From all of us at Fish, thank you for sharing your poems with us.
Congratulations to all whose poems were short-listed and long-listed—and a special well done to the ten winners whose poems will appear in the Fish Anthology 2026.
Billy Collins lent his considerable wisdom and expertise to judging and our thanks to him is heart-felt,
We’re delighted to invite you to the anthology launch at the West Cork Literary Festival in Bantry.
Venue: Marino Church
Date: 14 July
Time: 6.00 pm
This is a free event, and all are very welcome. We hope you can join us for what promises to be an enjoyable evening of readings and celebration.

Judge, Billy Collins
Here are the winning poems, as chosen by Billy Collins, to be published in the FISH ANTHOLOGY 2026.
Find below more about the winning poets.
|
AUTHOR |
TITLE |
|
|
1st prize Robin Schwarz
|
A Letter to Neruda
|
|
|
2nd prize Maria McLeod
|
A Destiny We Welcomed
|
|
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3rd prize Houman Qavidel
|
After the Horse |
|
|
7 HONORARY MENTIONS |
|
|
|
Alan Coombe |
Playing Bowls with Virginia Woolf |
|
| Jan Norton | In the Coffee Shop Thinking about Churches |
|
| Allen Shadow | Chinese Prints |
|
| Ross Gillett | Hamburg |
|
| Jody Hartkopp | My mother |
|
| DIana Cant | Experimental |
|
|
Isi Unikowski
|
Confined by you I count myself a king
|
|
Robin Schwarz completed her MFA in Poetry at Columbia University. Her poems have appeared in the Cumberland Poetry Review, The Oberon Poetry Review, The Hampden-Sydney Review and several others. She is the author of 3 novels with her third, Coming Up for Air, due out in June. As an aside, when she was in Santiago touring Neruda’s house. she asked the guide if she could lay down in Neruda’s bed. The guide said yes. There was a giant photo of Neruda over the bed. She asked her guide to take a picture. When she rose, she turned and said, “now I can say I slept with Pablo Neruda.”
Maria McLeod’s writing has been published by literary journals in the England, Germany, India, Scotland and the U.S. She’s won the Indiana Review Poetry Prize, the Quarter after Eight Robert J. DeMott Short Prose Prize, and has been nominated for Pushcart Prizes in poetry, fiction and nonfiction. Publications include “Skin. Hair. Bones.” and “Mother Want,” poetry chapbooks. She serves as an associate professor for Western Washington University in the Pacific Northwest, USA. On Instagram @mariapoempics.
Houman Qavidel is an independent Iranian filmmaker, musician, writer, and poet. He has directed three short films and released an album in 2025 titled Letters to You. His works draw from lived experience. After the death of his father, a quiet personal loss, and the passing of his oldest friend — his dog — he took to the roads to write through grief while traveling. And he is still wandering.”
Alan Coombe has lived in London for decades, but remains at heart a Cornishman, hefted to coast and sea. With the encouragement of his wife, Lucy, he has come to writing poetry late in life, after working as a potter, a social worker, and in senior roles in child welfare practice, policy and government-influencing; all underpinned by a lifetime of reading and love of music. He has since been placed and published in several competitions.
Jan Norton is a poet brought up in the South Wales Valleys but has lived in Nottingham for over forty years. Her debut pamphlet, Relief Map, is published by Five Leaves Press. She has had poems in The North, Ink Sweat and Tears, and The Lampeter Review, and been successful in numerous poetry competitions, including winning the Ilkley Poetry Festival’s Robert Swan Prize, and highly commended or longlisted in others, including Mslexia and Poetry Wales.
Allen Shadow’s poetry has appeared widely in journals such as Constellations, The I-70 Review, The Broadkill Review, BoomerLitMag, and Poetry International. Praised by former U.S. Poet Laureate Billy Collins as “engaging” and cited by Library Journal for “startling imagery,” his work has been recognized in numerous national and international competitions, including the Bridport, Bedford, Neruda, Fish Publishing, and Emily Dickinson prizes. His chapbooks include Harlem River Baby and America, I’ll Have My Way With You.
