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POEMS / POCKET PROSE / HAIKUJudge: Fish Editors - Clem Cairns, Mary-Jane Holmes, Adam Wyeth
Word Limit: Poems - 19 lines / Pocket Prose - 100 words / Haiku - standard length*
Closes: CLOSED: June 15 '20
Results: June 30 '20
Anthology Published: July '20
Entry Fees: €10 (€3 of every entry to OXFAM)
Prizes:
Nine pieces (three from each genre) will be published in the Fish Anthology 2020.
First in each genre will be awarded a Fish Writing Course Online.
Short-listed entries will be published on the Fish web site.
RESULTS OF THE LOCKDOWN PRIZE + list of winners to be published in the Fish Anthology 2020
Short-listed pieces published online:
Poems & Pocket Prose published here
Theme – Coronavirus (the writer’s response to the strange times of 2020).
30% of all entry fees will be donated to OXFAM to support their Coronavirus aid.
Nine pieces (three from each genre) will be published in the FISH ANTHOLOGY 2020.
The Winners of each category will receive an Online Writing Course with Fish Publishing.
Short-listed entries will be published on the Fish web site.
For many, this is the most extraordinary event of our lifetime. While we are all isolated at home, thoughts turn to the imaginative and creative. At times of crises and changes in the world society looks to its artists who can help console, inspire and even re-imagine the world. You may not be the doctors or chemists who work at the coal-face of this epidemic, but you are the creative people who mine the human spirit and bring the ore to the surface.
Let’s hear from you, the writers and poets, for your response to this crisis. How is it affecting the psyche of the individual and the collective? How are people coping with their unexpected isolation and incarceration? Will we come out of it changed? Will we look at ourselves and our world with an altered perspective? We are looking for responses of all kinds – the funny, the sad, the imaginative, the surprising, the mundane, the beautiful.
* HAIKU & SENRYU
Haiku and Senryu are a Japanese form of short poetry. Senryu tend to be about human foibles while Haiku tend to be about nature. Traditional Haiku and Senryu consist of 17 syllables, in three lines, 5, 7, and 5. Many poets do not rigidly adhere to this and nor will we.
30% of all entry fees will be donated to OXFAM
(Entry Fee is the same for all 3 categories)
First Entry € |
Subsequent € |
|
ONLINE | 10.00 | 10.00 |
Critique (Optional) | 35.00 | 35.00 |
Entry & Critique | 45.00 | |
POST | 12.00 | 12.00 |
Critique (Optional) | 38.00 | 38.00 |
You can enter online or by post. The cheaper option is to enter online.
– How to Enter ONLINE:
To enter online, click the green button and follow the instructions.
MAKE SURE YOUR NAME AND CONTACT DETAILS ARE NOT ON YOUR ENTRY. (Judging is done anonymously.) Your entry and name are linked automatically when you enter.
– How to Enter by POST:
Post to: Fish Lockdown Prize, Durrus, Bantry, Co. Cork, Ireland. P75 VK72.
Please use normal postal service (not couriers as this service is unreliable in our rural area).
Best not to use registered post as this slows receipt. (We will email you to confirm that your entry has arrived.)
Make cheques payable to Fish Publishing, using your country’s currency.
Do not sent postal orders (outside Ireland).
Print on one side of the page only in reasonable-sized type.
The Lockdown Prize is judged anonymously, so please put all contact details on a separate sheet.
Receipt of entry will be by email.
Entries will not be returned.
Mary-Jane is passionate about teaching and editing creative writing. A Forward Prize nominee and Hawthornden Fellow, Mary-Jane has won the Bath Novella-in-Flash Prize, the Bridport Poetry prize, Martin Starkie, Dromineer, Reflex Fiction and Mslexia Flash prize as well as the Bedford Poetry competition. In 2020, she was shortlisted for the Beverley International Prize for Literature and longlisted for the UK National Poetry Prize. Mary-Jane’s debut poetry collection Heliotrope with Matches and Magnifying Glass is published by Pindrop Press.
