill to read.
~ Emily Ruskovich
I could see great stretches of imagination. I saw experimentation. I saw novelty with voice and style. I saw sentences that embraced both meaning and music. ~ Colum McCann
MoreThese glorious pieces have spun across the globe – pit-stopping in Japan, the Aussie outback, Vancouver, Paris, Amsterdam and our own Hibernian shores – traversing times past, present and imagined future as deftly as they mine the secret tunnels of the human heart. Enjoy the cavalcade. – Mia Gallagher
MoreThe standard is high, in terms of the emotional impact these writers managed to wring from just a few pages. – Billy O’Callaghan
Loop-de-loopy, fizz, and dazzle … unique and compelling—compressed, expansive, and surprising. – Sherrie Flick
Every page oozes with a sense of place and time. – Marti Leimbach
Energetic, dense with detail … engages us in the act of seeing, reminds us that attention is itself a form of praise. – Ellen Bass
MoreDead Souls has the magic surplus of meaning that characterises fine examples of the form – Neel Mukherjee
I was looking for terrific writing of course – something Fish attracts in spades, and I was richly rewarded right across the spectrum – Vanessa Gebbie
Really excellent – skilfully woven – Chris Stewart
Remarkable – Jo Shapcott
The practitioners of the art of brevity and super-brevity whose work is in this book have mastered the skills and distilled and double-distilled their work like the finest whiskey.
More€12 (incl. p&p) Sunrise Sunset by Tina Pisco Read Irish Times review by Claire Looby Surreal, sad, zany, funny, Tina Pisco’s stories are drawn from gritty experience as much as the swirling clouds of the imagination. An astute, empathetic, sometimes savage observer, she brings her characters to life. They dance themselves onto the pages, […]
MoreHow do we transform personal experience of pain into literature? How do we create and then chisel away at those images of others, of loss, of suffering, of unspeakable helplessness so that they become works of art that aim for a shared humanity? The pieces selected here seem to prompt all these questions and the best of them offer some great answers.
– Carmen Bugan.
What a high standard all round – of craft, imagination and originality: and what a wide range of feeling and vision.
Ruth Padel
I was struck by how funny many of the stories are, several of them joyously so – they are madcap and eccentric and great fun. Others – despite restrained and elegant prose – managed to be devastating. All of them are the work of writers with talent.
Claire Kilroy
The writing comes first, the bottom line comes last. And sandwiched between is an eye for the innovative, the inventive and the extraordinary.
MoreA new collection from around the globe: innovative, exciting, invigorating work from the writers and poets who will be making waves for some time to come. David Mitchell, Michael Collins, David Shields and Billy Collins selected the stories, flash fiction, memoirs and poems in this anthology.
MoreReading the one page stories I was a little dazzled, and disappointed that I couldn’t give the prize to everybody. It’s such a tight format, every word must count, every punctuation mark. ‘The Long Wet Grass’ is a masterly bit of story telling … I still can’t get it out of my mind.
– Chris Stewart
The perfectly achieved story transcends the limitations of space with profundity and insight. What I look for in fiction, of whatever length, is authenticity and intensity of feeling. I demand to be moved, to be transported, to be introduced into other lives. The stories I have selected for this anthology have managed this. – Ronan Bennett, Short Story Judge.
MoreI sing those who are published here – they have done a very fine job. It is difficult to create from dust, which is what writers do. It is an honour to have read your work. – Colum McCann
MoreThe entries into this year’s Fish Short Story Prize were universally strong. From these the judges have selected winners, we believe, of exceptional virtue. – Carlo Gebler
MoreI was amazed and delighted at the range and quality of these stories. Every one of them was interesting, well-written, beautifully crafted and, as a short-story must, every one of them focused my attention on that very curtailed tableau which a short-story necessarily sets before us. – Michael Collins
MoreThese stories voice all that is vibrant about the form. – Gerard Donovan. Very short stories pack a poetic punch. Each of these holds its own surprise, or two. Dive into these seemingly small worlds. You’ll come up anew. – Angela Jane Fountas
MoreEach of the pieces here has been chosen for its excellence. They are a delightfully varied assortment. More than usual for an anthology, this is a compendium of all the different ways that fiction can succeed. I invite you to turn to ‘All the King’s Horses’. The past is here. Begin.
– Michel Faber
Literary anthologies, especially of new work, act as a kind of indicator to a society’s concerns. This Short Story collection, such a sharp and useful enterprise, goes beyond that. Its internationality demonstrates how our concerns are held in common across the globe. – Frank Delaney
MoreFrom the daily routine of a career in ‘Spoonface’, to the powerful, recurring image of a freezer in ‘Shadow Lives’. It was the remarkable focus on the ordinary that made these Fish short stories such a pleasure to read. – Hugo Hamilton
MoreIn a world where twenty screens of bullshit seem to be revolving without respite … there is nothing that can surpass the ‘explosion of art’ and its obstinate insistence on making sense of things. These dedicated scribes, as though some secret society, heroically, humbly, are espousing a noble cause.
– Pat McCabe
It’s supposed to be a short form, the good story, but it has about it a largeness I love. There is something to admire in all these tales, these strange, insistent invention. They take place in a rich and satisfying mixture of places, countries of the mind and heart. – Christopher Hope
MoreThere are fine stories in this new anthology, some small and intimate, some reaching out through the personal for a wider, more universal perspective, wishing to tell a story – grand, simple, complex or everyday, wishing to engage you the reader. – Kate O’Riodan
MoreI feel like issuing a health warning with this Fish Anthology these stories may seriously damage your outlook – Here the writers view the world in their unique way, and have the imagination, talent, and the courage to refine it into that most surprising of all art forms the short story. – Clem Cairns.
MoreEvery story in this book makes its own original way in the world. knowing which are the telling moments, and showing them to us. And as the narrator of the winning story casually remarks, ‘Sometimes its the small things that amaze me’ – Molly McCloskey
MoreThe stories here possess the difference, the quirkiness and the spark. They follow their own road and their own ideas their own way. It is a valuable quality which makes this collection a varied one. Read it, I hope you say to yourself like I did on many occasions, ‘That’s deadly. How did they think of that?’ – Eamonn Sweeney
MoreReally good short stories like these, don’t read like they were written. They read like they simply grew on the page. – Joseph O’Connor
MoreThe writers in this collection can write short stories . . . their quality is the only thing they have in common. – Roddy Doyle
MoreThis is the first volume of short stories from Ireland’s newest publishing house. We are proud that fish has enabled 15 budding new writers be published in this anthology, and I look forward to seeing many of them in print again.
More12 Miles Out was selected by David Mitchell as the winner of the Fish Unpublished Novel Award.
A love story, thriller and historical novel; funny and sad, uplifting and enlightening.
You only know who you can’t trust. You can’t trust the law, because there’s none in New Ireland. You can’t trust the Church, because they think they’re the law. And you can’t trust the State, because they think they’re the Church And most of all, you can’t trust your friends, because you can’t remember who they were anymore.
MoreA memoir of urban life, chronicled through its central character, Mackey. From momentary reflections to stories about his break with childhood and adolescence, the early introduction to the Big World, the discovery of romance and then love, the powerlessness of ordinary people, the weaknesses that end in disappointment and the strengths that help them seek redemption and belonging.
MoreIan Wild’s stories mix Monty Python with Hammer Horror, and the Beatles with Shakespeare, but his anarchic style and sense of humour remain very much his own in this collection of tall tales from another planet. Where else would you find vengeful organs, the inside story of Eleanor Rigby, mobile moustaches, and Vikings looting a Cork City branch of Abracababra?
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