From all of us at Fish, thank you for sharing your flash stories with us. The range, originality, and quality of the work made this year’s selection especially rewarding.
Congratulations to all writers who were shortlisted and longlisted—and a special well done to the ten winners whose stories will appear in the Fish Anthology 2026.
We’re delighted to invite you to the anthology launch at the West Cork Literary Festival in Bantry.
Venue: Marino Church
Date: 14 July
Time: 6.00 pm
This is a free event, and all are very welcome. We hope you can join us for what promises to be an enjoyable evening of readings and celebration.

Judge, Tania Hershman.
Here are the 10 winning Flash Fiction Stories, as chosen by Tania Hershman, to be published in the FISH ANTHOLOGY 2026. Notes on the stories from Tania, you will find below, plus more about the authors.
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AUTHOR |
TITLE |
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First Prize: |
Impasto |
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Second Prize: |
Within The Rain (drop) Community |
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Third Prize: |
More than half your body is not human, say scientists |
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HONORARY MENTIONS |
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Gerard Byrne |
The Algorithm Under the Hill |
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Catherine Ogston |
A Series of Decisions You Must Make When Your Hall Light Fitting Needs Replaced |
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Léonie Gregson |
Sea Reckoning |
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Jacques Denault |
Meeting the Devil |
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Alison Woodhouse |
Freshly Afraid |
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Jeannie Mackenzie |
Sometimes, folding is the wisest course of action |
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Gráinne Patterson |
Animal |
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Powered by tea and Tayto crisps, Lourdes Mackey mostly writes historical fiction. While researching her stories she regularly needs rescuing from deep rabbit holes, but when completed the stories appear in newspapers, – The Irish Times and the Irish Examiner, in literary magazines – Crannóg and Flashback Fiction and in anthologies – the UEA’s Suffragette Stories, From the Well, and Sunday Miscellany. She lives in an old house on top of a hill in Cork City with too many books and not enough shelves.
Jess Richards is the author of Costa shortlisted Snake Ropes, Cooking with Bones, City of Circles (Sceptre) and Birds and Ghosts (Linen Press). Jess lives with her wife, author Sally J Morgan, in West Yorkshire. She is currently working towards a collection of short fiction, titled Threads and Distortions, which will be published by Linen Press. While she is not writing or dreaming, Jess works as a Creative Writing Lecturer at the University of Leeds.
Jack Morris lives in Brighton, UK. She has a Masters in Creative Writing from the Open University. She is editor of Neither Fish Nor Foul, a flash fiction magazine. She’s fond of the gym, improv, and drama (on stage. Mostly) and her online published work can be found at https://thewavingnotdrowningblog.com/
Gerard Byrne is a senior technical trainer with a gift for making complex ideas feel clear and human, lives in Belfast. After authoring seven programming books, he took a deliberate turn toward creative writing and the deeper possibilities of language. What began as a storytelling class became a new direction: one where precision meets pleasure, where the joy lies in shaping words that leave space for meaning to emerge, allowing each reader to find something uniquely their own.
Catherine Ogston loves writing tiny stories, with flash fiction work published in Best Microfiction 2025, Bath Flash, Flash 500, National Flash Fiction Day anthologies and others. Catherine has also published short stories and had novel-length work shortlisted for awards such as the Kelpies and Exeter Novel Prize. After completing an MLitt in Creative Writing, she is delighted to champion prose writing as the 2026 Scriever for the Federation of Writers (Scotland).
Léonie Gregson is a Tasmanian-born writer based in Gloucestershire. A lover of wild coastlines and remote mountains, her fiction is shaped by landscape, memory and the natural world. In 2024 she won the People’s Friend Bursary for unpublished writers, judged by a panel including Adam Kay, Adele Parks and Louise Welsh. She has also worked on writing projects around men’s mental health, including coordinating a 2021 anthology with a foreword by Monty Don.
Jacques Denault’s work has appeared in Hobart, Fourteen Hills, Litro USA, and Writer’s Digest. He is an editor for Writer’s Digest’s 2nd Draft editorial service and has taught everything from horror cinema to literature and creative writing at Endicott College and Clark University. Beyond writing and the classroom, Jacques is a historian and actor, with a brief stint in archaeology.