Her work appears in anthologies including Best Small Fictions 2014/16/18 and Best Microfictions 2020 and in a variety of publications including Magma, Modern Poetry in Translation, The Journal of Compressed Creative Arts, Tishman Review, Magma, Barren, Spelk, Cabinet of Heed, Firewords, Flashback Fiction, Mslexia, Fictive Dream, The Lonely Crowd, and Prole.
She has an MA (Distinction) in Creative Writing from Kellogg College, Oxford and is currently completing a PhD in poetry and translation at Newcastle University. Her novella Don’t Tell the Bees, will be published later this year by Ad Hoc Fiction.
Interview with Mary Jane Holmes
Adam is an award-winning poet, playwright and essayist who lives in Dublin. He has three books published. His critically acclaimed debut collection, Silent Music (2011) was Highly Commended by the Forward Poetry Prize. Adam’s second book, The Hidden World of Poetry: Unravelling Celtic Mythology in Contemporary Irish Poetry(2013) contains poems from Ireland’s leading poets followed by sharp essays that unpack each poem and explore its Celtic mythological references. Adam’s third book and second poetry collection The Art of Dying was published with Salmon in November 2016 and was named as an Irish Times Book of the Year. Adam’s poetry has won and been commended in many international competitions, including The Bridport Poetry Prize, The Arvon Poetry Prize and The Ballymaloe Poetry Prize. His work appears in several anthologies including The Forward Prize Anthology (2012 Faber), The Best of Irish Poetry (Southword 2010) and The Arvon 25th Anniversary Anthology. Adam is also selected poet for the 2016 Poetry Ireland Review’s Rising Generation of poets. Recently an excerpt from a new poem was selected for the Wild Atlantic Way Passport.
Adam’s first play Hang Up, produced by Broken Crow (2013), has been staged at the Electric Picnic, Home Festival, Cork and the Galway Theatre festival. It was adapted for film in 2014 and premiered at Cork’s International Film festival and was screened in 2016 in Berlin alongside his fourth play, Apartment Block (Broken Teapot Productions) who presented ‘An Evening of Adam Wyeth’ at Theaterforum Kreuzberg. His third play, Lifedeath was showcased at the Triskel Arts Centre mini-festival of new work in December 2013 and was named by the Irish Examiner as the play of the festival.
In 2013 Wyeth was commissioned by Cyclone Rep. to writeThe Poetry Sessions, a full-length play covering all the poets on the Leaving Cert syllabus, which had a nationwide tour; co-written with Paula McGlinchey. He is co-founder with McGlinchey of Why on Earth Productions, which had its first production of solo-play Yoga For Beginners as part of the Scene & Heard work in development Festival at Smock Alley, 2016. Adam has over twelve years experience as a creative writing facilitator and works as a professional reader and editor. Adam is running many creative workshops in 2017 including the Mythic Imagination week long creative writing at Anam Cara, Co. Cork and a sailing retreat creative writing holiday around Spain with Kingfisher Sailing. See adamwyeth.com for further details.
Clem, head of Fish Publishing, has had a lifetime of promoting and encouraging creative writing. Fish has published over 500 writers from around the globe to date, given feedback to thousands more and sought to improve writer’s skill with mentoring and tutoring.
In 1997, Clem started the West Cork Literary Festival. He ran this festival for eleven years and in that time grew the festival into a week long event of workshops, talks, interviews, readings and unusual literary events.
Vivid, astute, gripping, evocative. These stories utterly transported me. – Sarah Hall (Short Story)
In the landscape of emotion and folly, Flash writers are a fearless lot – these stories prove it. – Michelle Elvy (Flash Fiction)
… combining the personal and particular with the universal, each touching in surprising ways … experiences that burn deep, that need to be told. – Sean Lusk (Memoir)
Strong poems. First place is a poem I wish I’d written! – Billy Collins (Poetry)
More… a showcase of disquiet, tension, subversion and surprise …
so many skilled pieces … gem-like, compressed and glinting, little worlds in entirety that refracted life and ideas … What a joy!
– Sarah Hall
… memoirs pinpointing precise
feelings of loss and longing and desire.
– Sean Lusk
What a pleasure to watch these poets’ minds at work, guiding us this way and that.
