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Flash Fiction Prize 2026: RESULTS

Winners

Short-list

Long-list

 

From all of us at Fish, thank you for sharing your flash stories with us. The range, originality, and quality of the work made this year’s selection especially rewarding.

Congratulations to all writers who were shortlisted and longlisted—and a special well done to the ten winners whose stories will appear in the Fish Anthology 2026.

We’re delighted to invite you to the anthology launch at the West Cork Literary Festival in Bantry.
📍 Venue: Marino Church
🗓 Date: 14 July
🕡 Time: 6.00 pm

This is a free event, and all are very welcome. We hope you can join us for what promises to be an enjoyable evening of readings and celebration.

 
 

 

Winners

Tania Hershman

Judge, Tania Hershman.

Here are the 10 winning Flash Fiction Stories, as chosen by Tania Hershman, to be published in the FISH ANTHOLOGY 2026. Notes on the stories from Tania, you will find below, plus more about the authors.

 

 

 

 

AUTHOR

TITLE

 

First Prize:
Lourdes Mackey

Impasto

Lourdes Mackey

Second Prize:
Jess Richards

Within The Rain (drop) Community

Jess Richards

Third Prize:
Jack Morris

More than half your body is not human, say scientists

Jack Morris

 

HONORARY MENTIONS
(no particular order)

 

 

Gerard Byrne

The Algorithm Under the Hill 

Gerard Byrne

Catherine Ogston

A Series of Decisions You Must Make When Your Hall Light Fitting Needs Replaced 

Catherine Ogston

Léonie Gregson

Sea Reckoning 

Leonie Gregson

Jacques Denault

Meeting the Devil 

Jacques Denault

Alison Woodhouse

Freshly Afraid 

Alison Woodhouse

Jeannie Mackenzie

Sometimes, folding is the wisest course of action                                     

Jeannie MacKenzie

Gráinne Patterson

Animal

Grainne Patterson

 

BIOS 

Powered by tea and Tayto crisps, Lourdes Mackey mostly writes historical fiction. While researching her stories she regularly needs rescuing from deep rabbit holes, but when completed the stories appear in newspapers, – The Irish Times and the Irish Examiner, in literary magazines – Crannóg and Flashback Fiction and in anthologies – the UEA’s Suffragette Stories, From the Well, and Sunday Miscellany. She lives in an old house on top of a hill in Cork City with too many books and not enough shelves.

Jess Richards is the author of Costa shortlisted Snake Ropes, Cooking with Bones, City of Circles (Sceptre) and Birds and Ghosts (Linen Press). Jess lives with her wife, author Sally J Morgan, in West Yorkshire. She is currently working towards a collection of short fiction, titled Threads and Distortions, which will be published by Linen Press. While she is not writing or dreaming, Jess works as a Creative Writing Lecturer at the University of Leeds.

Jack Morris lives in Brighton, UK. She has a Masters in Creative Writing from the Open University. She is editor of Neither Fish Nor Foul, a flash fiction magazine. She’s fond of the gym, improv, and drama (on stage. Mostly) and her online published work can be found at https://thewavingnotdrowningblog.com/

Gerard Byrne is a senior technical trainer with a gift for making complex ideas feel clear and human, lives in Belfast. After authoring seven programming books, he took a deliberate turn toward creative writing and the deeper possibilities of language. What began as a storytelling class became a new direction: one where precision meets pleasure,  where the joy lies in shaping words that leave space for meaning to emerge, allowing each reader to find something uniquely their own.

Catherine Ogston loves writing tiny stories, with flash fiction work published in Best Microfiction 2025, Bath Flash, Flash 500, National Flash Fiction Day anthologies and others. Catherine has also published short stories and had novel-length work shortlisted for awards such as the Kelpies and Exeter Novel Prize. After completing an MLitt in Creative Writing, she is delighted to champion prose writing as the 2026 Scriever for the Federation of Writers (Scotland).            

Léonie Gregson is a Tasmanian-born writer based in Gloucestershire. A lover of wild coastlines and remote mountains, her fiction is shaped by landscape, memory and the natural world. In 2024 she won the People’s Friend Bursary for unpublished writers, judged by a panel including Adam Kay, Adele Parks and Louise Welsh. She has also worked on writing projects around men’s mental health, including coordinating a 2021 anthology with a foreword by Monty Don.

