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Haiku Prize: RESULTS

Winners

Short-list

Long-list

 

From all of us at Fish, thank you for sharing your Haiku with us. The Fish Haiku Prize has been a joy. So many pearls.

Congratulations to all poets who were short-listed and long-listed—and a special well done to the ten winners whose Haiku will appear in the Fish Anthology 2026. A particular shout out to C.P.Nield, who had three of his Haiku selected. In order to ensure that 10 Haiku poets are showcased in the Fish Anthology 2026, judge Mary-Jane Holmes has nudged two Haiku from her short-list to join the winners.

We’re delighted to invite you to the anthology launch at the West Cork Literary Festival in Bantry.
📍 Venue: Marino Church
🗓 Date: 14 July
🕡 Time: 6.00 pm

This is a free event, and all are very welcome. We hope you can join us for what promises to be an enjoyable evening of readings and celebration.

 
 

 

Winners

Judge, poet and Fish Editor: Mary-Jane Holmes

Judge:
Mary-Jane Holmes

Here are the winning Haiku, as chosen by Mary-Jane Holmes, to be published in the FISH ANTHOLOGY 2026.

Find below, notes on the winning Haiku from Mary-Jane and more about the winning poets.

 

AUTHOR

TITLE

 

Susan Richardson

DAWN / ON THE ROAD

Alan Bleakley 

Chough

Emma Dandy

Pinprick scars

Caroline Clark
Day Case

C.P. Nield
Seal Pod, Ostend
The Blue Rigi
Life Cycle

Ayla Gard
Haiku for Nana Watanabe Shrimp Earrings

Richard Godden
Hares

Michael Henry
Dead gull on the road

 
 
Seth Rhoades
 
 
Moonlight Intuition:                               

Lois Woestman
Offering

 

Notes by Mary-Jane Holmes on the Winning Haiku

Across these twelve poems, what stands out first is the astonishing elasticity of the haiku form. Taken together, they demonstrate that contemporary haiku is no longer confined to inherited ideas of seasonal observation, serenity, or strict syllabic discipline. Instead, these poems move confidently between lyric compression, visual experiment, grotesque comedy, painterly image-making, and emotional fracture. Some honour the traditional shape of haiku while radically modernising its subject matter; others dismantle the architecture altogether while preserving the essential haiku instinct: the sudden illumination of a moment.

What impressed me most was the range of tonal daring. There is tenderness beside absurdity, violence beside buoyancy, and high lyricism beside colloquial speech. “Seal Pod, Ostend” revels in sumptuous sound-play — “blubbery lubbers” and “velvet slabs” — while “The Flying Handbag” explodes with theatrical camp and comic swagger. “The Blue Rigi” condenses an entire theory of painting into a tiny imagist fragment, transforming Turner’s mark-making into “fingernail” scratches across the morning. “Pinprick scars” stretches the visual field of the page itself, using spacing and fracture as part of the poem’s emotional syntax. The selection demonstrates that the contemporary haiku can absorb influences from concrete poetry, surrealism, performance, social realism and prose poetry without losing its essential identity.

The strongest entries also shared an exceptional command of imagery. These poems understand that haiku succeeds not through explanation but through precision. Again and again, a single visual detail opens into something larger: horses “grazing their long shadows”; pigeons pecking at sashimi beside a snapped neck; vermillion shrimp earrings transformed into a lonely underwater troupe. The best of these poems trust the image completely. They do not overstate or interpret; they allow resonance to accumulate naturally in the reader’s mind.

What ultimately distinguished the top three poems for me, however, was the way each expanded the possibilities of what a haiku can contain.

“Day Case”achieves something extraordinary in its emotional economy. In just seventeen syllables it implies an entire narrative: illness, surgery, survival, recovery, identity, and the fragile return of pleasure. “One breast less” is devastatingly direct, but the poem refuses to remain inside grief. Instead, it pivots lightly toward delight in “these new sandals / golden on my feet.” What moved me most was this buoyancy — not forced optimism, but a genuine re-emergence into the sensory world. The poem carries enormous emotional weight while remaining airy and alive. It understands that joy can coexist with loss, and that tension gives the poem its power.