– Billy Collins
‘… delightful, lively send-up … A vivid imagination is at play here, and a fine frenzy is the result.’ – Billy Collins
‘… laying frames of scenic detail to compose a lyric collage … enticing … resonates compellingly. … explosive off-screen drama arises through subtly-selected detail. Sharp, clever, economical, tongue-in-cheek.’ – Tracey Slaughter
Brave stories of danger and heart and sincerity.
Some risk everything outright, some are desperately quiet, but their intensity lies in what is unsaid and off the page.
These are brilliant pieces from bright, new voices.
A thrill to read.
~ Emily Ruskovich
I could see great stretches of imagination. I saw experimentation. I saw novelty with voice and style. I saw sentences that embraced both meaning and music. ~ Colum McCann
MoreThese glorious pieces have spun across the globe – pit-stopping in Japan, the Aussie outback, Vancouver, Paris, Amsterdam and our own Hibernian shores – traversing times past, present and imagined future as deftly as they mine the secret tunnels of the human heart. Enjoy the cavalcade. – Mia Gallagher
MoreThe standard is high, in terms of the emotional impact these writers managed to wring from just a few pages. – Billy O’Callaghan
Loop-de-loopy, fizz, and dazzle … unique and compelling—compressed, expansive, and surprising. – Sherrie Flick
Every page oozes with a sense of place and time. – Marti Leimbach
Energetic, dense with detail … engages us in the act of seeing, reminds us that attention is itself a form of praise. – Ellen Bass
MoreDead Souls has the magic surplus of meaning that characterises fine examples of the form – Neel Mukherjee
I was looking for terrific writing of course – something Fish attracts in spades, and I was richly rewarded right across the spectrum – Vanessa Gebbie
Really excellent – skilfully woven – Chris Stewart
Remarkable – Jo Shapcott
The practitioners of the art of brevity and super-brevity whose work is in this book have mastered the skills and distilled and double-distilled their work like the finest whiskey.
More€12 (incl. p&p) Sunrise Sunset by Tina Pisco Read Irish Times review by Claire Looby Surreal, sad, zany, funny, Tina Pisco’s stories are drawn from gritty experience as much as the swirling clouds of the imagination. An astute, empathetic, sometimes savage observer, she brings her characters to life. They dance themselves onto the pages, […]
MoreHow do we transform personal experience of pain into literature? How do we create and then chisel away at those images of others, of loss, of suffering, of unspeakable helplessness so that they become works of art that aim for a shared humanity? The pieces selected here seem to prompt all these questions and the best of them offer some great answers.
– Carmen Bugan.
What a high standard all round – of craft, imagination and originality: and what a wide range of feeling and vision.
Ruth Padel
I was struck by how funny many of the stories are, several of them joyously so – they are madcap and eccentric and great fun. Others – despite restrained and elegant prose – managed to be devastating. All of them are the work of writers with talent.
Claire Kilroy
The writing comes first, the bottom line comes last. And sandwiched between is an eye for the innovative, the inventive and the extraordinary.
MoreA new collection from around the globe: innovative, exciting, invigorating work from the writers and poets who will be making waves for some time to come. David Mitchell, Michael Collins, David Shields and Billy Collins selected the stories, flash fiction, memoirs and poems in this anthology.
MoreReading the one page stories I was a little dazzled, and disappointed that I couldn’t give the prize to everybody. It’s such a tight format, every word must count, every punctuation mark. ‘The Long Wet Grass’ is a masterly bit of story telling … I still can’t get it out of my mind.
– Chris Stewart
The perfectly achieved story transcends the limitations of space with profundity and insight. What I look for in fiction, of whatever length, is authenticity and intensity of feeling. I demand to be moved, to be transported, to be introduced into other lives. The stories I have selected for this anthology have managed this. – Ronan Bennett, Short Story Judge.
