We are pleased to announce the winners plus short and long lists for the 2017 Fish Poetry Contest, and would like to congratulate the poets for being selected from a pool of 1,305.
Ten Winning Poems (chosen by Jo Shapcott) to be published in 2017 Fish Anthology
Judge Jo Shapcott has chosen the following ten poems for inclusion in the Fish Anthology, which will be launched at the West Cork Literary Festival on Monday 17th July. Our thanks to Jo Shapcott for taking on the task, and for the comments on the winning poems. And congratulations to the ten poets who have been selected.
There were 1,305 entries to the contest.
We apologise for the delay in announcing these results.
Unusually, two of the winning poets each have two poems in the final ten. Róisín Kelly is the overall winner with Paris, 13 November 2015, and Tuam received an Honorary Mention but has been withdrawn du to publication elsewhere. Vincent Roderic poems Yesterday Clouds and Throw Me Down The Key came 2nd and 3rd respectively. We have decided to include two further poets in the Anthology so as to publish ten poets rather than eight. The two poets, are Harriet David and Catherine Ormell (listed below).
First:
Paris, 13 November 2015 by Róisín Kelly (Ireland)
Love and violence collide in this poem. The way the writer interleaves terror and passion makes for a remarkable, tender and terrifying work.
Second:
Yesterday Clouds by Roderic Vincent (UK)
This exploration of the ‘secret blather’ of lovers delves into language, memory and loss so powerfully that the poem became, ironically, one I couldn’t forget.
Third:
Throw Me Down The Key by Roderic Vincent (UK)
A poised and beautifully observed elegiac poem, which hinges on the central image of the familiar apartment window key drop, allowing gravity to resonate and tremble in the reader’s ear and eye.
Honorary Mentions: (in no particular order)
Add to Dictionary by Peter Sirr (Ireland)
The poem asks for no less than a new language, a new dictionary for the shattered and broken world which has been delivered by humanity to humanity.
A Short Exposure by Anthony Lawrence (Australia)A powerful sense of time and place imbue gives elegiac and cinematic force to the poem, so that central character becomes known and unforgettable.
Forty Winters by Harry Bauld
A beautifully turned sonnet which delivers a vision of ageing which is both poignant and good-humoured. Its taut, sinewy language and syntax work with the form to give the poem a natural and uniquely self-elegiac air.
Heron by Judith Taylor
The heron is so beautifully observed and described here, that in our flawed human way we want to reach into the poem and touch it while responding, at the same time, to the poem’s suggestive reflection on the particular indifference and power of the natural world.
Preface to an Autoimmune Response by Aídah Gil (USA)
A poem of the body and in the body which delivers a convincing and, at times, frightening vision of internal and external physical worlds colliding.
Tuam by Róisín Kelly
Close, accurate and steady observation give this poem’s historical and political context even more impact; and the movement between Cambodia and Ireland adds to its power.
NOTE: This poem has been withdrawn due to publication elsewhere and Jo Shapcott’s 11th choice The Station Fire by Harriet David (UK) replaces it.
Truthfully by Suzanne Cleary (USA)
Long, vivid lines and sentences unfurl into the past with the poem finding a route via a resonant object (a dress) into a remembered vital moment where, as the poet says, desire and fear of truth reside. Past and present are beautifully interwoven and this resonant material is well handled in the poem.
