POEM TITLE |
POETS |
Darwin’s Garden |
|
Sense Memories: Ohio, Summer |
|
For a Catfish (after Fukushima) |
|
Ave Maria |
Abigail Warren |
Go well, stay well |
Angus Walker |
Other continents |
benjamin weinberg |
She Bee He Fly |
bern butler |
Lumbering |
Bernadette Crawford |
Novus Ordo Seclorum |
Bjel Bakker |
Poor Little Rich Girl |
Bjel Bakker |
Gold field |
Brian Mostoller |
Leaving You |
Brian Wall |
Hoping |
Cáit R Doherty-Coogan |
The Liturgy of Penitence |
Carmine Giordano |
The Looting |
Cathy Guo |
The Amaryllis |
Charles Evans |
For God’s Sake |
Charles Evans |
Jackdaws |
Charlie Gracie |
Unlikely Day |
Charlotte Clutterbuck |
GROWING PAINS |
Chris Hardy |
UP THE GARDEN PATH |
Chris Hardy |
OPEN HOUSE |
Chris Hardy |
Canta Tuerta/Twisted Song |
Christopher Watson |
Death of a Refugee |
Ciaran O’Rourke |
Nailing the Suicides to the Branches of the Family Tree |
clodagh beresford dunne |
THE OBSERVER |
clodagh beresford dunne |
Resonance |
Colette Colfer |
Today As I Wander |
Colin Montfort |
See below for details |
D.G. Geis |
Songbird |
Dan Reid |
Ena |
Dan Reid |
The Genesis of Isis |
David Childs |
Every medal that she won |
Dawn Kozoboli |
Sunday morning in Kigali |
Deborah Livingstone |
Remnants |
Deirdre Daly |
The Last Stand |
Deirdre Dowling |
I Glimpse a Ghost |
Dermot O’Lynn |
Cache |
Dermot O’Lynn |
What Our World Was Made Of |
Devreaux Baker |
North Bearing |
Dougal Cousins |
16 July 1969 AD |
Eamonn Lynskey |
ISN’T HE LUCKY? |
Edith Anderson |
Ground Truth |
edward denniston |
Today |
elaine feeney |
Blight |
Elisabeth Rowe |
The Woodpigeon and Me |
eliza homan |
Gypsum Mine, Skanesbukta |
ELIZABETH BAGBY |
Reckless |
Elizabeth Buttimer |
The Place Where No Trees Grow |
Elizabeth Buttimer |
Soft Moonlight From The Window |
Elizabeth Buttimer |
Despite His Good Ole Boy Ways, You Just Can’t Trust Him |
Elizabeth Buttimer |
The Price of a Biscuit |
Elizabeth Buttimer |
Unexpected Forecast |
Elizabeth Buttimer |
Life After Death |
Elizabeth Cox |
#girls on the brink |
Elizabeth Gleeson |
My Life as a Fountain Pen |
Emily Vieweg |
Amen |
Eric Berlin |
Gutter Ball |
Eric Berlin |
How to Avoid the Grave |
Eugenie Theall |
Mercurial Ocean |
Fintan Clabby |
Place of Stone |
Frank Farrelly |
BLVD |
Gary Quinn |
The sink |
Gerry Dorrian |
Flaking Paint on the Stanchion |
Glen Wilson |
Divining at Lissywollen |
Grace Wilentz |
Common Woes |
Gráinne Tobin |
The Art of Limning |
H David |
In Memory |
Hannah Glickstein |
Ordinary Pain |
Hannah Glickstein |
Rain |
Hannah Glickstein |
Lotus Sutra |
Harry Newman |
The Opposite of Rescue |
Heather Duffy |
Scarecrow |
Hong Ray Tee |
Talking shit |
Ian Shine |
Feast |
Jacqueline P Haskell |
Back Door |
Jacquelyn Shreeves-Lee |
Hy-Brasil |
James O’Sullivan |
Rust |
James O’Sullivan |
Mapping Hi-Zex Island |
Janet Lees |
Autobiography |
Jay Kidd |
Carapace |
Jay Whittaker |
Only Child |
jeanne wilkinson |
Recovery |