“Life Cycle” fascinated me because of its experimental boldness. Formally, it fractures syntax and lineation almost to breaking point: “brakes / neck / nine pigeons peck / sashimi.” Yet despite this disruption, the poem remains deeply faithful to the haiku ethos of immediacy and observation. The poem unfolds through brutal cinematic cuts, creating a compressed urban ecology of labour, violence, scavenging and consumption. The juxtaposition of the Deliveroo rider, broken body, pigeons and sashimi produces a darkly contemporary nature poem. Its experimentation never feels decorative; the fractured form embodies the collision and disorientation at the heart of the scene.

“Haiku for Nana Watanabe Shrimp Earrings”, appealed to me because of how subtly it subverts expectations of haiku. It does not radically disrupt metre or typography. Instead, its rebellion lies in its luxuriant verbosity. Haiku is often associated with spareness and linguistic austerity, but this poem indulges in opulence: “Dangling vermillion organdie” is almost extravagantly textured. The language risks excess yet remains controlled through the poem’s strange underwater loneliness. The movement from fashion object to isolated sea-creature to “fleshy human lobe” creates a surreal but emotionally coherent transformation. I admired the confidence of a poem willing to push the form toward richness rather than reduction.

These three poems ultimately stood above the others because each, in very different ways, enlarged my understanding of the haiku form. One achieved profound emotional narrative through clarity and lightness; one reinvented the form through fragmentation; one challenged assumptions about minimalism through verbal abundance. Together, they demonstrate that the haiku remains not a fixed tradition but a living, mutable art.

 

About the Winners
BIOS:

Emma Dandy writes to explore the fragmentation of identity after trauma. Publication of her debut pamphlet ‘I Laid Out Knives, Guns and Razors’ is forthcoming with Hedgehog Press. Her poems have been published in various journals and anthologies, including Strange Daze, Eche Poetry and Poetry Worth Hearing. Emma was longlisted in the New Writers Flash Fiction Competition 2026 and is researching a PhD in Creative Writing at the University of Birmingham. She’s on Instagram @emmadandypoetry

Dr Alan Bleakley is an Emeritus Professor of Medical Humanities, author of 25 academic books and a widely published poet with eight collections, most recently The Cost of Living, a collaboration with Dr Shane Neilson (2025, The Artel Press). His poetry focuses on the ‘bio-illogical’ or unseen nature. He lives with his wife Sue, a visual artist, at the far west of Cornwall amongst granite outcrops and neolithic burials. He is a keen surfer.

C.P. Nield’s poetry has appeared in New Poetries IV (Carcanet), Footprints (Broken Sleep Books) and Christmas Tree (Candlestick Press), as well as journals such as PN Review, The Spectator, Poetry Wales, The Rialto, The North and Magma. Among a range of prizes, he has been shortlisted for The London Magazine poetry prize in 2014 and 2023, and longlisted for the 2022 National Poetry Competition. He works as a marketing copywriter helping charities raise money.

Caroline Clark has published three books: Saying Yes In Russian, Agenda Editions; Sovetica and Own Sweet Time: A Diagnosis and Notes, both with CB editions. She has a recent story and a podcast interview on the Fictionable site. Later in 2026 Black Herald Press will publish What Lies Ahead and Other Essays. She lives in Lewes, England, and works as a community interpreter.

Ayla Gard writes fiction, nonfiction and poetry about the tangles between humans and the natural world. Her work appears in Orion Magazine, Scientific American, Barnstorm Journal and Pile Press. She has an MFA in nature writing and MA in poetry from Western Colorado University. Originally from a rural mountain in Australia, she lives in Los Angeles with her daughter where she works in climate comms and is revising a novel. Find her at aylagard.carbonmade.com

Seth Rhoades is a Visiting Instructor of English at Jacksonville State University in Jacksonville, Alabama, where he teaches composition, speech, literature, and creative writing. He is a longtime member of the university’s creative writing community, serving as President of the Writers’ Club and Editor-in-Chief of the university literary journal, Something Else, as a student. Seth enjoys writing poetry and speculative fiction that incorporate themes of mental health, identity, and environmentalism.