Ross Gillett lives with his wife Julie Phillips on Dja Dja Wurrung country in Daylesford in the central highlands of Victoria, Australia. He has won a number of Australian awards, including the Newcastle Poetry Prize. His books The Mirror Hurlers and Swimmer in the Dust are available from Puncher and Wattmann, and a collection of new and selected poems, Drift, is scheduled for release by the same publisher late in 2026.
Jody Hartkopp is an artist and poet who frequently mixes her memories of growing up isolated in rural America and her Lithuanian heritage. Her work tends towards collage and seeks to understand the centrifugal force that will hold together her seemingly unrelated obsessions. She is a recent MFA graduate from Boston University and currently lives a nomad’s life.
Diana Cant’s poems have been published in various anthologies and magazines. She has published two pamphlets, Student Bodies, 1968, (Clayhanger Press) and At Risk – the lives some children live (Vole Books). She was a Forward Prize nominee in 2023, and won the Plaza Poetry Prize, 2023. Her debut collection, I make you bird, was published by Broken Sleep Books in 2024. She is a joint editor of The Alchemy Spoon.
Isi Unikowski lives in Canberra, Australia. He has been widely published in Australia and overseas, including Best of Australian Poems 2022. His collections ‘Kintsugi’ (2022) and ‘Re:Vision’ (2025) are published by Puncher & Wattman, New South Wales. His published poetry can be viewed at https://www.isiunikowski.net.
In alphabetical order (1,706 entries in total)
| AUTHOR |
POEM TITLE |
|
Adam Brannigan |
By the fourth cockcrow |
|
Alan Coombe |
Playing Bowls with Virginia Woolf |
|
Allen Shadow |
Chinese Prints |
|
Allen Shadow |
Pony Ride |
|
Annie Mondegreen |
Every Night I Sleep Beneath the Walnut Tree |
|
Arno Daniel |
this life |
|
Ayla Gard |
Sestina for a Dead Lover |
|
Billy Fenton |
Dig |
|
Brandy Reinke |
Peeled |
|
Catherine Higgins-Moore |
In memory of simpler times |
|
Charlie Brice |
Graham Thinks |
|
Colette Colfer |
Origami |
|
David Hughes |
Pressure Without Grammar |
|
Derval Walsh |
To L. Cohen (Hydra, 27 May 2025) |
|
Diana Cant |
Experimental |
|
Emma Neale |
The Dressmaker’s Story |
|
Hilary McDaniel |
Other Way of Hearing |
|
Holly Aylett |
Our Cleansing |
|
Houman Qavidel |
After the Horse |
|
Houman Qavidel |
Field of Distance |
|
Houman Qavidel |
Mother |
|
Isi Unikowski |
Confined by you I count myself a king |
|
Jacqui Ritchie |
Your Coat |
|
James Allan Kennedy |
Today I Killed My Cat |
|
James Lowell |
The Hopi Reed Basket |
|
James Lowell |
Prolepsis |
|
James Lowell |
The Trickster Wren |
|
Jan Norton |
In The Coffee Shop Thinking About Churches |
|
Jeff Walt |
Mercy Room |
|
Jody Hartkopp |
My Mother |
|
Jon Hart |
VPN |
|
Joyce Schmid |
An Echo of the Passion Holding Star to Star |
|
Judith Allnatt |
Things Taken from my Dead Mother |
|
Kevin MacAlan |
Craft |
|
Liz Houchin |
Mass on a Monday |
|
Maria McLeod |
A Destiny We Welcomed |
|
Pratibha Kumari |
What the Heron Knows About Silence |
|
Rajendra Prasad Guptar |
The Mathematics of Rain |
|
Robin Schwarz |
Fire in the Palisades |
