
Judge: Sean Lusk
On behalf of all of us at Fish, congratulations to those who made the short and long lists.
Special congratulations to the ten winning writers, whose stories will be published in the Fish Anthology 2026.
Sincere thanks to Sean Lusk for his time and wisdom in selecting the winners.
See Sean’s comments on the winning stories below.
The launch of the Fish Anthology 2026 will take place during the West Cork Literary Festival, Bantry, Ireland.
Festival dates are 11 – 18 July, the launch date to be confirmed.
Venue: Marino Church. The launch is a free event and all are welcome.
(There were 856 entries to the competition.)
First Prize:
Nothing Becomes a Man Like His Fall by Bar Reddin
A dazzling imagining of the hours before Oscar Wilde’s arrest. The language and imagery here is simply outstanding. We see Wilde’s collapsing world through his eyes (though the narrative is skilfully told in close third person). The pace is gripping, the emotion poignant and convincing. A tour-de-force. – Sean Lusk
Second Prize:
Visitation Rights by Cindy Dale
A beautifully told story of a visit by a ghost forewarning an old lover of the impending events of 9/11. We are given just enough backstory to care about the narrator and understand her dilemma in whether to forewarn the ghost’s brother of what is to befall him. Touching and original. – Sean Lusk
Third Prize:
Revenants by Emily Bullock
This tender story of a prodigal son returning to take possession of an old cottage which his father is repairing is filled with tension and unspoken loss and longing. It’s beautifully structured and told with poise and confidence. – Sean Lusk
Honorary Mentions (in no particular order):
Cycle of Fireflies by Jillian Grant Shoichet
A story filled with heartbreak and tragedy, this is a meditation on the fragility of life. Moving backwards and forwards in time seamlessly and playing deftly with the analogy of the life of the firefly, the author leaves the reader much to ponder. – Sean Lusk
The God of Lost Things by Gauri Davies
An absorbing story of a woman’s return to India to seek justice for a servant who she’d witnessed being terribly mistreated by her ex-husband’s family many years before. Characters are impressively drawn with the lightest of touches, and much as we hope for a happy ending, part of us knows the truth is likely to disappoint. – Sean Lusk
The Music Room by Judith Wilson
A trombone player about to perform in a concert, muses on her family relationships. The author keeps us in the concert hall throughout, while we are carried convincingly into the narrator’s past, alternating from the tension of the performance to the pain of difficult memories. – Sean Lusk
Breathing Space by Sally Bramley
In this story it is a tuba, owned by the narrator’s deceased father, that carries memories of family and the tension of estrangement from a sister. Engagingly told and perfectly judged. – Sean Lusk
The Deer by Peter Rose
A worker on a country estate grapples with his boss, a police search for a missing boy, a difficult neighbour and his relationship with his daughter, punctuated by fleeting sighting of a herd of mysterious deer. A story rich with incident and intrigue. – Sean Lusk
Old Growth by Alexander Weinstein
A strikingly original tale of an elderly couple living in the branches of an old sequoia as the world they have turned their backs on becomes ever more impersonal, technologically dependent and alienating. Finely told and beautifully imagined. – Sean Lusk
The Missing by Megan Baxter
A woman disappears from her old people’s home, and the narrator, with his dog, is a member of the search party. We experience the narrator’s frustrations with a search that is poorly organised and feel we’re in safe hands, authorially and in terms of character, as the search progresses. – Sean Lusk
A LITTLE ABOUT THE WINNERS:
Bar Reddin is a Portlaoise-born writer and artist with a distinguished background in the literary and fine arts. His poetry has been recognized in the Atlanta Review International Poetry Competition and published in Swerve Magazine. He was a runner-up in the Love On the Road Topophilia Writing Contest and a finalist for the Liberties Press Short Story Compendium. Also an acclaimed artist, Bar received the Ireland-Newfoundland Partnership Award and was a Derwent International Art Prize finalist.
