We are pleased to announce the winners plus short and long lists for the 2017 Fish Poetry Contest, and would like to congratulate the poets for being selected from a pool of 1,305.
Ten Winning Poems (chosen by Jo Shapcott) to be published in 2017 Fish Anthology
Judge Jo Shapcott has chosen the following ten poems for inclusion in the Fish Anthology, which will be launched at the West Cork Literary Festival on Monday 17th July. Our thanks to Jo Shapcott for taking on the task, and for the comments on the winning poems. And congratulations to the ten poets who have been selected.
There were 1,305 entries to the contest.
We apologise for the delay in announcing these results.
Unusually, two of the winning poets each have two poems in the final ten. Róisín Kelly is the overall winner with Paris, 13 November 2015, and Tuam received an Honorary Mention but has been withdrawn du to publication elsewhere. Vincent Roderic poems Yesterday Clouds and Throw Me Down The Key came 2nd and 3rd respectively. We have decided to include two further poets in the Anthology so as to publish ten poets rather than eight. The two poets, are Harriet David and Catherine Ormell (listed below).
First:
Paris, 13 November 2015 by Róisín Kelly (Ireland)
Love and violence collide in this poem. The way the writer interleaves terror and passion makes for a remarkable, tender and terrifying work.
Second:
Yesterday Clouds by Roderic Vincent (UK)
This exploration of the ‘secret blather’ of lovers delves into language, memory and loss so powerfully that the poem became, ironically, one I couldn’t forget.
Third:
Throw Me Down The Key by Roderic Vincent (UK)
A poised and beautifully observed elegiac poem, which hinges on the central image of the familiar apartment window key drop, allowing gravity to resonate and tremble in the reader’s ear and eye.
Honorary Mentions: (in no particular order)
Add to Dictionary by Peter Sirr (Ireland)
The poem asks for no less than a new language, a new dictionary for the shattered and broken world which has been delivered by humanity to humanity.
A Short Exposure by Anthony Lawrence (Australia)
A powerful sense of time and place imbue gives elegiac and cinematic force to the poem, so that central character becomes known and unforgettable.
Forty Winters by Harry Bauld
A beautifully turned sonnet which delivers a vision of ageing which is both poignant and good-humoured. Its taut, sinewy language and syntax work with the form to give the poem a natural and uniquely self-elegiac air.
Heron by Judith Taylor
The heron is so beautifully observed and described here, that in our flawed human way we want to reach into the poem and touch it while responding, at the same time, to the poem’s suggestive reflection on the particular indifference and power of the natural world.
Preface to an Autoimmune Response by Aídah Gil (USA)
A poem of the body and in the body which delivers a convincing and, at times, frightening vision of internal and external physical worlds colliding.
Tuam by Róisín Kelly
Close, accurate and steady observation give this poem’s historical and political context even more impact; and the movement between Cambodia and Ireland adds to its power.
NOTE: This poem has been withdrawn due to publication elsewhere and Jo Shapcott’s 11th choice The Station Fire by Harriet David (UK) replaces it.
Truthfully by Suzanne Cleary (USA)
Long, vivid lines and sentences unfurl into the past with the poem finding a route via a resonant object (a dress) into a remembered vital moment where, as the poet says, desire and fear of truth reside. Past and present are beautifully interwoven and this resonant material is well handled in the poem.