Alison Woodhouse is a writer and teacher living in the south west of England. Her flash collection, Family Frames, was published in 2021 (V Press) and her novella-in-flash The House on the Corner (AdHoc Fiction) in 2020. She is widely published both online and in print, most recently winning Mslexia Flash Prize, 2025. She’s just returned from 3 months living in Austin, Texas (where this story is set) on a UKRI fellowship researching the writing processes of contemporary author.
The salt tang of a Hebridean childhood permeates Jeannie’s MacKenzie’s creative non-fiction, novels, short stories and poetry. Published in academia, literary magazines and anthologies, her writing ebbs and flows with the tides of her life as a full-time carer. She teaches creative writing in a community setting and has just completed her second novel – a coming of age novel about a selectively mute single mother surviving the Clydebank blitz of 1941.
Gráinne Patterson is from the roaring west Atlantic coast of Donegal and now lives by the Pacific ocean in New Zealand, where she has completed an MA in Creative Nonfiction, written a memoir, and published several essays. Her writing specialises in trauma, healing, and the rippling dynamics that are created in not-so-functional families. This is her first foray into flash fiction writing, and she found it much harder (albeit shorter) than writing a whole book.
It’s a fascinating process reading 800+ entries to a writing competition! I’ve done it once before, for a short story contest, but not for flash fiction. Judging is always a subjective act – another judge may well have made entirely different choices – and it was a privilege to be allowed to choose the stories that spoke to me from all of those that their writers had the courage to submit to be judged. It is truly an act of courage to send your work out into the world, and I applaud the hundreds of writers that did that, it’s no small thing.
As a competition judge, my job is to find reasons not to add stories to the Maybe or Yes piles, otherwise my task would be impossible. What I was looking for isn’t easily defined; as is clear in the FUEL anthology of prizewinning flash fictions I edited (www.fuelflash.net) there really is no formula for a winning story. I don’t believe there is anything that a flash story “should” be, that because you “only” have 300 words there is something you can’t do, such as have many characters, more than one scene, description and backstory, movement in time. Here, I was looking for a piece that works not despite but because of the tight word limit, that uses the brevity rather than straining against it. Something I noticed as I read all the entries was that there were many stories that ended just as they were, in fact, getting going. Something interesting had just happened – and then they stopped. I suspect it was to do with this competition’s particular word limit, but this means they were not complete pieces of flash fiction, and this was one common reason a story didn’t reach the longlist. I do encourage the writers of these stories to take a second look and think about whether they might want to carry on writing, because there are quite a few potentially wonderful longer stories here!
Moving on to my choices, the flash story I awarded first prize to, ‘Impasto’, is for me the perfect embodiment of what flash fiction can do, both in the story it is telling and the way the writer is telling it. I read it numerous times and it had that magical quality of affecting me each time, and revealing something new. The “plot” is not a novel one, an unhappy relationship, but the way this writers approaches it has that freshness that I was looking for. A whole life is here, so much in the spaces between the words as in the words themselves. It begins as if we already know these characters, told in close-third person (“she”) so that I can hear the main character. The piece is structured in three long sentences, with pacing that beautifully conveys the main character’s state of mind, and the writer has selected their language so carefully that a few well-chosen words conjure an entire world. I always worry that a story that begins strongly will not sustain that until the end, because the ending of a short story – and all the more so a short short story – is vital. I need not have worried. The ending is perfect, that beautiful combination of endingness yet leaving enough lingering to stay with us long after we have finished reading. Bravo!
My second prize flash story, ‘Within the Rain (drop) Community’, is very different in style and voice, told in the first-person-plural (“we”) from the point of view of a group of characters, and non-human characters at that! This has such an exciting newness to it, it has humour and playfulness both in its words and in its structure on the page, using brackets to great effect. And, as the greatest short pieces do, it manages in 300 words to tackle something so much wider and larger than it first appears, to make a comment on our own societies and the way we live. An exciting, moving and unforgettable piece.
My third prize choice, ‘Over half your body is not human, say scientists’, delighted me immediately with its mention of scientists in the title and the first line. Using science as inspiration for creative pieces is something very dear to my heart, and as I read on, I was crossing my fingers that this story would live up to its promise. It very much did. Different again from the other two flash stories in the top three, it is told in second person, addressing “you” directly, and this choice of point of view works perfectly with the idea of a person being an experimental subject. I won’t give anything away, but oh my I did not see that ending coming, and it is a fabulous example of a commonly-held idea that endings should be both surprising and then, when you look back, also somehow entirely fitting. A wonderful flash story.