Jacques Denault’s work has appeared in Hobart, Fourteen Hills, Litro USA, and Writer’s Digest. He is an editor for Writer’s Digest’s 2nd Draft editorial service and has taught everything from horror cinema to literature and creative writing at Endicott College and Clark University. Beyond writing and the classroom, Jacques is a historian and actor, with a brief stint in archaeology.

Alison Woodhouse is a writer and teacher living in the south west of England. Her flash collection, Family Frames, was published in 2021 (V Press) and her novella-in-flash The House on the Corner (AdHoc Fiction) in 2020. She is widely published both online and in print, most recently winning Mslexia Flash Prize, 2025. She’s just returned from 3 months living in Austin, Texas (where this story is set) on a UKRI fellowship researching the writing processes of contemporary author. 

The salt tang of a Hebridean childhood permeates Jeannie’s MacKenzie’s creative non-fiction, novels, short stories and poetry. Published in academia, literary magazines and anthologies, her writing ebbs and flows with the tides of her life as a full-time carer. She teaches creative writing in a community setting and has just completed her second novel – a coming of age novel about a selectively mute single mother surviving the Clydebank blitz of 1941.

Gráinne Patterson is from the roaring west Atlantic coast of Donegal and now lives by the Pacific ocean in New Zealand, where she has completed an MA in Creative Nonfiction, written a memoir, and published several essays. Her writing specialises in trauma, healing, and the rippling dynamics that are created in not-so-functional families. This is her first foray into flash fiction writing, and she found it much harder (albeit shorter) than writing a whole book.

 

 

Judge’s Comments – Tania Hershman, April 2026

It’s a fascinating process reading 800+ entries to a writing competition! I’ve done it once before, for a short story contest, but not for flash fiction. Judging is always a subjective act – another judge may well have made entirely different choices – and it was a privilege to be allowed to choose the stories that spoke to me from all of those that their writers had the courage to submit to be judged. It is truly an act of courage to send your work out into the world, and I applaud the hundreds of writers that did that, it’s no small thing.

As a competition judge, my job is to find reasons not to add stories to the Maybe or Yes piles, otherwise my task would be impossible. What I was looking for isn’t easily defined; as is clear in the FUEL anthology of prizewinning flash fictions I edited (www.fuelflash.net) there really is no formula for a winning story. I don’t believe there is anything that a flash story “should” be, that because you “only” have 300 words there is something you can’t do, such as have many characters, more than one scene, description and backstory, movement in time. Here, I was looking for a piece that works not despite but because of the tight word limit, that uses the brevity rather than straining against it. Something I noticed as I read all the entries was that there were many stories that ended just as they were, in fact, getting going. Something interesting had just happened – and then they stopped. I suspect it was to do with this competition’s particular word limit, but this means they were not complete pieces of flash fiction, and this was one common reason a story didn’t reach the longlist. I do encourage the writers of these stories to take a second look and think about whether they might want to carry on writing, because there are quite a few potentially wonderful longer stories here!

Moving on to my choices, the flash story I awarded first prize to, ‘Impasto’, is for me the perfect embodiment of what flash fiction can do, both in the story it is telling and the way the writer is telling it. I read it numerous times and it had that magical quality of affecting me each time, and revealing something new. The “plot” is not a novel one, an unhappy relationship, but the way this writers approaches it has that freshness that I was looking for. A whole life is here, so much in the spaces between the words as in the words themselves. It begins as if we already know these characters, told in close-third person (“she”) so that I can hear the main character. The piece is structured in three long sentences, with pacing that beautifully conveys the main character’s state of mind, and the writer has selected their language so carefully that a few well-chosen words conjure an entire world. I always worry that a story that begins strongly will not sustain that until the end, because the ending of a short story – and all the more so a short short story – is vital. I need not have worried. The ending is perfect, that beautiful combination of endingness yet leaving enough lingering to stay with us long after we have finished reading. Bravo!

My second prize flash story, ‘Within the Rain (drop) Community’, is very different in style and voice, told in the first-person-plural (“we”) from the point of view of a group of characters, and non-human characters at that! This has such an exciting newness to it, it has humour and playfulness both in its words and in its structure on the page, using brackets to great effect. And, as the greatest short pieces do, it manages in 300 words to tackle something so much wider and larger than it first appears, to make a comment on our own societies and the way we live. An exciting, moving and unforgettable piece.