Cindy Dale’s short stories have appeared in various literary journals and websites. Four of her stories have also been included in anthologies. She is a past recipient of a fellowship from The Edward Albee Foundation. Cindy and her husband live on a barrier beach off the coast of Long Island with their two cats and also enjoy occasional visits from their two adult children. One day she hopes to complete a novel.
Emily Bullock won the Bristol Short Story Prize with her story ‘My Girl’, which was also broadcast on BBC Radio 4. Her debut novel, The Longest Fight, was shortlisted for the Cross Sports Book Awards. Her second novel Inside the Beautiful Inside was published in 2020, and her collection of short stories, Human Terrain, was longlisted for the Edge Hill Prize 2022. Almost a Ghost Story, her third novel, will be published in 2026.
Jillian Grant Shoichet started writing fiction as an antidote to a happy childhood in pastoral British Columbia. Her work has been shortlisted for the Bridport Prize, the Bristol Short Story Prize and the Fish Short Memoir Prize. In 2025, she won the Exeter Writers Short Story Competition. Jillian holds a doctorate in literacy and oral tradition and is the policy analyst in the BC legislation office. She lives on Vancouver Island with her two children.
Gauri Davies is an Australian writer based in London, of Indian heritage. Her fiction explores the friction and tenderness between Indian and Western cultures, tracing how identity is shaped in the space between them. She writes about migration, family expectation, ambition, and the quiet negotiations required to belong in more than one world at once.
Judith Wilson is a London-based writer and journalist. She won the du Maurier Fowey Literary Festival Short Story competition 2025, and the London Short Story Prize 2019, and she has an MA in Creative Writing from Royal Holloway, University of London, awarded with Distinction. Judith is married, with two grown-up children, and she loves nothing better than to retreat to the wild Cornish coastline and walk by the sea. She is currently working on a novel.
Sally Bramley was born in the north of England on a farm, but currently lives in Bristol. She won the Caledonian Novel Award for her novel Structural Damage set on the east coast of Yorkshire where the land is falling into the sea at an alarming rate. Her short stories have appeared in several anthologies. When not writing, she tramps for miles along the UK’s coastal footpaths, as it gives her time to think.
Although Peter Rose wrote avidly as a boy, his ambitions of being an author were thwarted by careers in, amongst other things, t-shirt printing and web design. He only returned to creative writing seriously after retirement. He lives on the edge of Epping Forest and much of his output reflects his concerns about the vanishing natural world. He is currently working on a cli-fi novel and a collection of stories set in small-town New Mexico.
Alexander Weinstein is the author of the collections Universal Love & Children of the New World, which was chosen as a New York Times Notable Book of the Year. His fiction has appeared in Best American Science Fiction & Fantasy and Best American Experimental Writing. The adaptation of his story After Yang by A24 was the recipient of the Alfred P. Sloan Prize at Sundance, the Boston Society of Film Critics Award, and Barack Obama’s Best Films of 2022.
Megan Baxter lives in New Hampshire, USA, where she runs her own small farm growing vegetables, cut flowers, and berries. She teaches creative writing through online courses and lessons. Her essay collection, Twenty Square Feet of Skin, was longlisted for the 2024 PEN/Diamonstein-Spielvogel Award for the Art of the Essay. She has published three books of creative nonfiction and is currently writing short stories and novels.
SHORT-LIST
(alphabetical order) There are 41 stories on the short-list.