|
Robin Schwarz |
A Letter to Neruda |
|
Ross Gillett |
Hamburg |
|
S.A. MacLeod |
Lament for H. |
|
Sarah Black |
Dear Sister, after Emma Trelles |
|
SHARON HIER |
Cwm Du |
|
Sinéad Griffin |
Finding Summer |
|
Sumit Kumar |
The Difference Between Forgetting and Letting Go |
In alphabetical order (1,706 entries in total)
| AUTHOR |
POEM TITLE |
|
Adam Brannigan |
By the fourth cockcrow |
|
Adrian Blackledge |
Blues |
|
Alan Coombe |
Playing Bowls with Virginia Woolf |
|
Alessandro Focardi de Ritter |
Syntagma Nights |
|
Alex Radogna |
Death feels like a surprise party |
|
Allen Shadow |
Chinese Prints |
|
Allen Shadow |
Pony Ride |
|
Allen Shadow |
Are You Even Here |
|
Allen Shadow |
Crossed Bronx |
|
Allen Shadow |
God Was Afraid |
|
Allen Shadow |
I Crossed You |
|
Allen Shadow |
Was It a Dream? |
|
Allen Shadow |
We Didn’t Murder All the Lovely Girls |
|
Alvy Carragher |
Vantage Point |
|
André Chung |
Stretched Sonnet ¨Regeneration¨ |
|
André Chung |
Speech from verse drama: Ït little profits that a spoilt bourgeois¨ |
|
André Chung |
Fragment of long poem, “Prep School Job Market Rumors |
|
Andy Craven-Griffiths |
Subjunctive sister |
|
Andy Drane |
Number 19 (the cancer bus) |
|
Ann Shenfield |
Thud |
|
Annie Mondegreen |
Every Night I Sleep Beneath the Walnut Tree |
|
Anthony Knight |
FROM THE MADHOUSE |
|
Arno Daniel |
this life |
|
Arno Daniel |
Bounty |
|
Arno Daniel |
Boarders |
|
Arno Daniel |
The Table |
|
Ayla Gard |
Sestina for a Dead Lover |
|
Bernadette Lynch |
Not at Tom’s Funeral |
|
Bernadette Lynch |
Afterwards |
|
Billy Fenton |
Dig |
|
Brady Fauth |
Lungenzug |
|
Brady Fauth |
Letter to a celebrity I will never meet |
|
Brandy Reinke |
Peeled |
|
Brenda Fitzpatrick |
After Curfew |
|
Brenda Fitzpatrick |
When you read the news.. |
|
Brett Reid |
The Trolley |
|
brooke james |
So Long, ChatBot |
|
Carole Cloud |
I See You Hiding |
|
Carolyn Gillespie |
Mother |
|
Carolyn Gillespie |
Line of Flow |
|
Catherine Higgins-Moore |
In memory of simpler times |
|
Chantal Galvin |
The Done Thing |
|
Charlie Brice |
Graham Thinks |
|
Chloe Daniel |
Mourning for a friend’s mother |
|
Chloe Orrock |
Among the stars |
|
Ciarán Parkes |
Her Phthisical Husband |
|
Clif Mason |
“The Fiction Writer” |
|
Clint King |
The Nest |
|
Colette Colfer |
Origami |
|
Corinna Leigh-Turner |
Beneath the Horizon |
|
Damen O’Brien |
Other People’s Glasses |
|
Dave Thomas |
the cherub |
|
David Hughes |
Pressure Without Grammar |
|
David Hughes |
Held Weather |
|
Deirdre Anne Hines |
The Picnic Table |
|
Deirdre DuVally |
Christmas Gift |
|
Derval Walsh |
To L. Cohen (Hydra, 27 May 2025) |
|
Diana Cant |
Experimental |
|
Diana Cant |
Bearing witness |
|
Diana Cant |
Signs of slippage |
|
Doreena Jennings |
Motherly Wisdom |
|
Elena Croitoru |
The Bathing Hour |
|
Elena Croitoru |
Maybe only God sees us daydreaming |
|
Elizabeth Oxley |
This Morning in Carriage E |
|
Elizabeth Oxley |
Watching Wooster |
|
Elizabeth Whyatt |
Childhood |
|
Emelia Jones |
The Missing Piece |
|
Emma Neale |
The Dressmaker’s Story |
|
Francesca La Nave |
FOR THE SAVING OF WORMS |
|
Francesca La Nave |
FAREWELL TO A LOVER |