The Station Fire by Harriet David (UK)
The Catch by Catherine Ormell (UK)
Sunflower Encolpion |
Mara |
Adamitz Scrupe |
|
in the dens of the fires |
Mara |
Adamitz Scrupe |
|
Lone Swallow |
David |
Allies |
|
The Spindle Tree |
Gabriella |
Attems |
|
Going and Coming Back |
Judith |
Barrington |
|
Attempt |
Harry |
Bauld |
|
Forty Winters |
Harry |
Bauld |
|
One Twenty-Nine A. M. |
Harry |
Bauld |
|
The Binding |
Eric |
Berlin |
|
Upon Mistaking “pressure” for “pleasure” |
Partridge |
Boswell |
|
Murder |
Sue |
Butler |
|
The Rare Case of a Good Day |
Molly |
Carpenter |
|
The Visit |
Bev |
Clark |
|
Truthfully |
Suzanne |
Cleary |
|
Self Portrait as a Mermaid |
c m |
coates |
|
BROOCH |
A.M. |
Cousins |
|
Bringing Home the Cows |
Bernie |
Crawford |
|
The Station Fire |
H |
David |
|
Bombs Don’t Fall |
Scott |
Elder |
|
How to Create a Seascape |
Marian |
Fielding |
|
onebigloudthing |
Dean |
Gessie |
|
Preface to an Autoimmune |
Aidah |
Gil |
|
Love is Dead |
Aileen |
Gorman |
|
Evidence |
Matt |
Hohner |
|
Reverse Bachata |
Matt |
Hohner |
|
A Technology for Remembering |
Cynthia |
Hughes |
|
Sea Thrift |
Majella |
Kelly |
|
Tuam |
Roisin |
Kelly |
|
Paris, 13 November 2015 |
Roisin |
Kelly |
|
Skunk Cabbage |
Jay |
Kidd |
|
Lover’s Leap |
Zach |
Knox |
|
A Short Exposure |
Antiony |
Lawrence |
|
Sic Transit Sutra |
Robert |
Lumsden |
|
Fly-by-night |
Emer |
Lyons |
|
Convent Kitchen |
Wende |
McCabe |
|
Umbilical |
Ian |
McEwen |
|
News of Another Star |
Mary |
Melvin Geoghegan |
|
Passion Prayer |
Tricia |
Monk |
|
A Wake in April |
Catherine |
Morris |
|
Sunday, St. Finian’s Bay |
Cris |
Mulvey |
|
Beast-Music |
Jed |
Myers |
|
Some Thorns |
Jed |
Myers |
|
Tarkwa Bay |
Catherine |
Nicolson |
|
The Topiary of Passendale |
Christopher |
North |
|
The Catch |
catherine |
ormell |
|
Sunday Mass at the Church |
Phyllis |
Reilly |
|
Finding a simile for resilience |
Sarah |
Rice |
|
Home Sweet Home |
Susan |
Richardson |
|
A light |
Howard |
Robertson |
|
Orchard |
Gorky |
Servicer |
|
Despair is a rude thing |
Araks |
Shahinyan |
|
Layers |
Raymond |
Sheehan |
|
The Hospital |
Laura |
Shore |
|
Nature and Nurture |
Jac |
Shortland |
|
Add to Dictionary |
Peter |
Sirr |
|
Old Pier at Midnight |
Carla |
Hunter Southwick |
|
We refugees |
Michael |
Swan |
|
Cold front |
Judith |
Taylor |
|
Yesterday Clouds |
Roderic |
Vincent |
|
Throw Me Down The Key |
Roderic |
Vincent |
|
“Almost Milestones” |
Wes |
Ward |
|
Torched |
Diana |
Whitney |
|
Cat’s Cradle |
Grace |
Wilentz |
|
Godrevy Head : June 2015 |
Steve |
Xerri |
|
Sunflower Encolpion |
Mara |
Adamitz Scrupe |
|
in the dens of the fires |
Mara |
Adamitz Scrupe |
|
Lone Swallow |
David |
Allies |
|
In the Orchard |
Gabriella |
Attems |
|
On the Archduke’s Estate |
Gabriella |
Attems |
|
The Spindle Tree |
Gabriella |
Attems |
|
Another Compass Smuggled |
Michael |
Baradi |
|
Making Hay With My Father |
Robert |
Barrett |
|
Going and Coming Back |
Judith |
Barrington |
|
First Death |
Myra |
Barrs |
|
Night Piece |
Myra |
Barrs |
|
Attempt |
Harry |
Bauld |
|
Fifth grade |
Harry |
Bauld |
|
Forty Winters |
Harry |
Bauld |
|
One Twenty-Nine A. M. |
Harry |
Bauld |
|
The Binding |
Eric |
Berlin |
|
He’s gone |
Paula |
Blengino |
|
Blood, Metal, Fiber, Rock |
Elizabeth |
Bodien |
|
England |
Leonardo |
Boix |
|