Susan Richardson’s poems, stories and articles have appeared in various magazines, anthologies and books.  Susan recently won runner-up in the Robinson Jeffers/Tor House Foundation poetry competition.  For many years, she was the editor and publisher of anthologies compiling the literature of current-day poets, fiction writers and memoirists.  She now works as a painter and jewelry maker and lives in Boise, Idaho, with her husband George, a chess teacher and tournament director.

Michael Henry was born in Liverpool and grew up in Cheltenham. He emigrated to Western Canada for thirteen years. He had poems published in magazines before returning to live in Cheltenham. He has won prizes and appeared in magazines in England. He has won the Hippocrates Open Prize and been a Hawthornden Fellow. He has published five collections, four with Enitharmon Press and one with Five Seasons Press. He is married and has three daughters.

Lois Woestman writes because for her, words are truffles; when she finds the right one, her mouth waters. As a tango dancer, Lois writes because sometimes she feels she is dancing on the page. Lois writes because, at the heart, she was lucky to have had a mentor who modeled humble sharing of gifts, and who told her she was a writer and should do what she be. 

Richard Godden  is an Emeritus Professor of English (University of California, Irvine). His last critical work was Punctuating Capital: Fictions of Finance at the End of an American Century (Oxford University Press, 2023). Long since, he published a poetry collection, Breathing Exercises (Peterloo Poets, 1986). “Hares” is one of a sequence of thirty haiku (“A Partial Genealogy for Condensed Milk”), part of a new manuscript (Agitated Air) that will soon seek publication. He writes slowly.

 

 


 

Short-list of 37:

In alphabetical order (1105 entries in total)

POET

HAIKU TITLE

Alan Bleakley

Chough

Alan Bleakley

How the fish slipped away

Alan Bleakley

How the fisherman slipped away

Alan Bleakley

Child how you grow

Ayla Gard

Haiku for Nana Watanabe Shrimp Earrings

C.P. Nield

LIFE CYCLE

C.P. Nield

Stubbornly Attached

C.P. Nield

Seven Weeks

C.P. Nield

Seal Pod, Ostend

C.P. Nield

The Blue Rigi

C.P. Nield

The Flying Handbag

Caroline Clark

Day Case

Cathy Sampson

Regeneration

Cherry Elliott-Millar

Heart auscultation

Christian Morgner

Nature & Naming

Colette Hamilton

Bulimia

Cynthia Troup

[Haiku]

Dave Thomas

argument

David Hanson

A father’s hindsight

Emma Dandy

Pinprick scars

iain napier

Marvel

Joel Woodard

Atavistic Elegance

Kathleen Holliday

The Widowed Font

Linda Nemec Foster

Eliza Doolittle’s Ecodisaster

Lois Woestman

Offering

Lois Woestman

deja

Martin Childs

Fin de cinéma

Matt Minshall

Selfie

Michael Henry

Dead gull on the road

Nick Walsh

bare

Paul sutherland

windowpane

Richard Godden

Hares

Richard Godden

Ash

Sally Ashton

untitled

Sarah Boyd

Artificial

Seth Rhoades

Moonlight Intuition

Susan Richardson

Dawn / On the Road

 

 


 

 

Long-list of 90:

In alphabetical order (1105 entries in total)

POET

HAIKU TITLE

Alan Bleakley

Chough

Alan Bleakley

How the fish slipped away

Alan Bleakley

How the fisherman slipped away

Alan Bleakley

Child how you grow

Alan Bleakley

Gull

Alan Bleakley

How the slipway slipped away

Andy Friedlander

MYSELF & I

Anne Middleton

Wordsworth Walks With Basho Grasmere exhibition Summer 2014 [1]

Ayla Gard

Haiku for Nana Watanabe Shrimp Earring

C.P. Nield

LIFE CYCLE

C.P. Nield

Stubbornly Attached

C.P. Nield

Seven Weeks

C.P. Nield

Seal Pod, Ostend

C.P. Nield

The Blue Rigi

C.P. Nield

The Flying Handbag

C.P. Nield

Grand Canal

Caroline Clark

Day Case

Cathy Sampson

Regeneration

Charlie Gere

After the Operation

Cherry Elliott-Millar

Heart auscultation

Christian Morgner

Nature & Naming

Christian Morgner

Mortality & Journey

Colette Hamilton

Bulimia

Cyd Hughes

Brother

Cynthia Troup

[Haiku]