|
AUTHOR |
TITLE |
|
|
Adam Brannigan |
The good meat must be upon the table |
|
|
Alexander Weinstein |
Old Growth |
|
|
Amanda Hildebrandt |
Flower Children |
|
|
Anya Achtenberg |
Enki and the Smart Bomb |
|
|
Bappa Chakraborty |
Water on Taro Leaf |
|
|
Bar Reddin |
Nothing Becomes a Man Like His Fall |
|
|
Christopher Steely |
I Need To Tell You Something |
|
|
David Gillette |
Rank Strangers |
|
|
Don Warne |
Vivus |
|
|
Emily Bullock |
Sunshine |
|
|
Erica Sharlette |
Pulling the Wings off Butterflies |
|
|
Felix Peeters |
Just in Case |
|
|
Gareth Jones |
The Mouse |
|
|
Gary Quinn |
Masters of the Universe |
|
|
Gauri Davies |
The God of Lost Things |
|
|
Geraldine Ryan |
In the gap between her brother and mine |
|
|
Hal Ackerman |
Boychik |
|
|
Helen Fortescue-Poole |
Goat Story |
|
|
James Putnam |
Hive Song |
|
|
Jo Stein |
Go Fly a Kite |
|
|
Jo Stein |
The Big Lie |
|
|
Judith Wilson |
The Music Room |
|
|
Justin Cooke |
The Edge |
|
|
Keith Johnson |
The Foxes |
|
|
Kieran Costello |
Apricity |
|
|
Kirsten Johnson |
Lanetta Paul, 2003 |
|
|
Laura Besley |
once up a |
|
|
Laurence Lumsden |
MetaFamily Matters |
|
|
Leonie Gregson |
A Record of Absence |
|
|
Maria Jackson |
Encode, store, retrieve |
|
|
Marion Llewellyn |
A small duty for a tall order |
|
|
Mary Swan |
What Happened Next |
|
|
MEGAN Baxter |
The Missing |
|
|
Michael Packman |
Self-Portrait |
|
|
Robert Doggett |
Gulf Story |
|
|
Robert Maxwell |
Barbie Doll |
|
|
Sally Bramley |
Visiting Frankie |
|
|
Simon Miles |
The Edge |
|
|
Susannah Lash |
The Return |
(alphabetical order)
There are 87 stories in the long-list.
| AUTHOR | TITLE |
|
Adam Brannigan |
The good meat must be upon the table |
|
AF Packer |
Their Finest Half Hour |
|
Alexander Weinstein |
Old Growth |
|
Amanda Hildebrandt |
Flower Children |
|
Andrew Cooper |
A State of Surveillance |
|
Andrew Steiner |
Colossus |
|
Anton Fried |
The Death of a Rabbit |
|
Anya Achtenberg |
Enki and the Smart Bomb |
|
Bappa Chakraborty |
Water on Taro Leaf |
|
Bar Reddin |
Nothing Becomes a Man Like His Fall |
|
Billy Fenton |
The Black Rock |
|
Brían French |
Mrs YKK |
|
Brían French |
Oceans of Notions |
|
Cathy Hume |
Firing |
|
Charles Kitching |
A Measure of Life |
|
Chris Williams |
Healthy Transitional Objects |
|
Christine Powell |
Ghost Light |
|
Christopher Steely |
I Need To Tell You Something |
|
Chrystal Newman |
Always There, After All |
|
Ciara Aaron |
Parnell Square |
|
Cindy Dale |
Visitation Rights |
|
Davey Freedman |
The Last Hunter-Gatherer in Natwich |
|
David Gilette |
Rank Strangers |
|
David Micklem |
Starting Fires |
|
Don Warne |
Vivus |
|
Edward Hubbard |
Alberto’s Inferno |
|
Emily Bullock |
Sunshine |
|
Emily Bullock |
Revenants |
|
Enda Wyley |
The Wishbone |
|
Erica Sharlette |
Pulling the Wings off Butterflies |
|
Ewart Hutton |
Moira´s Legacy |
|
Felix Peeters |
Just in Case |
|
Gareth Jones |
The Mouse |
|
Gary Quinn |
Masters of the Universe |
|
Gauri Davies |
The God of Lost Things |
|
Geraldine Ryan |
In the gap between her brother and mine |
|
Hal Ackerman |
Boychik |
|
Hannah Webb |
Bottom’s Dream |
|
Helen Fortescue-Poole |
Goat Story |
|
Huseyn Mehrzad |
Tree, Tree and the Tree |
|
Ian Plenderleith |
A Fascist in the Family |
|
Isaac Zhang |