Jed Myers |
Intern’s Memory |
Jed Myers |
Blackout |
Jed Myers |
These Years You Climb |
Jed Myers |
The Temperature |
Jed Myers |
Passover |
Jenny McRobert |
A bell in the distance |
jenny pollak |
Vanishing Point |
jenny pollak |
The Library |
Jess Bugg |
Sat Nav Pilgrimage |
Jim Green |
Under the bus |
Jim Lamey |
The Checkout at Lidl |
John D Kelly |
Teenaga Kicks |
John D Kelly |
“Ballade to a Dublin Day” |
John Pidgeon |
A Short History of the Cold War |
Jonathan Pinnock |
Coiffer |
jones irwin |
Black Baby Money |
Karen Ashe |
You’d know it was Spring |
Karina Tynan |
The Fountain of Relative Age |
Kathleen Balma |
What Do Ghosts Need? |
Kathleen Balma |
For Oyster Shuckers |
Kathleen Balma |
Temporary Empathy |
Kathleen Balma |
Singularity |
Kathleen Balma |
Mass Rock at Gortaghig |
Kathleen O’Toole |
The Good News |
Katie Bickham |
silk |
Katie Fitzpatrick |
Goeld aand Blue |
kellyn gooding |
Nothing Matters |
Kevin Conroy |
Entangled Life at Murrisk Pier |
Kevin Conroy |
Plumes of Enceladus |
Kristina Blaine |
Somewhere Between Madness and Alienation |
Krystyna Rawicz |
More Sinner than Sinned Against |
Krystyna Rawicz |
Everything to Lose |
Krystyna Rawicz |
A collect of archways |
Laila Farnes |
Discovering light |
Laila Farnes |
See no evil |
Laila Farnes |
Hives |
Laila Farnes |
The Vortex |
Laura Foley |
The Dance of the Wind |
Leigh Whiting |
You Said I was your Moon |
Leigh Whiting |
Mowing the Lawn |
Lisa St John |
Inclement |
Lorna Shaughnessy |
A Question for Van the Man |
Lynn Sadler |
Going Beyond |
Maggie Jackson |
A Romance Revisited |
Maggie Jackson |
Plainsong |
Maggie Jackson |
Extracts from Advent Journey 2015 – an Interweaving |
Maggie Jackson |
Triptych |
Maggie Jackson |
WINTERIZE |
Majella Kelly |
FUNERAL |
Majella Kelly |
Her Takotsubo Heart |
Mandy Beaumont |
Land’s Wounding |
Mara Adamitz Scrupe |
Lacunae |
Mara Adamitz Scrupe |
The Sidewinder Sleeps Tonight |
Maria Ní Mhurchú |
Minuet |
Marian Fielding |
Dirty Window |
Mary Madec |
Rain |
Mary Upton |
Silent Journey 2 |
Marylou DiPietro |
Curfew |
Matt Hohner |
Dorothea in the Labyrinth |
Michael Coy |
The Soddy |
Michael Fleming |
Blood and Honey |
Michael Poage |
Memorabilia |
michelle brock |
Daily Bread |
michelle brock |
The Spy’s Wife |
Monika McGreal Viola |
Travels with my Father |
Mran-Maree Laing |
White Calla Lily (on red) |
Nancy Lewis |
Ten Minutes |
Natalie Holborow |
Felix Baumgartner’s Spacesuit |
Natalie Scott |
Neill Speers Moving On |
Neill Speers |
Ode to Maria |
nollaig rowan |
to FORSWEAR — (verb : renounce, disavow, reject, disown, abjure, give up) |
nollaig rowan |
a foreign country |
Norm Neill |
VE Day |
Norm Neill |
Cloud 9 |
Olivia Walwyn |
Salvador Dali’s “Down the Rabbit Hole” |
Orla Donoghue |
Carer and seagrass |
Orlagh O’Farrell |
Cloud Cuckoo Land |
Pamela OBrien |
Gilgamesh was written by Humans. |
Patrick Butler |
Flash in the Distance |