Cynthia Troup

[Haiku]

Cynthia Troup

[Haiku]

Dave Thomas

argument

david austin

no title

David Hanson

A father’s hindsight

David Jones

Dorothy Wordsworth’s Winter

David Jones

Dorothy Wordsworth’s Autumn

Dawn Wisniewski

Reaper

Derek Dickinson

Fly Fishing

Eileen Marston

My Daily Sunshine

Emma Dandy

Pinprick scars

Emma Dandy

Mano fica

Gill Gregory

Trace

Heléne Van der Westhuizen

No title

iain napier

Marvel

iain napier

Punctuation

Jacqueline Thompson

Honesty

James Spencer

sad (acrosti-ku)

Jean Roarty

Vision

Jennifer Harrison

A thief

Joel Woodard

Atavistic Elegance

John Anderson

[awaiting pruning]

Joost van Gijzen

no title

Kathleen Holliday

The Widowed Font

Kirsty Seymour-Ure

Untitled (haiku 1)

Kirsty Seymour-Ure

Untitled (haiku 3)

Kyla Brown

I

Laura Halpin

Canvas

Linda Nemec Foster

Eliza Doolittle’s Ecodisaster

Lisa Rebert

husked

Lois Woestman

Offering

Lois Woestman

deja

Louis Talbot

Fine china

Louis Talbot

Carousel horse

Marc Corrigan

The world is changing.

Maria Joseph

Summer fly

Martin Childs

Fin de cinéma

Matt Minshall

Selfie

Michael Henry

Dead gull on the road

Michaela Brady

JFK, December 29th, 2025

Mike Greenhough

Sweeping cuts

Mitch Pruitt

War Games

Nichi Jackson

A Small Stain

Nick Walsh

bare

Oona Frawley

Untitled 1

Oona Frawley

Untitled 3

Paul sutherland

windowpane

Paul sutherland

for Mum

Paul sutherland

untitled

paula Oreilly

Country Lane

Raymond Sheehan

Canticles

Regina O’Melveny

After January 7

Richard Godden

Hares

Richard Godden

Ash

Richard Godden

Ring-Roads

Richard Harrow

ring cycle

Sally Ashton

untitled

Sarah Boyd

Artificial

Sarah Boyd

Drizzle

Seth Rhoades

Moonlight Intuition

SHARON HIER

Over Eryri

Susan Dines

Alfresco Kitchen

Susan Richardson

Dawn / On the Road

Tony Williams

an afternoon …

Zachary Mosher

Lemon Trees Ripen

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News & Articles

Poetry Prize: RESULTS

26th May 2026
  Winners Short-list Long-list   From all of us at Fish, thank you for sharing your poems with us.  Congratulations to all whose poems were short-listed and long-listed—and a special well done to the ten winners whose poems will appear in the Fish Anthology 2026.  Billy Collins lent his considerable wisdom and expertise to judging […]

Haiku Prize: RESULTS

15th May 2026
Winners Short-list Long-list   From all of us at Fish, thank you for sharing your Haiku with us. The Fish Haiku Prize has been a joy. So many pearls. Congratulations to all poets who were short-listed and long-listed—and a special well done to the ten winners whose Haiku will appear in the Fish Anthology 2026. […]

Memoir Prize 2026: RESULTS

5th May 2026
Winners Short-list Long-list   From all of us at Fish, thank you for sharing your memoirs with us. The range, originality, and quality of the work made this year’s selection particularly interesting. Well done to all writers who were short and long-listed, and a special congratulations to the ten winners whose stories will appear in […]

Flash Fiction Prize 2026: RESULTS

18th April 2026
Winners Short-list Long-list   From all of us at Fish, thank you for sharing your flash stories with us. The range, originality, and quality of the work made this year’s selection especially rewarding. Congratulations to all writers who were shortlisted and longlisted—and a special well done to the ten winners whose stories will appear in […]

Short Story Prize 2025/26: RESULTS

17th March 2026
Winners Short-list Long-list   On behalf of all of us at Fish, congratulations to those who made the short and long lists.  Special congratulations to the ten winning writers, whose stories will be published in the Fish Anthology 2026. Sincere thanks to Sean Lusk for his time and wisdom in selecting the winners. See Sean’s […]

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