MoreI sing those who are published here – they have done a very fine job. It is difficult to create from dust, which is what writers do. It is an honour to have read your work. – Colum McCann
MoreThe entries into this year’s Fish Short Story Prize were universally strong. From these the judges have selected winners, we believe, of exceptional virtue. – Carlo Gebler
MoreI was amazed and delighted at the range and quality of these stories. Every one of them was interesting, well-written, beautifully crafted and, as a short-story must, every one of them focused my attention on that very curtailed tableau which a short-story necessarily sets before us. – Michael Collins
MoreThese stories voice all that is vibrant about the form. – Gerard Donovan. Very short stories pack a poetic punch. Each of these holds its own surprise, or two. Dive into these seemingly small worlds. You’ll come up anew. – Angela Jane Fountas
MoreEach of the pieces here has been chosen for its excellence. They are a delightfully varied assortment. More than usual for an anthology, this is a compendium of all the different ways that fiction can succeed. I invite you to turn to ‘All the King’s Horses’. The past is here. Begin.
– Michel Faber
Literary anthologies, especially of new work, act as a kind of indicator to a society’s concerns. This Short Story collection, such a sharp and useful enterprise, goes beyond that. Its internationality demonstrates how our concerns are held in common across the globe. – Frank Delaney
MoreFrom the daily routine of a career in ‘Spoonface’, to the powerful, recurring image of a freezer in ‘Shadow Lives’. It was the remarkable focus on the ordinary that made these Fish short stories such a pleasure to read. – Hugo Hamilton
MoreIn a world where twenty screens of bullshit seem to be revolving without respite … there is nothing that can surpass the ‘explosion of art’ and its obstinate insistence on making sense of things. These dedicated scribes, as though some secret society, heroically, humbly, are espousing a noble cause.
– Pat McCabe
It’s supposed to be a short form, the good story, but it has about it a largeness I love. There is something to admire in all these tales, these strange, insistent invention. They take place in a rich and satisfying mixture of places, countries of the mind and heart. – Christopher Hope
MoreThere are fine stories in this new anthology, some small and intimate, some reaching out through the personal for a wider, more universal perspective, wishing to tell a story – grand, simple, complex or everyday, wishing to engage you the reader. – Kate O’Riodan
MoreI feel like issuing a health warning with this Fish Anthology these stories may seriously damage your outlook – Here the writers view the world in their unique way, and have the imagination, talent, and the courage to refine it into that most surprising of all art forms the short story. – Clem Cairns.
MoreEvery story in this book makes its own original way in the world. knowing which are the telling moments, and showing them to us. And as the narrator of the winning story casually remarks, ‘Sometimes its the small things that amaze me’ – Molly McCloskey
MoreThe stories here possess the difference, the quirkiness and the spark. They follow their own road and their own ideas their own way. It is a valuable quality which makes this collection a varied one. Read it, I hope you say to yourself like I did on many occasions, ‘That’s deadly. How did they think of that?’ – Eamonn Sweeney
MoreReally good short stories like these, don’t read like they were written. They read like they simply grew on the page. – Joseph O’Connor
MoreThe writers in this collection can write short stories . . . their quality is the only thing they have in common. – Roddy Doyle
MoreThis is the first volume of short stories from Ireland’s newest publishing house. We are proud that fish has enabled 15 budding new writers be published in this anthology, and I look forward to seeing many of them in print again.
More12 Miles Out was selected by David Mitchell as the winner of the Fish Unpublished Novel Award.
A love story, thriller and historical novel; funny and sad, uplifting and enlightening.
You only know who you can’t trust. You can’t trust the law, because there’s none in New Ireland. You can’t trust the Church, because they think they’re the law. And you can’t trust the State, because they think they’re the Church And most of all, you can’t trust your friends, because you can’t remember who they were anymore.
MoreA memoir of urban life, chronicled through its central character, Mackey. From momentary reflections to stories about his break with childhood and adolescence, the early introduction to the Big World, the discovery of romance and then love, the powerlessness of ordinary people, the weaknesses that end in disappointment and the strengths that help them seek redemption and belonging.
MoreIan Wild’s stories mix Monty Python with Hammer Horror, and the Beatles with Shakespeare, but his anarchic style and sense of humour remain very much his own in this collection of tall tales from another planet. Where else would you find vengeful organs, the inside story of Eleanor Rigby, mobile moustaches, and Vikings looting a Cork City branch of Abracababra?
More