|
Francesca La Nave |
HANGING MAN |
|
Ger O’Sullivan |
Object |
|
Gerry O’Donnell |
Prefab Jungle |
|
Gerry O’Donnell |
Songbird |
|
Glenn Moss |
“Summer, Rogue River” |
|
Helen E. Crampton |
becalmed |
|
Helen Pinoff |
Comfort Food |
|
Hilary McDaniel |
Other Way of Hearing |
|
Holly Aylett |
Our Cleansing |
|
Houman Qavidel |
After the Horse |
|
Houman Qavidel |
Field of Distance |
|
Houman Qavidel |
Mother |
|
Isi Unikowski |
Confined by you I count myself a king |
|
Jacqui Ritchie |
Your Coat |
|
Jacqui Ritchie |
Japanese Maple |
|
Jacqui Ritchie |
Three Saplings on the Side of the Motorway |
|
James Allan Kennedy |
Today I Killed My Cat |
|
James Lowell |
The Hopi Reed Basket |
|
James Lowell |
Prolepsis |
|
James Lowell |
The Trickster Wren |
|
James Lowell |
The New Hell Gate Fire Station |
|
James Lowell |
The Sacred Chicken |
|
James Lowell |
The Zamboni Affair |
|
James Lowell |
Wittgenstein’s Cave |
|
James Lowell |
Hegel’s Garage |
|
James Lowell |
The Little Wolf in Me |
|
James Lowell |
Playing Darts with B. Einstein |
|
James Lowell |
Root Fire |
|
James Lowell |
The Remnants of Him |
|
James Lowell |
Whale Watch |
|
James Lucas |
Minotaur |
|
James Lucas |
Arachne |
|
Jan Norton |
In The Coffee Shop Thinking About Churches |
|
Janice Booth |
Who’s Going to Make the Gravy Now? |
|
jean Tuomey |
Broth |
|
Jeff Walt |
Mercy Room |
|
Jessamyn Fairfield |
Catastrophic Moult |
|
Jimmy O’Keefe |
Morning Prayer |
|
Jimmy O’Keefe |
So Much Language In the Mouth |
|
Joanna Colley |
Lest Ye Be Judged |
|
Jody Hartkopp |
My Mother |
|
John Beaton |
Sinister Spinsters |
|
John Donaghy |
Last Rite |
|
John Lazarus |
The Growth of Wisdom |
|
Jon Hart |
VPN |
|
Jonathan Greenhause |
Face Down in a Jailcell Drifting at Sea |
|
Joost van Gijzen |
Hope is no alternative |
|
Joyce Schmid |
An Echo of the Passion Holding Star to Star |
|
Judith Allnatt |
Things Taken from my Dead Mother |
|
Julia Mason |
Dissolution |
|
Kate Fox |
Still Life with John Prine |
|
Kate Fox |
Marking Time |
|
Katie Beswick |
Freethinking Decadence |
|
Katie Beswick |
Glosa on Larkin’s The Trees |
|
Kevilina Burbank |
The Professor |
|
Kevilina Burbank |
I decided, finally: fuck the long poem |
|
Kevin MacAlan |
Craft |
|
Laura Jan Shore |
That Fleet Season |
|
Laura Jan Shore |
A Kind of Marriage |
|
Leonora O’Brien |
FKU Good Mother Test |
|
les stuart jones |
Curlew suite |
|
Liz Byrne |
I hear |
|
Liz Houchin |
Mass on a Monday |
|
Liza Duncan |
Because |
|
Lou Lesovitch |
Curlew |
|
Louise Larkinson |
In Praise Of Radiotherapy |
|
Lydia Kennaway |
Incident |
|
Marco Patitucci |
At the six o’clock meeting |
|
Margaret Rochford |
Composed in the Dark |
|
Maria McLeod |
A Destiny We Welcomed |
|
Marian Brannigan |
Monastery Garden |
|
Marian Brannigan |
Nature Lesson |
|
Mary Anne Woolf |
Blood and Soil |
|
Mary Mulholland |
Altar |
|
Mia Nelson |
Dostoyvesky |
|
Michael McKimm |
Love poem with animals |
|
Michael Swan |
Brassens Le Testament |
|
Michelle Elvy |
Waterways |
|
Miles Larmour |
Anything |
|
Nina Gross |
Many Ways to Greet the Spirit |
|
Ockert Greeff |
I Do to You |
|
P. W. Bridgman |
I Offer You What I Also Abide |