The eight flash stories I chose to award Honorable Mentions to are also extremely diverse in plot, language, structure and style, from realism to the magical, poignancy, comedy, and everything in between, in some cases spanning a few minutes and, in others, years. We have myth meeting AI, a story told in the form of multiple choice questions, a tale of seas and shipwreck, and the devil as we have never encountered him, alongside the troll living in the park, the rebel pastor’s daughter, and novel takes on both moon landing conspiracy theories and campus student-professor issues.
The competition was judged anonymously, of course, and when I do find out their names, I look forward to seeing what all these eleven writers do next, I will be keeping my eye on them. Congratulations to them and to the entire shortlist and longlist, please known that rising up out of 800+ entries is a great achievement. And thank you to everyone who entered for being brave enough to send your words out into the world. Don’t stop!
(36 flash stories)
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Jeannie Mackenzie |
SOMETIMES, FOLDING IS THE WISEST COURSE OF ACTION |
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Jess Richards |
Associate Volunteer |
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Jack Morris |
Over half your body is not human, say scientists |
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Jess Richards |
within the rain (drop) community |
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Gillian Isaacs Russell |
Snow-White and Rose-Red |
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Jeffrey-Michael Kane |
Things My Brother Explains With Absolute Authority |
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Kristin Walrod |
But This Time Will Be Different |
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C M Meera |
THE LAST MISSED CALL |
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Angela Fitzpatrick |
Butterflies on the Mirror |
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Elena Gao Garcia |
That Word You Should Never Utter and if You do it Must be With Utmost Caution |
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Elena Gao Garcia |
Rule Number One: Chess Is a Two Coloured Game |
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Norbert Gleißner |
The Final Prompt |
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Alison Woodhouse |
Freshly Afraid |
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Aline Soules |
Swimming Lesson |
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Jacques Denault |
Meeting the Devil |
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Jacques Denault |
American Adjunct |
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Hannah Morphet |
Mater Morphosis |
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Richard Law |
The Mini-Minotaur |
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Sue Lewis |
Song of Icarus |
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Martha Swift |
The Menagerie |
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Leonie Gregson |
Sea Reckoning |
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Marie Altzinger |
In the Concubines’ Courtyard |
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Grainne Patterson |
Animal |
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Amanda O’Callaghan |
Telling The Bees |
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Gerard Byrne |
The Algorithm Under the Hill |
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Marc Minnaar |
Archive |
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Chris Cottom |
Next They Ruled That Only Men Could Wear Buttons |
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Lourdes Mackey |
Impasto |
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Frances Gapper |
Emily and Emily, Living in a Cave |
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Trina O Hare |
Butchered |
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Emily Ryan |
Divine Bodies |
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Sofia Salazar |
Inheritance |
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Shelley Roche-Jacques |
If an avalanche, that winter |
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Catherine Ogston |
A Series of Decisions You Must Make When Your Hall Light Fitting Needs Replaced |
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Cate Sapiano Chin |
Rush |
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Cate Sapiano Chin |
Clean Sheets |
In alphabetical order (76)
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Abigail Williams |
The Moths Have Been At Our Love |
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Aline Soules |
Swimming Lesson |
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Alison Langley |
In tatters |
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Alison Woodhouse |
Freshly Afraid |
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Amanda O’Callaghan |
Telling The Bees |
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Angela Fitzpatrick |
Butterflies on the Mirror |
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Beatrice Motamedi |
Brown Girl in Bardo |
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Brandy Reinke |
What He Thinks When He Feels Her Near |
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Brennan McElhone |
Abbeville |
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Brianna O Sullivan |
All Roads Lead To This |
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C M Meera |
THE LAST MISSED CALL |
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Caroline Jenner |
Broken Dreams |
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Cate Sapiano Chin |
Rush |
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Cate Sapiano Chin |
Clean Sheets |
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Catherine Ogston |
A Series of Decisions You Must Make When Your Hall Light Fitting Needs Replaced |
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Charles Hadfield |
CLEAN SWEEP |
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Charlie Pulling |
A Fool’s Passage |
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Chris Cottom |
Next They Ruled That Only Men Could Wear Buttons |
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cory brown |
Coruscation |