Patrick Dixon |
3030s |
Paul Bregazzi |
Lesson |
Paul Bregazzi |
THE ALBATROSS AT LANGDON SCHOOL |
Paul Nash |
THE NIGHT TRAIN STEWARD |
Paul Nash |
LA HAUTE BORNE |
Paul Nash |
Coor Li |
Peter Branson |
Amazon |
Rachel Fenton |
Thought Experiment |
Radhika Chadha |
salt free, gluten free |
Richard Thompson |
ZOMBIES |
Robert Campbell |
Broken Lines |
Robert Rooney |
Cormorant |
Robert Rooney |
The Book House Hotel, Bursa |
Robyn Rowland |
Ode to Love |
Roisin Kelly |
HOW TO SET YOURSELF ON FIRE |
Ron Carey |
Sandcastles |
Rosalin Blue |
Biology Drive |
Rosalin Blue |
Abuse |
Rosita Sweetman |
Warren Mathews |
Ross Donlon |
Moving |
S A McCormick |
It came from everywhere |
Saakshi Joshi |
The Secret Religion |
Samuel Selinger |
Can I just speak to you for a second? |
Sarah Byrne |
Letter from St. Judes, April 1956 |
Sarah Byrne |
Sandhill Road, Ballybunion, 1979 |
Sarah Kelly |
Reni’s Cenci in the sitting room |
Sarah Kelly |
She Sees Him |
Shirley Bunyan |
Bitch O Bytes |
Shirley Bunyan |
Father, Diving |
Shubha Venugopal |
mother ireland’s lament for her son 2016 |
Sighle Meehan |
The Dyslexic |
Soon Eu Leon |
Davy Jones Lockup |
Steve Startup |
Amphibious Landings |
Stuart Lee |
HOLY GRAIL |
Susanna Clayson |
‘MAM’ |
Susanna Clayson |
The Ridding |
Tess Barry |
Camerata |
Theophilus Kwek |
Eaters of the Apple |
Tom Moore |
March Madness |
trish kelly |
Word by Word |
Trish McGrath |
Key |
Trudie Murrell |
Talking At Dawn To Myself In Riga |
Wende McCabe |
The Last Call |
Wiebo Grobler |
Gorgon |
Zoila Bergeron |
Vivid, astute, gripping, evocative. These stories utterly transported me. – Sarah Hall (Short Story)
In the landscape of emotion and folly, Flash writers are a fearless lot – these stories prove it. – Michelle Elvy (Flash Fiction)
… combining the personal and particular with the universal, each touching in surprising ways … experiences that burn deep, that need to be told. – Sean Lusk (Memoir)
Strong poems. First place is a poem I wish I’d written! – Billy Collins (Poetry)
More… a showcase of disquiet, tension, subversion and surprise …
so many skilled pieces … gem-like, compressed and glinting, little worlds in entirety that refracted life and ideas … What a joy!
– Sarah Hall
… memoirs pinpointing precise
feelings of loss and longing and desire.
– Sean Lusk
What a pleasure to watch these poets’ minds at work, guiding us this way and that.
– Billy Collins
‘… delightful, lively send-up … A vivid imagination is at play here, and a fine frenzy is the result.’ – Billy Collins
‘… laying frames of scenic detail to compose a lyric collage … enticing … resonates compellingly. … explosive off-screen drama arises through subtly-selected detail. Sharp, clever, economical, tongue-in-cheek.’ – Tracey Slaughter
Brave stories of danger and heart and sincerity.
Some risk everything outright, some are desperately quiet, but their intensity lies in what is unsaid and off the page.