|
Paddy Moran |
Delivery |
|
Paola Bruni |
You Carry the One You Never Knew |
|
Paris Rosemont |
Emergency Contact: NIL |
|
Patricia Barone |
My Creased Map |
|
Patricia Barone |
The Window Bed |
|
Patricia Wallace |
During the Frick’s Long Renovation |
|
Patrick Cotter |
anois, agus ar uair ár mbáis |
|
Paul Sutherland |
Gentle Dissolves |
|
Peter Borchers |
Monday |
|
Peter Borchers |
My mother is ninety-two |
|
Pratibha Kumari |
What the Heron Knows About Silence |
|
Rajendra Prasad Guptar |
The Mathematics of Rain |
|
Regan Calmer |
Schweineschnitzel |
|
Richard Mott |
My Face at Fifty |
|
Robert E. Shapiro |
Window |
|
Robert Lewis |
The ship of Theseus |
|
Robin Schwarz |
Fire in the Palisades |
|
Robin Schwarz |
A Letter to Neruda |
|
Roger Bonner |
Lost Gloves |
|
Ross Gillett |
Hamburg |
|
Ross Gillett |
Postcard |
|
Ross Gillett |
Door Handle Houses |
|
Ruth Bardon |
Paper Streets |
|
Ruth Rosengarten |
I am thinking |
|
Ruth Rosengarten |
If you’d gone to live in Lisbon in the 1980s |
|
S.A. MacLeod |
Lament for H. |
|
S.A. MacLeod |
Dad as Burning Dodgem |
|
Sally Worthing |
Peace Rose |
|
Salya Shaban |
For The One whose infinite mercy Flows Like the River |
|
Salya Shaban |
A Summer Song In Spring |
|
Sam Szanto |
My Goddess Daughter |
|
Sarah Black |
Dear Sister, after Emma Trelles |
|
Sarah Black |
Cold Little Rockpool |
|
SHARON HIER |
Cwm Du |
|
Sinéad Griffin |
Finding Summer |
|
Snehal Amembal |
Chakli |
|
Sophie Grimes |
The Shape of Time |
|
Stef Pixner |
The Wheel |
|
Stephanie Feeney |
ABOUT THE TOAST |
|
Stephanie Feeney |
MARMALADE |
|
Sumit Kumar |
The Difference Between Forgetting and Letting Go |
|
Susan Kress |
Disappearing Acts |
|
Tara Connor |
The God of 3:00 AM and The Moonlight Tether, or How I Make Sure You Come Home to Me |
|
Veronica A. Bettencourt |
Guided Imagery |
|
Zell Ping |
The Woman Who Changes Sheets |
A confidence of writing voice and
originality of approach that
makes them shine. – Sean Lusk (Short Story)
Sublime examples of the enormity
of what can be conveyed in a
flash story. – Tania Hershman (Flash Fiction)
Each is distinct, yet together they
reveal the shared depth of
human experience. – Ted Simon (Short Memoir)
Many exquisite poems –
long after reading them, they echo.
– Billy Collins (Poetry)
Vivid, astute, gripping, evocative. These stories utterly transported me. – Sarah Hall (Short Story)
In the landscape of emotion and folly, Flash writers are a fearless lot – these stories prove it. – Michelle Elvy (Flash Fiction)
… combining the personal and particular with the universal, each touching in surprising ways … experiences that burn deep, that need to be told. – Sean Lusk (Memoir)
Strong poems. First place is a poem I wish I’d written! – Billy Collins (Poetry)
More… a showcase of disquiet, tension, subversion and surprise …
so many skilled pieces … gem-like, compressed and glinting, little worlds in entirety that refracted life and ideas … What a joy!
– Sarah Hall
… memoirs pinpointing precise
feelings of loss and longing and desire.
– Sean Lusk
What a pleasure to watch these poets’ minds at work, guiding us this way and that.