The Station Fire by Harriet David (UK)
The Catch by Catherine Ormell (UK)
Sunflower Encolpion |
Mara |
Adamitz Scrupe |
|
in the dens of the fires |
Mara |
Adamitz Scrupe |
|
Lone Swallow |
David |
Allies |
|
The Spindle Tree |
Gabriella |
Attems |
|
Going and Coming Back |
Judith |
Barrington |
|
Attempt |
Harry |
Bauld |
|
Forty Winters |
Harry |
Bauld |
|
One Twenty-Nine A. M. |
Harry |
Bauld |
|
The Binding |
Eric |
Berlin |
|
Upon Mistaking “pressure” for “pleasure” |
Partridge |
Boswell |
|
Murder |
Sue |
Butler |
|
The Rare Case of a Good Day |
Molly |
Carpenter |
|
The Visit |
Bev |
Clark |
|
Truthfully |
Suzanne |
Cleary |
|
Self Portrait as a Mermaid |
c m |
coates |
|
BROOCH |
A.M. |
Cousins |
|
Bringing Home the Cows |
Bernie |
Crawford |
|
The Station Fire |
H |
David |
|
Bombs Don’t Fall |
Scott |
Elder |
|
How to Create a Seascape |
Marian |
Fielding |
|
onebigloudthing |
Dean |
Gessie |
|
Preface to an Autoimmune |
Aidah |
Gil |
|
Love is Dead |
Aileen |
Gorman |
|
Evidence |
Matt |
Hohner |
|
Reverse Bachata |
Matt |
Hohner |
|
A Technology for Remembering |
Cynthia |
Hughes |
|
Sea Thrift |
Majella |
Kelly |
|
Tuam |
Roisin |
Kelly |
|
Paris, 13 November 2015 |
Roisin |
Kelly |
|
Skunk Cabbage |
Jay |
Kidd |
|
Lover’s Leap |
Zach |
Knox |
|
A Short Exposure |
Antiony |
Lawrence |
|
Sic Transit Sutra |
Robert |
Lumsden |
|
Fly-by-night |
Emer |
Lyons |
|
Convent Kitchen |
Wende |
McCabe |
|
Umbilical |
Ian |
McEwen |
|
News of Another Star |
Mary |
Melvin Geoghegan |
|
Passion Prayer |
Tricia |
Monk |
|
A Wake in April |
Catherine |
Morris |
|
Sunday, St. Finian’s Bay |
Cris |
Mulvey |
|
Beast-Music |
Jed |
Myers |
|
Some Thorns |
Jed |
Myers |
|
Tarkwa Bay |
Catherine |
Nicolson |
|
The Topiary of Passendale |
Christopher |
North |
|
The Catch |
catherine |
ormell |
|
Sunday Mass at the Church |
Phyllis |
Reilly |
|
Finding a simile for resilience |
Sarah |
Rice |
|
Home Sweet Home |
Susan |
Richardson |
|
A light |
Howard |
Robertson |
|
Orchard |
Gorky |
Servicer |
|
Despair is a rude thing |
Araks |
Shahinyan |
|
Layers |
Raymond |
Sheehan |
|
The Hospital |
Laura |
Shore |
|
Nature and Nurture |
Jac |
Shortland |
|
Add to Dictionary |
Peter |
Sirr |
|
Old Pier at Midnight |
Carla |
Hunter Southwick |
|
We refugees |
Michael |
Swan |
|
Cold front |
Judith |
Taylor |
|
Yesterday Clouds |
Roderic |
Vincent |
|
Throw Me Down The Key |
Roderic |
Vincent |
|
“Almost Milestones” |
Wes |
Ward |
|
Torched |
Diana |
Whitney |
|
Cat’s Cradle |
Grace |
Wilentz |
|
Godrevy Head : June 2015 |
Steve |
Xerri |
|
Sunflower Encolpion |
Mara |
Adamitz Scrupe |
|
in the dens of the fires |
Mara |
Adamitz Scrupe |
|
Lone Swallow |
David |
Allies |
|
In the Orchard |
Gabriella |
Attems |
|
On the Archduke’s Estate |
Gabriella |
Attems |
|
The Spindle Tree |