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Dana Baylous |
Inventory of What Was Left |
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David Lee |
Stargazer |
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Eleanor Holmes |
Silly Goose |
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Elena Gao Garcia |
That Word You Should Never Utter and if You do it Must be with Utmost Caution |
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Elena Gao Garcia |
Rule Number One: Chess Is a Two Coloured Game |
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Emily Rinkema |
Stayin’ Alive |
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Emily Ryan |
Divine Bodies |
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Emma Robdale |
Goldilocks Untamed |
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Frances Gapper |
Emily and Emily, Living in a Cave |
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Gerard Byrne |
The Algorithm Under the Hill |
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Gillian Isaacs Russell |
Snow-White and Rose-Red |
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Grainne Patterson |
Animal |
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Hannah Morphet |
Mater Morphosis |
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Henry Tomb |
The New Fresh Hell |
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Jack Morris |
Over half your body is not human, say scientists |
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Jacques Denault |
Meeting the Devil |
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Jacques Denault |
American Adjunct |
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James Allan Kennedy |
The Passenger Seat |
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Jean O’Brien |
Betamax |
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Jeannie Mackenzie |
SOMETIMES, FOLDING IS THE WISEST COURSE OF ACTION |
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Jeffrey-Michael Kane |
Things My Brother Explains With Absolute Authority |
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Jess Richards |
Associate Volunteer |
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Jess Richards |
within the rain (drop) community |
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Jess Richards |
The Radio Man Says ‘Discomfort’ |
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John Hillman |
Scones |
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K Wise |
Catch |
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Kate Durrant |
Dog years |
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Kate Twitchin |
Let Them Eat Crap |
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Keefe Deighan |
Christmas 2018 |
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Kelly Hopson |
Element |
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Kristin Walrod |
But This Time Will Be Different |
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Laura Carroll |
Lovely Little Things |
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Leonie Gregson |
Sea Reckoning |
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Lourdes Mackey |
Impasto |
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Lucienne Cummings |
Waxing |
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Máire T Robinson |
The Paper Menagerie |
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Marc Minnaar |
Archive |
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Marie Altzinger |
In the Concubines’ Courtyard |
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Martha Swift |
The Menagerie |
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Maxime Kawawa-Beaudan |
Thunder |
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Mayra David |
Where Space and Time Could Be the Same Thing |
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Mikko Järvenpää |
The Creation Myth as Told by Blue Whales |
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Niall James Holohan |
In Memoriam: Ozzie Osbert (1937 – 2026) |
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Norbert Gleißner |
The Final Prompt |
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Peter Mills |
Bathroom Entropy |
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Peter Mills |
Suzy and the Ger-gnome |
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Richard Law |
The Mini-Minotaur |
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Rosaleen Lynch |
Catch and Release |
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Sally Brisley |
Biog: Early Poetic Influences |
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Seán McNicholl |
Everyone Knows |
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Shelley Roche-Jacques |
If an avalanche, that winter |
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Sofia Salazar |
Inheritance |
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Sophie Swatman |
Flotsam |
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Sue Lewis |
Song of Icarus |
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Timothy Collyer |
Low Tide at Rhossili |
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Trina O Hare |
Butchered |
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Wendy Osborne |
Amanita Phalloides |
A confidence of writing voice and
originality of approach that
makes them shine. – Sean Lusk (Short Story)
Sublime examples of the enormity
of what can be conveyed in a
flash story. – Tania Hershman (Flash Fiction)
Each is distinct, yet together they
reveal the shared depth of
human experience. – Ted Simon (Short Memoir)
Many exquisite poems –
long after reading them, they echo.
– Billy Collins (Poetry)
Vivid, astute, gripping, evocative. These stories utterly transported me. – Sarah Hall (Short Story)
In the landscape of emotion and folly, Flash writers are a fearless lot – these stories prove it. – Michelle Elvy (Flash Fiction)
… combining the personal and particular with the universal, each touching in surprising ways … experiences that burn deep, that need to be told. – Sean Lusk (Memoir)
Strong poems. First place is a poem I wish I’d written! – Billy Collins (Poetry)
More… a showcase of disquiet, tension, subversion and surprise …
so many skilled pieces … gem-like, compressed and glinting, little worlds in entirety that refracted life and ideas … What a joy!