– Billy Collins
‘… delightful, lively send-up … A vivid imagination is at play here, and a fine frenzy is the result.’ – Billy Collins
‘… laying frames of scenic detail to compose a lyric collage … enticing … resonates compellingly. … explosive off-screen drama arises through subtly-selected detail. Sharp, clever, economical, tongue-in-cheek.’ – Tracey Slaughter
Brave stories of danger and heart and sincerity.
Some risk everything outright, some are desperately quiet, but their intensity lies in what is unsaid and off the page.
These are brilliant pieces from bright, new voices.
A thrill to read.
~ Emily Ruskovich
I could see great stretches of imagination. I saw experimentation. I saw novelty with voice and style. I saw sentences that embraced both meaning and music. ~ Colum McCann
MoreThese glorious pieces have spun across the globe – pit-stopping in Japan, the Aussie outback, Vancouver, Paris, Amsterdam and our own Hibernian shores – traversing times past, present and imagined future as deftly as they mine the secret tunnels of the human heart. Enjoy the cavalcade. – Mia Gallagher
MoreThe standard is high, in terms of the emotional impact these writers managed to wring from just a few pages. – Billy O’Callaghan
Loop-de-loopy, fizz, and dazzle … unique and compelling—compressed, expansive, and surprising. – Sherrie Flick
Every page oozes with a sense of place and time. – Marti Leimbach
Energetic, dense with detail … engages us in the act of seeing, reminds us that attention is itself a form of praise. – Ellen Bass
MoreDead Souls has the magic surplus of meaning that characterises fine examples of the form – Neel Mukherjee
I was looking for terrific writing of course – something Fish attracts in spades, and I was richly rewarded right across the spectrum – Vanessa Gebbie
Really excellent – skilfully woven – Chris Stewart
Remarkable – Jo Shapcott
The practitioners of the art of brevity and super-brevity whose work is in this book have mastered the skills and distilled and double-distilled their work like the finest whiskey.
More€12 (incl. p&p) Sunrise Sunset by Tina Pisco Read Irish Times review by Claire Looby Surreal, sad, zany, funny, Tina Pisco’s stories are drawn from gritty experience as much as the swirling clouds of the imagination. An astute, empathetic, sometimes savage observer, she brings her characters to life. They dance themselves onto the pages, […]
MoreHow do we transform personal experience of pain into literature? How do we create and then chisel away at those images of others, of loss, of suffering, of unspeakable helplessness so that they become works of art that aim for a shared humanity? The pieces selected here seem to prompt all these questions and the best of them offer some great answers.
– Carmen Bugan.
What a high standard all round – of craft, imagination and originality: and what a wide range of feeling and vision.
Ruth Padel
I was struck by how funny many of the stories are, several of them joyously so – they are madcap and eccentric and great fun. Others – despite restrained and elegant prose – managed to be devastating. All of them are the work of writers with talent.
Claire Kilroy
The writing comes first, the bottom line comes last. And sandwiched between is an eye for the innovative, the inventive and the extraordinary.
MoreA new collection from around the globe: innovative, exciting, invigorating work from the writers and poets who will be making waves for some time to come. David Mitchell, Michael Collins, David Shields and Billy Collins selected the stories, flash fiction, memoirs and poems in this anthology.
MoreReading the one page stories I was a little dazzled, and disappointed that I couldn’t give the prize to everybody. It’s such a tight format, every word must count, every punctuation mark. ‘The Long Wet Grass’ is a masterly bit of story telling … I still can’t get it out of my mind.
– Chris Stewart
The perfectly achieved story transcends the limitations of space with profundity and insight. What I look for in fiction, of whatever length, is authenticity and intensity of feeling. I demand to be moved, to be transported, to be introduced into other lives. The stories I have selected for this anthology have managed this. – Ronan Bennett, Short Story Judge.