Recall |
|
Jonathan Vidgop |
The Honorary Citizen |
|
Jaime Gill |
Obedience |
|
James Putnam |
Hive Song |
|
James Skivington |
TWINS |
|
Jane Dugdale |
Perhaps, perhaps, perhaps |
|
Jillian Grant Shoichet |
Cycle of Fireflies |
|
Jo Stein |
The Big Lie |
|
Jo Stein |
Go Fly a Kite |
|
Judith Wilson |
The Music Room |
|
Justin Cooke |
The Edge |
|
Keith Gayhart |
Bernie and Bunny |
|
Keith Johnson |
The Foxes |
|
Kieran Costello |
Apricity |
|
Kirsten Johnson |
Lanetta Paul, 2003 |
|
Laura Besley |
once up a |
|
Laurence Lumsden |
MetaFamily Matters |
|
Leonie Gregson |
A Record of Absence |
|
Lizzie Nunnery |
Paul McCartney is not dead |
|
Malcolm Hayhoe |
Cornish and the Wafer |
|
Margi Hatjoullis |
The Interim is Mine |
|
Maria Jackson |
Encode, store, retrieve |
|
Maria Rondon-Hanway |
I Always Knew |
|
Marion Llewellyn |
A small duty for a tall order |
|
Mary Swan |
What Happened Next |
|
MEGAN Baxter |
The Missing |
|
Michael Packman |
Self-Portrait |
|
Owen O’Reilly |
Non Sequitur |
|
Patricia Beesley |
Genograms |
|
Peter Rose |
The Deer |
|
Rebecca Graham |
Laure |
|
Robert Doggett |
Gulf Story |
|
Robert Maxwell |
Barbie Doll |
|
Sally Bramley |
Breathing space |
|
Sally Bramley |
The Bottom Field |
|
Sally Bramley |
Mary Poppins on the coast path |
|
Sally Bramley |
Visiting Frankie |
|
Sarah Cotton |
The Other Side |
|
Seán McNicholl |
Walk in the Park |
|
Selayna Svejkovsky |
Tend the Hearth |
|
Simon Miles |
The Edge |
|
Sophie Burkham |
O Superwoman |
|
Stephen Alexander |
Awakening Alice |
|
Susannah Lash |
The Return |
|
Susannah Lash |
Penelope Unmasked |
A confidence of writing voice and
originality of approach that
makes them shine. – Sean Lusk (Short Story)
Sublime examples of the enormity
of what can be conveyed in a
flash story. – Tania Hershman (Flash Fiction)
Each is distinct, yet together they
reveal the shared depth of
human experience. – Ted Simon (Short Memoir)
Many exquisite poems –
long after reading them, they echo.
– Billy Collins (Poetry)
Vivid, astute, gripping, evocative. These stories utterly transported me. – Sarah Hall (Short Story)
In the landscape of emotion and folly, Flash writers are a fearless lot – these stories prove it. – Michelle Elvy (Flash Fiction)
… combining the personal and particular with the universal, each touching in surprising ways … experiences that burn deep, that need to be told. – Sean Lusk (Memoir)
Strong poems. First place is a poem I wish I’d written! – Billy Collins (Poetry)
More… a showcase of disquiet, tension, subversion and surprise …
so many skilled pieces … gem-like, compressed and glinting, little worlds in entirety that refracted life and ideas … What a joy!
– Sarah Hall
… memoirs pinpointing precise
feelings of loss and longing and desire.
– Sean Lusk
What a pleasure to watch these poets’ minds at work, guiding us this way and that.
– Billy Collins
‘… delightful, lively send-up … A vivid imagination is at play here, and a fine frenzy is the result.’ – Billy Collins
‘… laying frames of scenic detail to compose a lyric collage … enticing … resonates compellingly. … explosive off-screen drama arises through subtly-selected detail. Sharp, clever, economical, tongue-in-cheek.’ – Tracey Slaughter
Brave stories of danger and heart and sincerity.