– Sarah Hall
… memoirs pinpointing precise
feelings of loss and longing and desire.
– Sean Lusk
What a pleasure to watch these poets’ minds at work, guiding us this way and that.
– Billy Collins
‘… delightful, lively send-up … A vivid imagination is at play here, and a fine frenzy is the result.’ – Billy Collins
‘… laying frames of scenic detail to compose a lyric collage … enticing … resonates compellingly. … explosive off-screen drama arises through subtly-selected detail. Sharp, clever, economical, tongue-in-cheek.’ – Tracey Slaughter
Brave stories of danger and heart and sincerity.
Some risk everything outright, some are desperately quiet, but their intensity lies in what is unsaid and off the page.
These are brilliant pieces from bright, new voices.
A thrill to read.
~ Emily Ruskovich
I could see great stretches of imagination. I saw experimentation. I saw novelty with voice and style. I saw sentences that embraced both meaning and music. ~ Colum McCann
MoreThese glorious pieces have spun across the globe – pit-stopping in Japan, the Aussie outback, Vancouver, Paris, Amsterdam and our own Hibernian shores – traversing times past, present and imagined future as deftly as they mine the secret tunnels of the human heart. Enjoy the cavalcade. – Mia Gallagher
MoreThe standard is high, in terms of the emotional impact these writers managed to wring from just a few pages. – Billy O’Callaghan
Loop-de-loopy, fizz, and dazzle … unique and compelling—compressed, expansive, and surprising. – Sherrie Flick
Every page oozes with a sense of place and time. – Marti Leimbach
Energetic, dense with detail … engages us in the act of seeing, reminds us that attention is itself a form of praise. – Ellen Bass
MoreDead Souls has the magic surplus of meaning that characterises fine examples of the form – Neel Mukherjee
I was looking for terrific writing of course – something Fish attracts in spades, and I was richly rewarded right across the spectrum – Vanessa Gebbie
Really excellent – skilfully woven – Chris Stewart
Remarkable – Jo Shapcott
The practitioners of the art of brevity and super-brevity whose work is in this book have mastered the skills and distilled and double-distilled their work like the finest whiskey.
More€12 (incl. p&p) Sunrise Sunset by Tina Pisco Read Irish Times review by Claire Looby Surreal, sad, zany, funny, Tina Pisco’s stories are drawn from gritty experience as much as the swirling clouds of the imagination. An astute, empathetic, sometimes savage observer, she brings her characters to life. They dance themselves onto the pages, […]
MoreHow do we transform personal experience of pain into literature? How do we create and then chisel away at those images of others, of loss, of suffering, of unspeakable helplessness so that they become works of art that aim for a shared humanity? The pieces selected here seem to prompt all these questions and the best of them offer some great answers.
– Carmen Bugan.
What a high standard all round – of craft, imagination and originality: and what a wide range of feeling and vision.
Ruth Padel
I was struck by how funny many of the stories are, several of them joyously so – they are madcap and eccentric and great fun. Others – despite restrained and elegant prose – managed to be devastating. All of them are the work of writers with talent.
Claire Kilroy
The writing comes first, the bottom line comes last. And sandwiched between is an eye for the innovative, the inventive and the extraordinary.
MoreA new collection from around the globe: innovative, exciting, invigorating work from the writers and poets who will be making waves for some time to come. David Mitchell, Michael Collins, David Shields and Billy Collins selected the stories, flash fiction, memoirs and poems in this anthology.
MoreReading the one page stories I was a little dazzled, and disappointed that I couldn’t give the prize to everybody. It’s such a tight format, every word must count, every punctuation mark. ‘The Long Wet Grass’ is a masterly bit of story telling … I still can’t get it out of my mind.
– Chris Stewart
The perfectly achieved story transcends the limitations of space with profundity and insight. What I look for in fiction, of whatever length, is authenticity and intensity of feeling. I demand to be moved, to be transported, to be introduced into other lives. The stories I have selected for this anthology have managed this. – Ronan Bennett, Short Story Judge.