Gabriella |
Attems |
|
Another Compass Smuggled |
Michael |
Baradi |
|
Making Hay With My Father |
Robert |
Barrett |
|
Going and Coming Back |
Judith |
Barrington |
|
First Death |
Myra |
Barrs |
|
Night Piece |
Myra |
Barrs |
|
Attempt |
Harry |
Bauld |
|
Fifth grade |
Harry |
Bauld |
|
Forty Winters |
Harry |
Bauld |
|
One Twenty-Nine A. M. |
Harry |
Bauld |
|
The Binding |
Eric |
Berlin |
|
He’s gone |
Paula |
Blengino |
|
Blood, Metal, Fiber, Rock |
Elizabeth |
Bodien |
|
England |
Leonardo |
Boix |
|
Upon Mistaking “pressure” |
Partridge |
Boswell |
|
Gozo |
Alice |
Bowen |
|
Augury |
Susan |
Browne |
|
Ground |
Frances |
Browne |
|
Waiting Room |
Frances |
Browne |
|
Dorothy |
Dan |
Buckley |
|
Gothic |
Sue |
Burge |
|
It is there |
Edel |
Burke |
|
Observance |
Edel |
Burke |
|
Murder |
Sue |
Butler |
|
Ars Poetica, How to |
Elizabeth |
Buttimer |
|
Charlene and Me |
Courtney |
Camden |
|
The Rare Case of a Good |
Molly |
Carpenter |
|
Boxes: Depression Poems |
Caira |
Clark |
|
The Visit |
Bev |
Clark |
|
Truthfully |
Suzanne |
Cleary |
|
Self Portrait as a Mermaid |
c m |
coates |
|
Mayan Queen |
Jo |
Colley |
|
Aleppo |
jacqui |
corcoran |
|
Salmon |
jacqui |
corcoran |
|
ALARM |
A.M. |
Cousins |
|
BROOCH |
A.M. |
Cousins |
|
Bringing Home the Cows |
Bernie |
Crawford |
|
Clipped Life |
Bernie |
Crawford |
|
Three Ways to Live as a |
Carmel |
Daly |
|
Morning Prayer |
Suzannah |
Dalzell |
|
Eyesore |
H |
David |
|
The Station Fire |
H |
David |
|
Landscape Woman |
Royston |
Dawber |
|
between meals |
Terry |
Dawson |
|
The Water Table |
Claire |
Delahunty |
|
Am I? |
Elaine |
Desmond |
|
Collecting Urine |
bryony |
doran |
|
Excision |
Hugh |
Dunkerley |
|
Losing it in the |
Hugh |
Dunkerley |
|
Nineveh |
Tyler |
Dunston |
|
Bombs Don’t Fall |
Scott |
Elder |
|
Return from St.André |
Scott |
Elder |
|
Accident and Emergency |
Emer |
Fallon |
|
Pearls |
Emer |
Fallon |
|
The Fish |
Orla |
Fay |
|
Word Skin |
Orla |
Fay |
|
Reprographic Orders |
Rachel |
Fenton |
|
How to Create a Seascape |
Marian |
Fielding |
|
Diss/belief |
Nikki |
Fine |
|
onebigloudthing |
Dean |
Gessie |
|
Preface to an Autoimmune |
Aidah |
Gil |
|
Epitaph at the End of a |
Ellen |
Girardeau |
|
Wake Dance |
Ellen |
Girardeau |
|
Soundtrack Rachmaninov |
Helena |
Goddard |
|
Closing the Porch |
Connie |
Golden |
|
Love is Dead |
Aileen |
Gorman |
|
Camouflage |
Ian |
Gouge |
|
Infection |
Izabella |
Grace |
|
The Scollays, Sandquoy and |
Lydia |
Harris |
|
The Island |
Jacqueline P. |
Haskell |
|
June |
Isaac |
Hellemn |
|
Evidence |
Matt |
Hohner |
|
Reverse Bachata |
Matt |
Hohner |
|
Twenty kilohertz |
Laragh Sheridan |
Horn |
|
A Technology for |
Cynthia |
Hughes |
|
The Time White Lightning |
Cynthia |
Hughes |
|
Old Pier at Midnight |
Carla |
Hunter Southwick |
|
“We Made a Garden” |