Upon Mistaking “pressure” |
Partridge |
Boswell |
|
Gozo |
Alice |
Bowen |
|
Augury |
Susan |
Browne |
|
Ground |
Frances |
Browne |
|
Waiting Room |
Frances |
Browne |
|
Dorothy |
Dan |
Buckley |
|
Gothic |
Sue |
Burge |
|
It is there |
Edel |
Burke |
|
Observance |
Edel |
Burke |
|
Murder |
Sue |
Butler |
|
Ars Poetica, How to |
Elizabeth |
Buttimer |
|
Charlene and Me |
Courtney |
Camden |
|
The Rare Case of a Good |
Molly |
Carpenter |
|
Boxes: Depression Poems |
Caira |
Clark |
|
The Visit |
Bev |
Clark |
|
Truthfully |
Suzanne |
Cleary |
|
Self Portrait as a Mermaid |
c m |
coates |
|
Mayan Queen |
Jo |
Colley |
|
Aleppo |
jacqui |
corcoran |
|
Salmon |
jacqui |
corcoran |
|
ALARM |
A.M. |
Cousins |
|
BROOCH |
A.M. |
Cousins |
|
Bringing Home the Cows |
Bernie |
Crawford |
|
Clipped Life |
Bernie |
Crawford |
|
Three Ways to Live as a |
Carmel |
Daly |
|
Morning Prayer |
Suzannah |
Dalzell |
|
Eyesore |
H |
David |
|
The Station Fire |
H |
David |
|
Landscape Woman |
Royston |
Dawber |
|
between meals |
Terry |
Dawson |
|
The Water Table |
Claire |
Delahunty |
|
Am I? |
Elaine |
Desmond |
|
Collecting Urine |
bryony |
doran |
|
Excision |
Hugh |
Dunkerley |
|
Losing it in the |
Hugh |
Dunkerley |
|
Nineveh |
Tyler |
Dunston |
|
Bombs Don’t Fall |
Scott |
Elder |
|
Return from St.André |
Scott |
Elder |
|
Accident and Emergency |
Emer |
Fallon |
|
Pearls |
Emer |
Fallon |
|
The Fish |
Orla |
Fay |
|
Word Skin |
Orla |
Fay |
|
Reprographic Orders |
Rachel |
Fenton |
|
How to Create a Seascape |
Marian |
Fielding |
|
Diss/belief |
Nikki |
Fine |
|
onebigloudthing |
Dean |
Gessie |
|
Preface to an Autoimmune |
Aidah |
Gil |
|
Epitaph at the End of a |
Ellen |
Girardeau |
|
Wake Dance |
Ellen |
Girardeau |
|
Soundtrack Rachmaninov |
Helena |
Goddard |
|
Closing the Porch |
Connie |
Golden |
|
Love is Dead |
Aileen |
Gorman |
|
Camouflage |
Ian |
Gouge |
|
Infection |
Izabella |
Grace |
|
The Scollays, Sandquoy and |
Lydia |
Harris |
|
The Island |
Jacqueline P. |
Haskell |
|
June |
Isaac |
Hellemn |
|
Evidence |
Matt |
Hohner |
|
Reverse Bachata |
Matt |
Hohner |
|
Twenty kilohertz |
Laragh Sheridan |
Horn |
|
A Technology for |
Cynthia |
Hughes |
|
The Time White Lightning |
Cynthia |
Hughes |
|
Old Pier at Midnight |
Carla |
Hunter Southwick |
|
“We Made a Garden” |
Garrett |
Igoe |
|
Final Project Presented In |
Emma |
Johnson-Rivard |
|
Spring Canticle |
Andrea |
Johnston |
|
Visitors |
Des |
Kavanagh |
|
Patronymics |
Seamas |
Keenan |
|
Blue |
Majella |
Kelly |
|
Paris, 13 November 2015 |
Roisin |
Kelly |
|
Sea Thrift |
Majella |
Kelly |
|
Sign Of The Cross |
Majella |
Kelly |
|
Terribly Beautiful |
John D. |
Kelly |
|
Tuam |
Roisin |
Kelly |
|
The Day after the Morning |
Gunilla |
Kester |
|
Skunk Cabbage |
Jay |
Kidd |
|
Close by Blood and |
Dicko |
King |
|
Lover’s Leap |
Zach |
Knox |
|
A Short Exposure |
Antiony |
Lawrence |
|
Memory |
Antiony |
Lawrence |
|
The Mountain |
Antiony |
Lawrence |
|
Crack of Dawn |
Stuart |
Lee |
|
Dragon Pearl Tea |
Stuart |
Lee |
|
Hooked |
charles |
levy |
|
Cattails in Autumn |
V. P. |
Loggins |
|
Sic Transit Sutra |
Robert |
Lumsden |
|
Stone Shore |
Terry |
Lynch |
|
The Plane |
Mona |
Lynch |
|
Timing. |
Fiona |
Lynch |
|
Fly-by-night |
Emer |
Lyons |
|
Me, My M(inor) S(etback) & I |
Pamela |
Martin |
|
Sorry |
Charlotte |