These are brilliant pieces from bright, new voices.
A thrill to read.
~ Emily Ruskovich
I could see great stretches of imagination. I saw experimentation. I saw novelty with voice and style. I saw sentences that embraced both meaning and music. ~ Colum McCann
MoreThese glorious pieces have spun across the globe – pit-stopping in Japan, the Aussie outback, Vancouver, Paris, Amsterdam and our own Hibernian shores – traversing times past, present and imagined future as deftly as they mine the secret tunnels of the human heart. Enjoy the cavalcade. – Mia Gallagher
MoreThe standard is high, in terms of the emotional impact these writers managed to wring from just a few pages. – Billy O’Callaghan
Loop-de-loopy, fizz, and dazzle … unique and compelling—compressed, expansive, and surprising. – Sherrie Flick
Every page oozes with a sense of place and time. – Marti Leimbach
Energetic, dense with detail … engages us in the act of seeing, reminds us that attention is itself a form of praise. – Ellen Bass
MoreDead Souls has the magic surplus of meaning that characterises fine examples of the form – Neel Mukherjee
I was looking for terrific writing of course – something Fish attracts in spades, and I was richly rewarded right across the spectrum – Vanessa Gebbie
Really excellent – skilfully woven – Chris Stewart
Remarkable – Jo Shapcott
The practitioners of the art of brevity and super-brevity whose work is in this book have mastered the skills and distilled and double-distilled their work like the finest whiskey.
More€12 (incl. p&p) Sunrise Sunset by Tina Pisco Read Irish Times review by Claire Looby Surreal, sad, zany, funny, Tina Pisco’s stories are drawn from gritty experience as much as the swirling clouds of the imagination. An astute, empathetic, sometimes savage observer, she brings her characters to life. They dance themselves onto the pages, […]
MoreHow do we transform personal experience of pain into literature? How do we create and then chisel away at those images of others, of loss, of suffering, of unspeakable helplessness so that they become works of art that aim for a shared humanity? The pieces selected here seem to prompt all these questions and the best of them offer some great answers.
– Carmen Bugan.
What a high standard all round – of craft, imagination and originality: and what a wide range of feeling and vision.
Ruth Padel
I was struck by how funny many of the stories are, several of them joyously so – they are madcap and eccentric and great fun. Others – despite restrained and elegant prose – managed to be devastating. All of them are the work of writers with talent.
Claire Kilroy
The writing comes first, the bottom line comes last. And sandwiched between is an eye for the innovative, the inventive and the extraordinary.
MoreA new collection from around the globe: innovative, exciting, invigorating work from the writers and poets who will be making waves for some time to come. David Mitchell, Michael Collins, David Shields and Billy Collins selected the stories, flash fiction, memoirs and poems in this anthology.
MoreReading the one page stories I was a little dazzled, and disappointed that I couldn’t give the prize to everybody. It’s such a tight format, every word must count, every punctuation mark. ‘The Long Wet Grass’ is a masterly bit of story telling … I still can’t get it out of my mind.
– Chris Stewart
The perfectly achieved story transcends the limitations of space with profundity and insight. What I look for in fiction, of whatever length, is authenticity and intensity of feeling. I demand to be moved, to be transported, to be introduced into other lives. The stories I have selected for this anthology have managed this. – Ronan Bennett, Short Story Judge.
MoreI sing those who are published here – they have done a very fine job. It is difficult to create from dust, which is what writers do. It is an honour to have read your work. – Colum McCann
MoreThe entries into this year’s Fish Short Story Prize were universally strong. From these the judges have selected winners, we believe, of exceptional virtue. – Carlo Gebler
MoreI was amazed and delighted at the range and quality of these stories. Every one of them was interesting, well-written, beautifully crafted and, as a short-story must, every one of them focused my attention on that very curtailed tableau which a short-story necessarily sets before us. – Michael Collins
MoreThese stories voice all that is vibrant about the form. – Gerard Donovan. Very short stories pack a poetic punch. Each of these holds its own surprise, or two. Dive into these seemingly small worlds. You’ll come up anew. – Angela Jane Fountas
MoreEach of the pieces here has been chosen for its excellence. They are a delightfully varied assortment. More than usual for an anthology, this is a compendium of all the different ways that fiction can succeed. I invite you to turn to ‘All the King’s Horses’. The past is here. Begin.