Garrett |
Igoe |
|
Final Project Presented In |
Emma |
Johnson-Rivard |
|
Spring Canticle |
Andrea |
Johnston |
|
Visitors |
Des |
Kavanagh |
|
Patronymics |
Seamas |
Keenan |
|
Blue |
Majella |
Kelly |
|
Paris, 13 November 2015 |
Roisin |
Kelly |
|
Sea Thrift |
Majella |
Kelly |
|
Sign Of The Cross |
Majella |
Kelly |
|
Terribly Beautiful |
John D. |
Kelly |
|
Tuam |
Roisin |
Kelly |
|
The Day after the Morning |
Gunilla |
Kester |
|
Skunk Cabbage |
Jay |
Kidd |
|
Close by Blood and |
Dicko |
King |
|
Lover’s Leap |
Zach |
Knox |
|
A Short Exposure |
Antiony |
Lawrence |
|
Memory |
Antiony |
Lawrence |
|
The Mountain |
Antiony |
Lawrence |
|
Crack of Dawn |
Stuart |
Lee |
|
Dragon Pearl Tea |
Stuart |
Lee |
|
Hooked |
charles |
levy |
|
Cattails in Autumn |
V. P. |
Loggins |
|
Sic Transit Sutra |
Robert |
Lumsden |
|
Stone Shore |
Terry |
Lynch |
|
The Plane |
Mona |
Lynch |
|
Timing. |
Fiona |
Lynch |
|
Fly-by-night |
Emer |
Lyons |
|
Me, My M(inor) S(etback) & I |
Pamela |
Martin |
|
Sorry |
Charlotte |
Martinkus |
|
Convent Kitchen |
Wende |
McCabe |
|
Readiness |
Wende |
McCabe |
|
Gap |
katharine |
mcdermott |
|
Shrine |
Ian |
McEwen |
|
Umbilical |
Ian |
McEwen |
|
After a Dream |
Ruth |
McIlroy |
|
From de la Causa |
Ruth |
McIlroy |
|
November, the Realist |
James |
McKee |
|
Why Poems of Love Too |
James |
McKenna |
|
News of Another Star |
Mary |
Melvin Geoghegan |
|
FIX |
joan |
michelson |
|
In a Municipality of Spain |
Lauren |
Miller |
|
Passion Prayer |
Tricia |
Monk |
|
A Wake in April |
Catherine |
Morris |
|
Last Cuppa |
Cris |
Mulvey |
|
Sunday, St. Finian’s Bay |
Cris |
Mulvey |
|
Beast-Music |
Jed |
Myers |
|
Fallen One |
Jed |
Myers |
|
Her Own Company |
Jed |
Myers |
|
Oxytocin |
Jed |
Myers |
|
Shade in the Chapel |
Jed |
Myers |
|
Some Thorns |
Jed |
Myers |
|
Tarkwa Bay |
Catherine |
Nicolson |
|
House |
Christopher |
North |
|
The Smudge of Andromeda |
Christopher |
North |
|
The Topiary of Passendale |
Christopher |
North |
|
A Teenage Boy in a Town |
Maria |
O’Brien |
|
Aingeal |
Eileen |
O’Connor |
|
Early Sleep |
C.P. |
O’Donnell |
|
My Version of Events |
James |
O’Leary |
|
The Catch |
catherine |
ormell |
|
The Green Man’s Lament |
Romola |
Parish |
|
Dear Father |
Marie |
Parkins |
|
How To Comfort The Dying |
Jill |
Penny |
|
Shiritori |
Viola |
Prinz |
|
Gladiolus |
Shahar |
Raveh |
|
Ice and Recession |
Philip |
Rees |
|
Girl Poem |
Dan |
Reid |
|
Sunday Mass at the Church |
Phyllis |
Reilly |
|
Adder Control |
Sarah |
Rice |
|
Finding a simile for resilience |
Sarah |
Rice |
|
Weekly Treatment |
Sarah |
Rice |
|
Home Sweet Home |
Susan |
Richardson |
|
Feur Gorm |
Fiona |
Rintoul |
|
A light |
Howard |
Robertson |
|
Creative Design |
Vince |
Rockston |
|
The easy way |
Robyn |
Rowland |
|
Second Valley |
Barry |