Some risk everything outright, some are desperately quiet, but their intensity lies in what is unsaid and off the page.
These are brilliant pieces from bright, new voices.
A thrill to read.
~ Emily Ruskovich
I could see great stretches of imagination. I saw experimentation. I saw novelty with voice and style. I saw sentences that embraced both meaning and music. ~ Colum McCann
MoreThese glorious pieces have spun across the globe – pit-stopping in Japan, the Aussie outback, Vancouver, Paris, Amsterdam and our own Hibernian shores – traversing times past, present and imagined future as deftly as they mine the secret tunnels of the human heart. Enjoy the cavalcade. – Mia Gallagher
MoreThe standard is high, in terms of the emotional impact these writers managed to wring from just a few pages. – Billy O’Callaghan
Loop-de-loopy, fizz, and dazzle … unique and compelling—compressed, expansive, and surprising. – Sherrie Flick
Every page oozes with a sense of place and time. – Marti Leimbach
Energetic, dense with detail … engages us in the act of seeing, reminds us that attention is itself a form of praise. – Ellen Bass
MoreDead Souls has the magic surplus of meaning that characterises fine examples of the form – Neel Mukherjee
I was looking for terrific writing of course – something Fish attracts in spades, and I was richly rewarded right across the spectrum – Vanessa Gebbie
Really excellent – skilfully woven – Chris Stewart
Remarkable – Jo Shapcott
The practitioners of the art of brevity and super-brevity whose work is in this book have mastered the skills and distilled and double-distilled their work like the finest whiskey.
More€12 (incl. p&p) Sunrise Sunset by Tina Pisco Read Irish Times review by Claire Looby Surreal, sad, zany, funny, Tina Pisco’s stories are drawn from gritty experience as much as the swirling clouds of the imagination. An astute, empathetic, sometimes savage observer, she brings her characters to life. They dance themselves onto the pages, […]
MoreHow do we transform personal experience of pain into literature? How do we create and then chisel away at those images of others, of loss, of suffering, of unspeakable helplessness so that they become works of art that aim for a shared humanity? The pieces selected here seem to prompt all these questions and the best of them offer some great answers.
– Carmen Bugan.
What a high standard all round – of craft, imagination and originality: and what a wide range of feeling and vision.
Ruth Padel
I was struck by how funny many of the stories are, several of them joyously so – they are madcap and eccentric and great fun. Others – despite restrained and elegant prose – managed to be devastating. All of them are the work of writers with talent.
Claire Kilroy
The writing comes first, the bottom line comes last. And sandwiched between is an eye for the innovative, the inventive and the extraordinary.
MoreA new collection from around the globe: innovative, exciting, invigorating work from the writers and poets who will be making waves for some time to come. David Mitchell, Michael Collins, David Shields and Billy Collins selected the stories, flash fiction, memoirs and poems in this anthology.
MoreReading the one page stories I was a little dazzled, and disappointed that I couldn’t give the prize to everybody. It’s such a tight format, every word must count, every punctuation mark. ‘The Long Wet Grass’ is a masterly bit of story telling … I still can’t get it out of my mind.
– Chris Stewart
The perfectly achieved story transcends the limitations of space with profundity and insight. What I look for in fiction, of whatever length, is authenticity and intensity of feeling. I demand to be moved, to be transported, to be introduced into other lives. The stories I have selected for this anthology have managed this. – Ronan Bennett, Short Story Judge.