Martinkus |
|
Convent Kitchen |
Wende |
McCabe |
|
Readiness |
Wende |
McCabe |
|
Gap |
katharine |
mcdermott |
|
Shrine |
Ian |
McEwen |
|
Umbilical |
Ian |
McEwen |
|
After a Dream |
Ruth |
McIlroy |
|
From de la Causa |
Ruth |
McIlroy |
|
November, the Realist |
James |
McKee |
|
Why Poems of Love Too |
James |
McKenna |
|
News of Another Star |
Mary |
Melvin Geoghegan |
|
FIX |
joan |
michelson |
|
In a Municipality of Spain |
Lauren |
Miller |
|
Passion Prayer |
Tricia |
Monk |
|
A Wake in April |
Catherine |
Morris |
|
Last Cuppa |
Cris |
Mulvey |
|
Sunday, St. Finian’s Bay |
Cris |
Mulvey |
|
Beast-Music |
Jed |
Myers |
|
Fallen One |
Jed |
Myers |
|
Her Own Company |
Jed |
Myers |
|
Oxytocin |
Jed |
Myers |
|
Shade in the Chapel |
Jed |
Myers |
|
Some Thorns |
Jed |
Myers |
|
Tarkwa Bay |
Catherine |
Nicolson |
|
House |
Christopher |
North |
|
The Smudge of Andromeda |
Christopher |
North |
|
The Topiary of Passendale |
Christopher |
North |
|
A Teenage Boy in a Town |
Maria |
O’Brien |
|
Aingeal |
Eileen |
O’Connor |
|
Early Sleep |
C.P. |
O’Donnell |
|
My Version of Events |
James |
O’Leary |
|
The Catch |
catherine |
ormell |
|
The Green Man’s Lament |
Romola |
Parish |
|
Dear Father |
Marie |
Parkins |
|
How To Comfort The Dying |
Jill |
Penny |
|
Shiritori |
Viola |
Prinz |
|
Gladiolus |
Shahar |
Raveh |
|
Ice and Recession |
Philip |
Rees |
|
Girl Poem |
Dan |
Reid |
|
Sunday Mass at the Church |
Phyllis |
Reilly |
|
Adder Control |
Sarah |
Rice |
|
Finding a simile for resilience |
Sarah |
Rice |
|
Weekly Treatment |
Sarah |
Rice |
|
Home Sweet Home |
Susan |
Richardson |
|
Feur Gorm |
Fiona |
Rintoul |
|
A light |
Howard |
Robertson |
|
Creative Design |
Vince |
Rockston |
|
The easy way |
Robyn |
Rowland |
|
Second Valley |
Barry |
Ryan |
|
all are not thieves that dogs |
Martha |
Schut |
|
Orchard |
Gorky |
Servicer |
|
The World is Full of Lost and |
Amanda |
Sewell |
|
Despair is a rude thing |
Araks |
Shahinyan |
|
Layers |
Raymond |
Sheehan |
|
A Love Deferred – After |
Hannah |
Shepard |
|
A Bargain |
Laura |
Shore |
|
Avalon Park Elementary |
Laura |
Shore |
|
Poof |
Laura |
Shore |
|
The Hospital |
Laura |
Shore |
|
Nature and Nurture |
Jac |
Shortland |
|
Ephemeral Architecture |
Rebecca |
Simpson |
|
Add to Dictionary |
Peter |
Sirr |
|
Keeping On |
Eilis |
Stanley |
|
Estuary |
Geraldine |
Stoneham |
|
Smoke |
Geraldine |
Stoneham |
|
dis-pensation |
Nelson |
Surry |
|
We refugees |
Michael |
Swan |
|
Cold front |
Judith |
Taylor |
|
Heron |
Judith |
Taylor |
|
The Sundial of |
Ruth |
Timmins |
|
Primroses |
Jean |
Tuomey |
|
On These The Days: The |
Rebecca |
Van Horn |
|
Helium And Anchor |
Shubha |
Venugopal |
|
Sestina |
Roderic |
Vincent |
|
Throw Me Down The Key |
Roderic |
Vincent |
|
Yesterday Clouds |
Roderic |
Vincent |
|
Sick Woman Theory |
Cady |
Vishniac |
|
Like Churchill’s Bombers |
Martin |
Wakefield |
|
The Hours Alone |
rob |
wallis |
|
“Almost Milestones” |
Wes |
Ward |
|
Earthquake |
Julie |
Watts |
|
How My Mother |
Julie |
Watts |
|
1989,2000 |
Emily |
Wexler |
|
Ominously & Brillantly, |
Mary Jane |
White |
|
Torched |
Diana |
Whitney |
|
Cat’s Cradle |
Grace |
Wilentz |
|
Matryoshka |
Grace |
Wilentz |
|
Knowing spoons |
Sophia |
Wimberley |
|
Godrevy Head : June 2015 |
Steve |
Xerri |
|
Scars |
Karen |
Zelas |