Ryan |
|
all are not thieves that dogs |
Martha |
Schut |
|
Orchard |
Gorky |
Servicer |
|
The World is Full of Lost and |
Amanda |
Sewell |
|
Despair is a rude thing |
Araks |
Shahinyan |
|
Layers |
Raymond |
Sheehan |
|
A Love Deferred – After |
Hannah |
Shepard |
|
A Bargain |
Laura |
Shore |
|
Avalon Park Elementary |
Laura |
Shore |
|
Poof |
Laura |
Shore |
|
The Hospital |
Laura |
Shore |
|
Nature and Nurture |
Jac |
Shortland |
|
Ephemeral Architecture |
Rebecca |
Simpson |
|
Add to Dictionary |
Peter |
Sirr |
|
Keeping On |
Eilis |
Stanley |
|
Estuary |
Geraldine |
Stoneham |
|
Smoke |
Geraldine |
Stoneham |
|
dis-pensation |
Nelson |
Surry |
|
We refugees |
Michael |
Swan |
|
Cold front |
Judith |
Taylor |
|
Heron |
Judith |
Taylor |
|
The Sundial of |
Ruth |
Timmins |
|
Primroses |
Jean |
Tuomey |
|
On These The Days: The |
Rebecca |
Van Horn |
|
Helium And Anchor |
Shubha |
Venugopal |
|
Sestina |
Roderic |
Vincent |
|
Throw Me Down The Key |
Roderic |
Vincent |
|
Yesterday Clouds |
Roderic |
Vincent |
|
Sick Woman Theory |
Cady |
Vishniac |
|
Like Churchill’s Bombers |
Martin |
Wakefield |
|
The Hours Alone |
rob |
wallis |
|
“Almost Milestones” |
Wes |
Ward |
|
Earthquake |
Julie |
Watts |
|
How My Mother |
Julie |
Watts |
|
1989,2000 |
Emily |
Wexler |
|
Ominously & Brillantly, |
Mary Jane |
White |
|
Torched |
Diana |
Whitney |
|
Cat’s Cradle |
Grace |
Wilentz |
|
Matryoshka |
Grace |
Wilentz |
|
Knowing spoons |
Sophia |
Wimberley |
|
Godrevy Head : June 2015 |
Steve |
Xerri |
|
Scars |
Karen |
Zelas |
Vivid, astute, gripping, evocative. These stories utterly transported me. – Sarah Hall (Short Story)
In the landscape of emotion and folly, Flash writers are a fearless lot – these stories prove it. – Michelle Elvy (Flash Fiction)
… combining the personal and particular with the universal, each touching in surprising ways … experiences that burn deep, that need to be told. – Sean Lusk (Memoir)
Strong poems. First place is a poem I wish I’d written! – Billy Collins (Poetry)
More… a showcase of disquiet, tension, subversion and surprise …
so many skilled pieces … gem-like, compressed and glinting, little worlds in entirety that refracted life and ideas … What a joy!
– Sarah Hall
… memoirs pinpointing precise
feelings of loss and longing and desire.
– Sean Lusk
What a pleasure to watch these poets’ minds at work, guiding us this way and that.
– Billy Collins
‘… delightful, lively send-up … A vivid imagination is at play here, and a fine frenzy is the result.’ – Billy Collins
‘… laying frames of scenic detail to compose a lyric collage … enticing … resonates compellingly. … explosive off-screen drama arises through subtly-selected detail. Sharp, clever, economical, tongue-in-cheek.’ – Tracey Slaughter
Brave stories of danger and heart and sincerity.