MoreI sing those who are published here – they have done a very fine job. It is difficult to create from dust, which is what writers do. It is an honour to have read your work. – Colum McCann
MoreThe entries into this year’s Fish Short Story Prize were universally strong. From these the judges have selected winners, we believe, of exceptional virtue. – Carlo Gebler
MoreI was amazed and delighted at the range and quality of these stories. Every one of them was interesting, well-written, beautifully crafted and, as a short-story must, every one of them focused my attention on that very curtailed tableau which a short-story necessarily sets before us. – Michael Collins
MoreThese stories voice all that is vibrant about the form. – Gerard Donovan. Very short stories pack a poetic punch. Each of these holds its own surprise, or two. Dive into these seemingly small worlds. You’ll come up anew. – Angela Jane Fountas
MoreEach of the pieces here has been chosen for its excellence. They are a delightfully varied assortment. More than usual for an anthology, this is a compendium of all the different ways that fiction can succeed. I invite you to turn to ‘All the King’s Horses’. The past is here. Begin.
– Michel Faber
Literary anthologies, especially of new work, act as a kind of indicator to a society’s concerns. This Short Story collection, such a sharp and useful enterprise, goes beyond that. Its internationality demonstrates how our concerns are held in common across the globe. – Frank Delaney
MoreFrom the daily routine of a career in ‘Spoonface’, to the powerful, recurring image of a freezer in ‘Shadow Lives’. It was the remarkable focus on the ordinary that made these Fish short stories such a pleasure to read. – Hugo Hamilton
MoreIn a world where twenty screens of bullshit seem to be revolving without respite … there is nothing that can surpass the ‘explosion of art’ and its obstinate insistence on making sense of things. These dedicated scribes, as though some secret society, heroically, humbly, are espousing a noble cause.
– Pat McCabe
It’s supposed to be a short form, the good story, but it has about it a largeness I love. There is something to admire in all these tales, these strange, insistent invention. They take place in a rich and satisfying mixture of places, countries of the mind and heart. – Christopher Hope
MoreThere are fine stories in this new anthology, some small and intimate, some reaching out through the personal for a wider, more universal perspective, wishing to tell a story – grand, simple, complex or everyday, wishing to engage you the reader. – Kate O’Riodan
MoreI feel like issuing a health warning with this Fish Anthology these stories may seriously damage your outlook – Here the writers view the world in their unique way, and have the imagination, talent, and the courage to refine it into that most surprising of all art forms the short story. – Clem Cairns.
MoreEvery story in this book makes its own original way in the world. knowing which are the telling moments, and showing them to us. And as the narrator of the winning story casually remarks, ‘Sometimes its the small things that amaze me’ – Molly McCloskey
MoreThe stories here possess the difference, the quirkiness and the spark. They follow their own road and their own ideas their own way. It is a valuable quality which makes this collection a varied one. Read it, I hope you say to yourself like I did on many occasions, ‘That’s deadly. How did they think of that?’ – Eamonn Sweeney
MoreReally good short stories like these, don’t read like they were written. They read like they simply grew on the page. – Joseph O’Connor
MoreThe writers in this collection can write short stories . . . their quality is the only thing they have in common. – Roddy Doyle
MoreThis is the first volume of short stories from Ireland’s newest publishing house. We are proud that fish has enabled 15 budding new writers be published in this anthology, and I look forward to seeing many of them in print again.
More12 Miles Out was selected by David Mitchell as the winner of the Fish Unpublished Novel Award.
A love story, thriller and historical novel; funny and sad, uplifting and enlightening.
You only know who you can’t trust. You can’t trust the law, because there’s none in New Ireland. You can’t trust the Church, because they think they’re the law. And you can’t trust the State, because they think they’re the Church And most of all, you can’t trust your friends, because you can’t remember who they were anymore.
MoreA memoir of urban life, chronicled through its central character, Mackey. From momentary reflections to stories about his break with childhood and adolescence, the early introduction to the Big World, the discovery of romance and then love, the powerlessness of ordinary people, the weaknesses that end in disappointment and the strengths that help them seek redemption and belonging.
MoreIan Wild’s stories mix Monty Python with Hammer Horror, and the Beatles with Shakespeare, but his anarchic style and sense of humour remain very much his own in this collection of tall tales from another planet. Where else would you find vengeful organs, the inside story of Eleanor Rigby, mobile moustaches, and Vikings looting a Cork City branch of Abracababra?
More