– Michel Faber
Literary anthologies, especially of new work, act as a kind of indicator to a society’s concerns. This Short Story collection, such a sharp and useful enterprise, goes beyond that. Its internationality demonstrates how our concerns are held in common across the globe. – Frank Delaney
MoreFrom the daily routine of a career in ‘Spoonface’, to the powerful, recurring image of a freezer in ‘Shadow Lives’. It was the remarkable focus on the ordinary that made these Fish short stories such a pleasure to read. – Hugo Hamilton
MoreIn a world where twenty screens of bullshit seem to be revolving without respite … there is nothing that can surpass the ‘explosion of art’ and its obstinate insistence on making sense of things. These dedicated scribes, as though some secret society, heroically, humbly, are espousing a noble cause.
– Pat McCabe
It’s supposed to be a short form, the good story, but it has about it a largeness I love. There is something to admire in all these tales, these strange, insistent invention. They take place in a rich and satisfying mixture of places, countries of the mind and heart. – Christopher Hope
MoreThere are fine stories in this new anthology, some small and intimate, some reaching out through the personal for a wider, more universal perspective, wishing to tell a story – grand, simple, complex or everyday, wishing to engage you the reader. – Kate O’Riodan
MoreI feel like issuing a health warning with this Fish Anthology these stories may seriously damage your outlook – Here the writers view the world in their unique way, and have the imagination, talent, and the courage to refine it into that most surprising of all art forms the short story. – Clem Cairns.
MoreEvery story in this book makes its own original way in the world. knowing which are the telling moments, and showing them to us. And as the narrator of the winning story casually remarks, ‘Sometimes its the small things that amaze me’ – Molly McCloskey
MoreThe stories here possess the difference, the quirkiness and the spark. They follow their own road and their own ideas their own way. It is a valuable quality which makes this collection a varied one. Read it, I hope you say to yourself like I did on many occasions, ‘That’s deadly. How did they think of that?’ – Eamonn Sweeney
MoreReally good short stories like these, don’t read like they were written. They read like they simply grew on the page. – Joseph O’Connor
MoreThe writers in this collection can write short stories . . . their quality is the only thing they have in common. – Roddy Doyle
MoreThis is the first volume of short stories from Ireland’s newest publishing house. We are proud that fish has enabled 15 budding new writers be published in this anthology, and I look forward to seeing many of them in print again.
More12 Miles Out was selected by David Mitchell as the winner of the Fish Unpublished Novel Award.
A love story, thriller and historical novel; funny and sad, uplifting and enlightening.
You only know who you can’t trust. You can’t trust the law, because there’s none in New Ireland. You can’t trust the Church, because they think they’re the law. And you can’t trust the State, because they think they’re the Church And most of all, you can’t trust your friends, because you can’t remember who they were anymore.
MoreA memoir of urban life, chronicled through its central character, Mackey. From momentary reflections to stories about his break with childhood and adolescence, the early introduction to the Big World, the discovery of romance and then love, the powerlessness of ordinary people, the weaknesses that end in disappointment and the strengths that help them seek redemption and belonging.
MoreIan Wild’s stories mix Monty Python with Hammer Horror, and the Beatles with Shakespeare, but his anarchic style and sense of humour remain very much his own in this collection of tall tales from another planet. Where else would you find vengeful organs, the inside story of Eleanor Rigby, mobile moustaches, and Vikings looting a Cork City branch of Abracababra?
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