Some risk everything outright, some are desperately quiet, but their intensity lies in what is unsaid and off the page.
These are brilliant pieces from bright, new voices.
A thrill to read.
~ Emily Ruskovich
I could see great stretches of imagination. I saw experimentation. I saw novelty with voice and style. I saw sentences that embraced both meaning and music. ~ Colum McCann
MoreThese glorious pieces have spun across the globe – pit-stopping in Japan, the Aussie outback, Vancouver, Paris, Amsterdam and our own Hibernian shores – traversing times past, present and imagined future as deftly as they mine the secret tunnels of the human heart. Enjoy the cavalcade. – Mia Gallagher
MoreThe standard is high, in terms of the emotional impact these writers managed to wring from just a few pages. – Billy O’Callaghan
Loop-de-loopy, fizz, and dazzle … unique and compelling—compressed, expansive, and surprising. – Sherrie Flick
Every page oozes with a sense of place and time. – Marti Leimbach
Energetic, dense with detail … engages us in the act of seeing, reminds us that attention is itself a form of praise. – Ellen Bass
MoreDead Souls has the magic surplus of meaning that characterises fine examples of the form – Neel Mukherjee
I was looking for terrific writing of course – something Fish attracts in spades, and I was richly rewarded right across the spectrum – Vanessa Gebbie
Really excellent – skilfully woven – Chris Stewart
Remarkable – Jo Shapcott
The practitioners of the art of brevity and super-brevity whose work is in this book have mastered the skills and distilled and double-distilled their work like the finest whiskey.
More€12 (incl. p&p) Sunrise Sunset by Tina Pisco Read Irish Times review by Claire Looby Surreal, sad, zany, funny, Tina Pisco’s stories are drawn from gritty experience as much as the swirling clouds of the imagination. An astute, empathetic, sometimes savage observer, she brings her characters to life. They dance themselves onto the pages, […]
MoreHow do we transform personal experience of pain into literature? How do we create and then chisel away at those images of others, of loss, of suffering, of unspeakable helplessness so that they become works of art that aim for a shared humanity? The pieces selected here seem to prompt all these questions and the best of them offer some great answers.
– Carmen Bugan.
What a high standard all round – of craft, imagination and originality: and what a wide range of feeling and vision.
Ruth Padel
I was struck by how funny many of the stories are, several of them joyously so – they are madcap and eccentric and great fun. Others – despite restrained and elegant prose – managed to be devastating. All of them are the work of writers with talent.
Claire Kilroy
The writing comes first, the bottom line comes last. And sandwiched between is an eye for the innovative, the inventive and the extraordinary.
MoreA new collection from around the globe: innovative, exciting, invigorating work from the writers and poets who will be making waves for some time to come. David Mitchell, Michael Collins, David Shields and Billy Collins selected the stories, flash fiction, memoirs and poems in this anthology.
MoreReading the one page stories I was a little dazzled, and disappointed that I couldn’t give the prize to everybody. It’s such a tight format, every word must count, every punctuation mark. ‘The Long Wet Grass’ is a masterly bit of story telling … I still can’t get it out of my mind.
– Chris Stewart
The perfectly achieved story transcends the limitations of space with profundity and insight. What I look for in fiction, of whatever length, is authenticity and intensity of feeling. I demand to be moved, to be transported, to be introduced into other lives. The stories I have selected for this anthology have managed this. – Ronan Bennett, Short Story Judge.
MoreI sing those who are published here – they have done a very fine job. It is difficult to create from dust, which is what writers do. It is an honour to have read your work. – Colum McCann
MoreThe entries into this year’s Fish Short Story Prize were universally strong. From these the judges have selected winners, we believe, of exceptional virtue. – Carlo Gebler
MoreI was amazed and delighted at the range and quality of these stories. Every one of them was interesting, well-written, beautifully crafted and, as a short-story must, every one of them focused my attention on that very curtailed tableau which a short-story necessarily sets before us. – Michael Collins
MoreThese stories voice all that is vibrant about the form. – Gerard Donovan. Very short stories pack a poetic punch. Each of these holds its own surprise, or two. Dive into these seemingly small worlds. You’ll come up anew. – Angela Jane Fountas
MoreEach of the pieces here has been chosen for its excellence. They are a delightfully varied assortment. More than usual for an anthology, this is a compendium of all the different ways that fiction can succeed. I invite you to turn to ‘All the King’s Horses’. The past is here. Begin.