My third prize choice, ‘Over half your body is not human, say scientists’, delighted me immediately with its mention of scientists in the title and the first line. Using science as inspiration for creative pieces is something very dear to my heart, and as I read on, I was crossing my fingers that this story would live up to its promise. It very much did. Different again from the other two flash stories in the top three, it is told in second person, addressing “you” directly, and this choice of point of view works perfectly with the idea of a person being an experimental subject. I won’t give anything away, but oh my I did not see that ending coming, and it is a fabulous example of a commonly-held idea that endings should be both surprising and then, when you look back, also somehow entirely fitting. A wonderful flash story.

The eight flash stories I chose to award Honorable Mentions to are also extremely diverse in plot, language, structure and style, from realism to the magical, poignancy, comedy, and everything in between, in some cases spanning a few minutes and, in others, years. We have myth meeting AI, a story told in the form of multiple choice questions, a tale of seas and shipwreck, and the devil as we have never encountered him, alongside the troll living in the park, the rebel pastor’s daughter, and novel takes on both moon landing conspiracy theories and campus student-professor issues.

The competition was judged anonymously, of course, and when I do find out their names, I look forward to seeing what all these eleven writers do next, I will be keeping my eye on them. Congratulations to them and to the entire shortlist and longlist, please known that rising up out of 800+ entries is a great achievement. And thank you to everyone who entered for being brave enough to send your words out into the world. Don’t stop!

 

 

 


 

Short-list:

(36  flash stories)

Jeannie Mackenzie

SOMETIMES, FOLDING IS THE WISEST COURSE OF ACTION

Jess Richards

Associate Volunteer

Jack Morris

Over half your body is not human, say scientists

Jess Richards

within the rain (drop) community

Gillian Isaacs Russell

Snow-White and Rose-Red

Jeffrey-Michael Kane

Things My Brother Explains With Absolute Authority

Kristin Walrod

But This Time Will Be Different

C M Meera

THE LAST MISSED CALL

Angela Fitzpatrick

Butterflies on the Mirror

Elena Gao Garcia

That Word You Should Never Utter and if You do it Must be With Utmost Caution

Elena Gao Garcia

Rule Number One: Chess Is a Two Coloured Game

Norbert Gleißner

The Final Prompt

Alison Woodhouse

Freshly Afraid

Aline Soules

Swimming Lesson

Jacques Denault

Meeting the Devil

Jacques Denault

American Adjunct

Hannah Morphet

Mater Morphosis

Richard Law

The Mini-Minotaur

Sue Lewis

Song of Icarus

Martha Swift

The Menagerie

Leonie Gregson

Sea Reckoning

Marie Altzinger

In the Concubines’ Courtyard

Grainne Patterson

Animal

Amanda O’Callaghan

Telling The Bees

Gerard Byrne

The Algorithm Under the Hill

Marc Minnaar

Archive

Chris Cottom

Next They Ruled That Only Men Could Wear Buttons

Lourdes Mackey

Impasto

Frances Gapper

Emily and Emily, Living in a Cave

Trina O Hare

Butchered

Emily Ryan

Divine Bodies

Sofia Salazar

Inheritance

Shelley Roche-Jacques

If an avalanche, that winter

Catherine Ogston

A Series of Decisions You Must Make When Your Hall Light Fitting Needs Replaced

Cate Sapiano Chin

Rush

Cate Sapiano Chin

Clean Sheets

 

 


 

 

Long-list:

In alphabetical order (76)