MoreI sing those who are published here – they have done a very fine job. It is difficult to create from dust, which is what writers do. It is an honour to have read your work. – Colum McCann
MoreThe entries into this year’s Fish Short Story Prize were universally strong. From these the judges have selected winners, we believe, of exceptional virtue. – Carlo Gebler
MoreI was amazed and delighted at the range and quality of these stories. Every one of them was interesting, well-written, beautifully crafted and, as a short-story must, every one of them focused my attention on that very curtailed tableau which a short-story necessarily sets before us. – Michael Collins
MoreThese stories voice all that is vibrant about the form. – Gerard Donovan. Very short stories pack a poetic punch. Each of these holds its own surprise, or two. Dive into these seemingly small worlds. You’ll come up anew. – Angela Jane Fountas
MoreEach of the pieces here has been chosen for its excellence. They are a delightfully varied assortment. More than usual for an anthology, this is a compendium of all the different ways that fiction can succeed. I invite you to turn to ‘All the King’s Horses’. The past is here. Begin.
– Michel Faber
Literary anthologies, especially of new work, act as a kind of indicator to a society’s concerns. This Short Story collection, such a sharp and useful enterprise, goes beyond that. Its internationality demonstrates how our concerns are held in common across the globe. – Frank Delaney
MoreFrom the daily routine of a career in ‘Spoonface’, to the powerful, recurring image of a freezer in ‘Shadow Lives’. It was the remarkable focus on the ordinary that made these Fish short stories such a pleasure to read. – Hugo Hamilton
MoreIn a world where twenty screens of bullshit seem to be revolving without respite … there is nothing that can surpass the ‘explosion of art’ and its obstinate insistence on making sense of things. These dedicated scribes, as though some secret society, heroically, humbly, are espousing a noble cause.
– Pat McCabe
It’s supposed to be a short form, the good story, but it has about it a largeness I love. There is something to admire in all these tales, these strange, insistent invention. They take place in a rich and satisfying mixture of places, countries of the mind and heart. – Christopher Hope
MoreThere are fine stories in this new anthology, some small and intimate, some reaching out through the personal for a wider, more universal perspective, wishing to tell a story – grand, simple, complex or everyday, wishing to engage you the reader. – Kate O’Riodan
MoreI feel like issuing a health warning with this Fish Anthology these stories may seriously damage your outlook – Here the writers view the world in their unique way, and have the imagination, talent, and the courage to refine it into that most surprising of all art forms the short story. – Clem Cairns.
MoreEvery story in this book makes its own original way in the world. knowing which are the telling moments, and showing them to us. And as the narrator of the winning story casually remarks, ‘Sometimes its the small things that amaze me’ – Molly McCloskey
MoreThe stories here possess the difference, the quirkiness and the spark. They follow their own road and their own ideas their own way. It is a valuable quality which makes this collection a varied one. Read it, I hope you say to yourself like I did on many occasions, ‘That’s deadly. How did they think of that?’ – Eamonn Sweeney
MoreReally good short stories like these, don’t read like they were written. They read like they simply grew on the page. – Joseph O’Connor
MoreThe writers in this collection can write short stories . . . their quality is the only thing they have in common. – Roddy Doyle
MoreThis is the first volume of short stories from Ireland’s newest publishing house. We are proud that fish has enabled 15 budding new writers be published in this anthology, and I look forward to seeing many of them in print again.
More12 Miles Out was selected by David Mitchell as the winner of the Fish Unpublished Novel Award.
A love story, thriller and historical novel; funny and sad, uplifting and enlightening.
You only know who you can’t trust. You can’t trust the law, because there’s none in New Ireland. You can’t trust the Church, because they think they’re the law. And you can’t trust the State, because they think they’re the Church And most of all, you can’t trust your friends, because you can’t remember who they were anymore.
MoreA memoir of urban life, chronicled through its central character, Mackey. From momentary reflections to stories about his break with childhood and adolescence, the early introduction to the Big World, the discovery of romance and then love, the powerlessness of ordinary people, the weaknesses that end in disappointment and the strengths that help them seek redemption and belonging.
MoreIan Wild’s stories mix Monty Python with Hammer Horror, and the Beatles with Shakespeare, but his anarchic style and sense of humour remain very much his own in this collection of tall tales from another planet. Where else would you find vengeful organs, the inside story of Eleanor Rigby, mobile moustaches, and Vikings looting a Cork City branch of Abracababra?
More