– Michel Faber
Literary anthologies, especially of new work, act as a kind of indicator to a society’s concerns. This Short Story collection, such a sharp and useful enterprise, goes beyond that. Its internationality demonstrates how our concerns are held in common across the globe. – Frank Delaney
MoreFrom the daily routine of a career in ‘Spoonface’, to the powerful, recurring image of a freezer in ‘Shadow Lives’. It was the remarkable focus on the ordinary that made these Fish short stories such a pleasure to read. – Hugo Hamilton
MoreIn a world where twenty screens of bullshit seem to be revolving without respite … there is nothing that can surpass the ‘explosion of art’ and its obstinate insistence on making sense of things. These dedicated scribes, as though some secret society, heroically, humbly, are espousing a noble cause.
– Pat McCabe
It’s supposed to be a short form, the good story, but it has about it a largeness I love. There is something to admire in all these tales, these strange, insistent invention. They take place in a rich and satisfying mixture of places, countries of the mind and heart. – Christopher Hope
MoreThere are fine stories in this new anthology, some small and intimate, some reaching out through the personal for a wider, more universal perspective, wishing to tell a story – grand, simple, complex or everyday, wishing to engage you the reader. – Kate O’Riodan
MoreI feel like issuing a health warning with this Fish Anthology these stories may seriously damage your outlook – Here the writers view the world in their unique way, and have the imagination, talent, and the courage to refine it into that most surprising of all art forms the short story. – Clem Cairns.
MoreEvery story in this book makes its own original way in the world. knowing which are the telling moments, and showing them to us. And as the narrator of the winning story casually remarks, ‘Sometimes its the small things that amaze me’ – Molly McCloskey
MoreThe stories here possess the difference, the quirkiness and the spark. They follow their own road and their own ideas their own way. It is a valuable quality which makes this collection a varied one. Read it, I hope you say to yourself like I did on many occasions, ‘That’s deadly. How did they think of that?’ – Eamonn Sweeney
MoreReally good short stories like these, don’t read like they were written. They read like they simply grew on the page. – Joseph O’Connor
MoreThe writers in this collection can write short stories . . . their quality is the only thing they have in common. – Roddy Doyle
MoreThis is the first volume of short stories from Ireland’s newest publishing house. We are proud that fish has enabled 15 budding new writers be published in this anthology, and I look forward to seeing many of them in print again.
More12 Miles Out was selected by David Mitchell as the winner of the Fish Unpublished Novel Award.
A love story, thriller and historical novel; funny and sad, uplifting and enlightening.
You only know who you can’t trust. You can’t trust the law, because there’s none in New Ireland. You can’t trust the Church, because they think they’re the law. And you can’t trust the State, because they think they’re the Church And most of all, you can’t trust your friends, because you can’t remember who they were anymore.
MoreA memoir of urban life, chronicled through its central character, Mackey. From momentary reflections to stories about his break with childhood and adolescence, the early introduction to the Big World, the discovery of romance and then love, the powerlessness of ordinary people, the weaknesses that end in disappointment and the strengths that help them seek redemption and belonging.
MoreIan Wild’s stories mix Monty Python with Hammer Horror, and the Beatles with Shakespeare, but his anarchic style and sense of humour remain very much his own in this collection of tall tales from another planet. Where else would you find vengeful organs, the inside story of Eleanor Rigby, mobile moustaches, and Vikings looting a Cork City branch of Abracababra?
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