MoreI sing those who are published here – they have done a very fine job. It is difficult to create from dust, which is what writers do. It is an honour to have read your work. – Colum McCann
MoreThe entries into this year’s Fish Short Story Prize were universally strong. From these the judges have selected winners, we believe, of exceptional virtue. – Carlo Gebler
MoreI was amazed and delighted at the range and quality of these stories. Every one of them was interesting, well-written, beautifully crafted and, as a short-story must, every one of them focused my attention on that very curtailed tableau which a short-story necessarily sets before us. – Michael Collins
MoreThese stories voice all that is vibrant about the form. – Gerard Donovan. Very short stories pack a poetic punch. Each of these holds its own surprise, or two. Dive into these seemingly small worlds. You’ll come up anew. – Angela Jane Fountas
MoreEach of the pieces here has been chosen for its excellence. They are a delightfully varied assortment. More than usual for an anthology, this is a compendium of all the different ways that fiction can succeed. I invite you to turn to ‘All the King’s Horses’. The past is here. Begin.
– Michel Faber
Literary anthologies, especially of new work, act as a kind of indicator to a society’s concerns. This Short Story collection, such a sharp and useful enterprise, goes beyond that. Its internationality demonstrates how our concerns are held in common across the globe. – Frank Delaney
MoreFrom the daily routine of a career in ‘Spoonface’, to the powerful, recurring image of a freezer in ‘Shadow Lives’. It was the remarkable focus on the ordinary that made these Fish short stories such a pleasure to read. – Hugo Hamilton
MoreIn a world where twenty screens of bullshit seem to be revolving without respite … there is nothing that can surpass the ‘explosion of art’ and its obstinate insistence on making sense of things. These dedicated scribes, as though some secret society, heroically, humbly, are espousing a noble cause.
– Pat McCabe
It’s supposed to be a short form, the good story, but it has about it a largeness I love. There is something to admire in all these tales, these strange, insistent invention. They take place in a rich and satisfying mixture of places, countries of the mind and heart. – Christopher Hope
MoreThere are fine stories in this new anthology, some small and intimate, some reaching out through the personal for a wider, more universal perspective, wishing to tell a story – grand, simple, complex or everyday, wishing to engage you the reader. – Kate O’Riodan
MoreI feel like issuing a health warning with this Fish Anthology these stories may seriously damage your outlook – Here the writers view the world in their unique way, and have the imagination, talent, and the courage to refine it into that most surprising of all art forms the short story. – Clem Cairns.
MoreEvery story in this book makes its own original way in the world. knowing which are the telling moments, and showing them to us. And as the narrator of the winning story casually remarks, ‘Sometimes its the small things that amaze me’ – Molly McCloskey
MoreThe stories here possess the difference, the quirkiness and the spark. They follow their own road and their own ideas their own way. It is a valuable quality which makes this collection a varied one. Read it, I hope you say to yourself like I did on many occasions, ‘That’s deadly. How did they think of that?’ – Eamonn Sweeney
MoreReally good short stories like these, don’t read like they were written. They read like they simply grew on the page. – Joseph O’Connor
MoreThe writers in this collection can write short stories . . . their quality is the only thing they have in common. – Roddy Doyle
MoreThis is the first volume of short stories from Ireland’s newest publishing house. We are proud that fish has enabled 15 budding new writers be published in this anthology, and I look forward to seeing many of them in print again.
More12 Miles Out was selected by David Mitchell as the winner of the Fish Unpublished Novel Award.
A love story, thriller and historical novel; funny and sad, uplifting and enlightening.
You only know who you can’t trust. You can’t trust the law, because there’s none in New Ireland. You can’t trust the Church, because they think they’re the law. And you can’t trust the State, because they think they’re the Church And most of all, you can’t trust your friends, because you can’t remember who they were anymore.
MoreA memoir of urban life, chronicled through its central character, Mackey. From momentary reflections to stories about his break with childhood and adolescence, the early introduction to the Big World, the discovery of romance and then love, the powerlessness of ordinary people, the weaknesses that end in disappointment and the strengths that help them seek redemption and belonging.
MoreIan Wild’s stories mix Monty Python with Hammer Horror, and the Beatles with Shakespeare, but his anarchic style and sense of humour remain very much his own in this collection of tall tales from another planet. Where else would you find vengeful organs, the inside story of Eleanor Rigby, mobile moustaches, and Vikings looting a Cork City branch of Abracababra?
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