Abigail Williams

The Moths Have Been At Our Love

Aline Soules

Swimming Lesson

Alison Langley

In tatters

Alison Woodhouse

Freshly Afraid

Amanda O’Callaghan

Telling The Bees

Angela Fitzpatrick

Butterflies on the Mirror

Beatrice Motamedi

Brown Girl in Bardo

Brandy Reinke

What He Thinks When He Feels Her Near

Brennan McElhone

Abbeville

Brianna O Sullivan

All Roads Lead To This

C M Meera

THE LAST MISSED CALL

Caroline Jenner

Broken Dreams

Cate Sapiano Chin

Rush

Cate Sapiano Chin

Clean Sheets

Catherine Ogston

A Series of Decisions You Must Make When Your Hall Light Fitting Needs Replaced

Charles Hadfield

CLEAN SWEEP

Charlie Pulling

A Fool’s Passage

Chris Cottom

Next They Ruled That Only Men Could Wear Buttons

cory brown

Coruscation

Dana Baylous

Inventory of What Was Left

David Lee

Stargazer

Eleanor Holmes

Silly Goose

Elena Gao Garcia

That Word You Should Never Utter and if You do it Must be with Utmost Caution

Elena Gao Garcia

Rule Number One: Chess Is a Two Coloured Game

Emily Rinkema

Stayin’ Alive

Emily Ryan

Divine Bodies

Emma Robdale

Goldilocks Untamed

Frances Gapper

Emily and Emily, Living in a Cave

Gerard Byrne

The Algorithm Under the Hill

Gillian Isaacs Russell

Snow-White and Rose-Red

Grainne Patterson

Animal

Hannah Morphet

Mater Morphosis

Henry Tomb

The New Fresh Hell

Jack Morris

Over half your body is not human, say scientists

Jacques Denault

Meeting the Devil

Jacques Denault

American Adjunct

James Allan Kennedy

The Passenger Seat

Jean O’Brien

Betamax

Jeannie Mackenzie

SOMETIMES, FOLDING IS THE WISEST COURSE OF ACTION

Jeffrey-Michael Kane

Things My Brother Explains With Absolute Authority

Jess Richards

Associate Volunteer

Jess Richards

within the rain (drop) community

Jess Richards

The Radio Man Says ‘Discomfort’

John Hillman

Scones

K Wise

Catch

Kate Durrant

Dog years

Kate Twitchin

Let Them Eat Crap

Keefe Deighan

Christmas 2018

Kelly Hopson

Element

Kristin Walrod

But This Time Will Be Different

Laura Carroll

Lovely Little Things

Leonie Gregson

Sea Reckoning

Lourdes Mackey

Impasto

Lucienne Cummings

Waxing

Máire T Robinson

The Paper Menagerie

Marc Minnaar

Archive

Marie Altzinger

In the Concubines’ Courtyard

Martha Swift

The Menagerie

Maxime Kawawa-Beaudan

Thunder

Mayra David

Where Space and Time Could Be the Same Thing

Mikko Järvenpää

The Creation Myth as Told by Blue Whales

Niall James Holohan

In Memoriam: Ozzie Osbert (1937 – 2026)

Norbert Gleißner

The Final Prompt

Peter Mills

Bathroom Entropy

Peter Mills

Suzy and the Ger-gnome

Richard Law

The Mini-Minotaur

Rosaleen Lynch

Catch and Release

Sally Brisley

Biog: Early Poetic Influences

Seán McNicholl

Everyone Knows

Shelley Roche-Jacques

If an avalanche, that winter

Sofia Salazar

Inheritance

Sophie Swatman

Flotsam

Sue Lewis

Song of Icarus

Timothy Collyer

Low Tide at Rhossili

Trina O Hare

Butchered

Wendy Osborne

Amanita Phalloides

 

 

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originality of approach that
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Sublime examples of the enormity
of what can be conveyed in a
flash story. – Tania Hershman (Flash Fiction)

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News & Articles

Memoir Prize 2026: RESULTS

5th May 2026
Winners Short-list Long-list   From all of us at Fish, thank you for sharing your memoirs with us. The range, originality, and quality of the work made this year’s selection particularly interesting. Well done to all writers who were short and long-listed, and a special congratulations to the ten winners whose stories will appear in […]

Flash Fiction Prize 2026: RESULTS

18th April 2026
Winners Short-list Long-list   From all of us at Fish, thank you for sharing your flash stories with us. The range, originality, and quality of the work made this year’s selection especially rewarding. Congratulations to all writers who were shortlisted and longlisted—and a special well done to the ten winners whose stories will appear in […]

Memoir Prize: RESULTS DELAYED

1st April 2026
Hi Memoir writers. Results are not yet decided upon. Elspeth Beard needs more time to decide which memoirs to select for the Fish Anthology. There are a lot of talented memoir writers it seems.  Results will be announced during the first week of May. Sorry for the delay.

Short Story Prize 2025/26: RESULTS

17th March 2026
Winners Short-list Long-list   On behalf of all of us at Fish, congratulations to those who made the short and long lists.  Special congratulations to the ten winning writers, whose stories will be published in the Fish Anthology 2026. Sincere thanks to Sean Lusk for his time and wisdom in selecting the winners. See Sean’s […]

Fish Anthology 2025 LAUNCH

27th June 2025
This launch was wonderful. My personal favorite. The charming Marino Church in Bantry had the smell of fresh paint and new comfy seats, occupied by literary lovers, enjoying the festival, or locals who regularly attend the Fish launches. I will post photos here soon of the event. We had 12 of the authors there  to […]

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